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Bands
Grateful Dead
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h53170
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h897138
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h3k408
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.9k645
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5.6k718
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.6k345
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.8k349
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k154
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h5.7k653
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1k118
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k198
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.1k474
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k175
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k160
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k224
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h7.1k853
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k231
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k267
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.5k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h18.9k2.5k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h34837
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k468
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k714
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.6k326
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k212
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k170
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k180
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h43555
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14519
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h34824
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h182
7d1268
30d63237
2 shows
2 tapes
1988
Sources
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
10.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140394.UltraMatrix.sbd.cm.miller.flac1644
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete -- Thhis file set is 16 bit
Transferrer: Charlie Miller
2:28:58
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.140343.sbd.miller.flac2496
Source:
UltraMatrix SBD > Cassette Master (TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Two sets of masters were used to make this show complete
Transferrer: Charlie Miller
2:28:50
SBD
Rating:
7.14 / 8 ratings
Transferrer:
Charlie Miller
SHNID:
gd1988-04-01.sbd.miller.91160.sbeok.flac16
Source:
SBD -> Cassette Master (TDK SA-X90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Move Tuning -> China Cat -> Rider to end of 1st Set to fit onto 2 discs -- Two different SBD Cassette Masters were used to make this show complete -- Thanks to Joe B. Jones for his help with the pitch correction
Source 4 of 15
1:00:54
SBD
Rating:
9.00 / 2 ratings
SHNID:
gd88-04-01.set1-sbd.miller-samaritano.22309.sbeok.shnf
Source:
*Set 1 Only*<br>Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper Notes:
View Notes*Set 1 Only*<br /> Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
Taper: Steven Porter
2:28:13
SBD
Taper:
Steven Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147043.sennme80.porter.carbonetta.sirmick.flac24
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Stephen Porter
2:28:13
SBD
Taper:
Stephen Porter
Transferrer:
Nick Carbonetta and SirMick
SHNID:
gd1988-04-01.147042.sennme80.porter.carbonetta.sirmick.flac16
Source:
Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Portereg: SBD > DAT
Lineage:
Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
Taper Notes:
View NotesComments: "Alouette, Gentille Alouette" tuning followed April fool from Wier at beginning of Set I "Thank you very much, we'll be right back" Notes: - Tape flips patched with shnid 140934 - Thank you Ted Mattes. - Pitch corrected. Thanks to Stephen Porter for his masters. Thanks to Nick Carbonetta for doing the transfer. edited and mastered SIRMick July 2019
Taper: Andrew F
2:27:09
SBD
Rating:
8.57 / 8 ratings
Taper:
Andrew F
Transferrer:
Andrew F
SHNID:
gd1988-04-01.ihfm.andrewf.89939.sbeok.flac16
Source:
SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area.
Lineage:
MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- Some static bursts during tuning before Half Step. - Vocals too hot at start of Half Step, evens out as things progress. - Disc break is seamless. - Tape-flip in Space at 4:11.393 mended together. - Soundforge used for fades, adjust levels, smooth static bursts. - TLH used for SBE-OK, FLAC compression, and checksums.
Source 8 of 15
2:23:14
SBD
Rating:
9.25 / 33 ratings
SHNID:
gd88-04-01.sbd-matrix.braverman.11264.sbeok.shnf
Source:
Ultramatrix (SBD/AUD mix)
Lineage:
DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Taper Notes:
View NotesSource: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
Transferrer: Painoman
2:23:22
SBD
Transferrer:
Painoman
SHNID:
gd1988-04-01.ifm.painoman.9795.sbeok.shnf
Source:
SBD>DAT>?>CD (Possible Healy-FM)
Taper Notes:
View NotesNotes: D1T01 - 1 sec static bursts at 0:00, 0:19 and 0:25 (Mississippi Half-Step) D1T04 - 1 sec static burst at 6:18 (Ballad of a Thin Man) D1T05 - 1 sec static burst at 2:30 (When Push Comes To Shove) D1T06 - 2 sec static burst at 4:50 and 1 sec static burst at 5:26 (Minglewood Blues) D2T02 - Muffled static pops at 3:35 and 3:40 (Estimated Prophet) D2T04 - Begins very abruptly, probably a splice (Space) D2T09 - Cuts in with a smooth splice (Audience NFA Refrain) The Second Set is seemless across discs for future use. Tools: CD audio extracted with EAC 0.93b3 in Secure Mode Source cleaned up with Sound Forge 4.5 WAV files split with with CDWave 1.7 Sector boundaries verified with SHNTOOL 1.01 Seeking SHN encoded with MKWact 0.97b1 ------------ Major domo arigato to Master Therion for the source discs! Another installment of The Music Never Stopped Project! PainoMan - May 2002
Transferrer: Scott Clugston and Charlie Miller
2:34:19
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1988-04-01.140934.bk411.schoeps.cmc3.mk41.mattes.miller.clugston.flac1644
Source:
1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1)2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS)
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the the 1st set source, as well as the 2nd set PCM master - Thanks to Charlie Miller for the transfer - April Fool's intro - "Little Bunny Foo Foo/Itsy Bitsy Spider" tuning, followed by "Thank you very much, we'll be right back" before the start of the 1st set Mastered by Scott Clugston & Charlie Miller January 16, 2018
Taper: M.Laurentus
2:28:26
Rating:
10.00 / 1 rating
Taper:
M.Laurentus
Transferrer:
M.Laurentus
SHNID:
gd1988-04-01.124839.AT835.laurentis.flac16
Source:
AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
Taper: fitzy
2:26:16
Rating:
6.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124798.Flac1644
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: fitzy
2:26:14
Rating:
10.00 / 1 rating
Taper:
fitzy
Transferrer:
Keo
SHNID:
gd1988-04-01.Nak300CP4.Fitzy.Keo.124797.Flac2496
Source:
Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Fitzy for recording and sharing his source for this show! Excellent sound for this one and and an awesome show as well.I chose this date to start off with sharing Fitzy's GD masters though a few more were recorded before this one and many more after!!!! AS ALWAYS LISTEN AND ENJOY!!!!!!!!!!!!!!!!!!!!
Taper: WKLITZ
2:30:11
Rating:
8.00 / 3 ratings
Taper:
WKLITZ
Transferrer:
M. Watson
SHNID:
gd1988-04-01.senn-me80.litzenberger.watson.91296.sbefail.flac16
Source:
(OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2
Lineage:
MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac
Taper: Jon Pasternak
2:26:40
Taper:
Jon Pasternak
Transferrer:
Andrew F
SHNID:
gd1988-04-01.nak300.pasternak.andrewf.90921.sbeok.flac16
Source:
AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B.
Lineage:
MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC.
Taper Notes:
View Notes- During intermission Jon moved his deck to the better taping location. - Disc break is seamless. - Patch from ShnID-89939 covers tape-flip, Space 1:34 > 2:19. - Soundforge used to make fades, add patch, and adjust levels. - TLH used for SBE-OK, FLAC compression, and checksums.