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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
11/20/85
Tuning
2:11
Jack Straw
5:29
Peggy-O
8:57
C C Rider
7:29
Stagger Lee
7:18
My Brother Esau
4:24
High Time
8:39
Beat It On Down The Line ->
3:04
The Promised Land ->
4:23
Don't Ease Me In
3:01
Tuning
1:41
Iko Iko
6:45
Lost Sailor ->
6:59
Saint Of Circumstance ->
7:09
Terrapin Station ->
17:37
Don't Need Love ->
8:44
Drums ->
3:05
Space ->
8:56
Stella Blue ->
6:57
Sugar Magnolia
8:12
Crowd/Tuning
0:25
U.S. Blues
4:42
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:12:21
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-20.134823.sur5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; 5.1 LPCM Surround Sound (48k)- SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - mixing by Kevin Tobin
Taper Notes:
View Notes5.1 LPCM Surround Sound Mix (48k) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-DEC-2015 - Trader Little Helper - Tagged 14-DEC-2015 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:12:22
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-20.134789.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix</b>; SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-DEC-2015 - Trader Little Helper - Tagged 07-DEC-2015 - Tag&Rename --------------------------------------------------------- Front Left Channel SBD -0db Right Channel SBD -0db Center Mixed to mono -1db SBD Surround Left Channel -2db AUD Right Channel -2db AUD Sub/LFE Mixed to mono -1db SBD --------------------------------------------------------- More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:12:22
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-20.134788.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix(48%-SBD/52%-AUD) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-DEC-2015 - Trader Little Helper - Tagged 07-DEC-2015 - Tag&Rename --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD 0 AUD -1 SET TWO Stereo Matrix SBD 0 AUD -1 --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:12:22
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-20.134787.upg-aud.tobin.flac16
Source:
(original shnid = 92898) Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected Audience --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 07-DEC-2015 - Trader Little Helper - Tagged 07-DEC-2015 - Tag&Rename --------------------------------------------------------- Only minor patching - 1st set had some additional dead air before High Time to match soundboard tracks. 2nd set had 31 seconds added during the end of Terrapin Station. Speedwise the audience was very slow compared to other recordings - about 1 seconds per minute. Brokedown House Production