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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
30.1k
PlaybackListensHours
48h54173
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.8k292
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.7k346
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h3.9k523
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h3.7k478
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h3.1k407
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h3k369
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.5k176
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h8.2k1k
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h1.1k119
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h1.9k226
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.8k664
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.5k190
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.7k210
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k242
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h9.9k1.2k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.8k248
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h2k273
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h10.1k1.4k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h13.5k1.8k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h38140
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h4k514
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5.5k730
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h3.1k391
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.9k201
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h2k234
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k223
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h62878
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h12217
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h32324
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h322
7d1037
30d62737
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140394.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- Thhis file set is 16 bit
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140343.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:28:50
SBD
Rating:
7.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.sbd.miller.91160.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Move Tuning -> China Cat -> Rider to end of 1st Set to fit onto 2 discs -- Two different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 15
1:00:54
SBD
Rating:
9.00 / 2 ratings
SHNID:
gd88-04-01.set1-sbd.miller-samaritano.22309.sbeok.shnf
Source:
*Set 1 Only*<br>Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper Notes:
View Notes*Set 1 Only*<br /> Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper: Steven Porter
2:28:13
SBD
Taper:
Steven Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147043.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:28:13
SBD
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147042.sennme80.porter.carbonetta.sirmick.flac16
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Andrew F
2:27:09
SBD
Rating:
8.57 / 8 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-04-01.ihfm.andrewf.89939.sbeok.flac16
Source:
SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area.
Lineage:
MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Some static bursts during tuning before Half Step. - Vocals too hot at start of Half Step, evens out as things progress. - Disc break is seamless. - Tape-flip in Space at 4:11.393 mended together. - Soundforge used for fades, adjust levels, smooth static bursts. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 8 of 15
2:23:14
SBD
Rating:
9.25 / 33 ratings
SHNID:
gd88-04-01.sbd-matrix.braverman.11264.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Taper Notes:
View NotesSource: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Transferrer: Painoman
2:23:22
SBD
Transferrer:
Painoman
SHNID:
gd1988-04-01.ifm.painoman.9795.sbeok.shnf
Source:
SBD>DAT>?>CD (Possible Healy-FM)
Taper Notes:
View NotesNotes: D1T01 - 1 sec static bursts at 0:00, 0:19 and 0:25 (Mississippi Half-Step) D1T04 - 1 sec static burst at 6:18 (Ballad of a Thin Man) D1T05 - 1 sec static burst at 2:30 (When Push Comes To Shove) D1T06 - 2 sec static burst at 4:50 and 1 sec static burst at 5:26 (Minglewood Blues) D2T02 - Muffled static pops at 3:35 and 3:40 (Estimated Prophet) D2T04 - Begins very abruptly, probably a splice (Space) D2T09 - Cuts in with a smooth splice (Audience NFA Refrain) The Second Set is seemless across discs for future use. Tools: CD audio extracted with EAC 0.93b3 in Secure Mode Source cleaned up with Sound Forge 4.5 WAV files split with with CDWave 1.7 Sector boundaries verified with SHNTOOL 1.01 Seeking SHN encoded with MKWact 0.97b1 ------------ Major domo arigato to Master Therion for the source discs! Another installment of The Music Never Stopped Project! PainoMan - May 2002
Transferrer: Scott Clugston and Charlie Miller
2:34:19
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-04-01.140934.bk411.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
Source:
1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1)2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the the 1st set source, as well as the 2nd set PCM master - Thanks to Charlie Miller for the transfer - April Fool's intro - "Little Bunny Foo Foo/Itsy Bitsy Spider" tuning, followed by "Thank you very much, we'll be right back" before the start of the 1st set Mastered by Scott Clugston & Charlie Miller January 16, 2018
Taper: M.Laurentus
2:28:26
Rating:
10.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-04-01.124839.AT835.laurentis.flac16
Source:
AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
Taper: fitzy
2:26:16
Rating:
6.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124798.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:26:14
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124797.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: WKLITZ
2:30:11
Rating:
8.00 / 3 ratings
Taper:
WKLITZ
Transferrer:
M. Watson
SHNID:
gd1988-04-01.senn-me80.litzenberger.watson.91296.sbefail.flac16
Source:
(OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2
Lineage:
MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac
Taper: Jon Pasternak
2:26:40
Taper:
Jon Pasternak
Transferrer:
Andrew F
SHNID:
gd1988-04-01.nak300.pasternak.andrewf.90921.sbeok.flac16
Source:
AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B.
Lineage:
MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- During intermission Jon moved his deck to the better taping location. - Disc break is seamless. - Patch from ShnID-89939 covers tape-flip, Space 1:34 > 2:19. - Soundforge used to make fades, add patch, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.