Scarlet Begonias -> | 1985-11-11 | Grateful Dead

View NotesPatched and pitch corrected soundboard  (44/16)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 02-SEP-2018 - Trader Little Helper
- Tagged 02-SEP-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Remastered by Scott Clugston June 2023

2:22:16

SBDREMASTER

Transferrer:

Remastered by Scott Clugston June 2023

SHNID:

gd1985-11-11.165377.sbd.patched.pc.shnid14862.clugston.flac16

Source:

This is a patched, pitch corrected and remastered version of shnid14862

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the Beyer M160 source which supplies a 1:38 patch in "Bird Song", as well as a 2:37 patch in "Drums"
- Pitch corrected using the Oade digital source as reference

Remastered by Scott Clugston
June 2023

Transferrer: Kevin Tobin

gd1985-11-11.143074.mtx.tobin.flac1644

Source:

<i>Matrix 2 Source Mix</i> - SBD (shnid = 14862)

Lineage:

SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 2 Source Mix (44/16)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 02-SEP-2018 - Trader Little Helper
- Tagged 02-SEP-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Hunter Seamons

gd1985-11-11.mtx.seamons.95966.sbeok.flac16

Source 5 of 21

gd85-11-11.sbd.doughty.14862.sbeok.shnf

Source:

Lineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4

Lineage:

SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4

Taper Notes:

View NotesLineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT  Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1985-11-11.165385.beyer.m160.vita.miller.clugston.flac2496

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:54 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
June 2023

Taper: Jim Vita

Scott Clugston, Charlie Miller

SHNID:

gd1985-11-11.165384.beyer.m160.vita.miller.clugston.flac1648

Source:

Jim Vita's Master (FOB) Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)

Lineage:

Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Jim Vita (RIP) for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:54 patch in the "Drums > Space" transition
- Pitch corrected

Mastered by Scott Clugston
June 2023

Taper: Recorded by Doug Lamarre

2:21:33

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-11-11.152048.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Bird Song" (0:45 total), the beginning of "Looks Like Rain" (0:08 total), as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2021

Taper: Recorded by Doug Lamarre

2:21:33

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-11-11.152047.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Bird Song" (0:45 total), the beginning of "Looks Like Rain" (0:08 total), as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
February 2021

Taper: chasingwilma

gd1985-11-11.126730.chasingwilma.flac24

Source:

source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1985-11-11.nak300.morris.114679.flac24

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris

Taper Notes:

View NotesNotes:
 - Tape flip in Drums spliced at 7:00. 
 - Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris.
 - Thanks to Sam for help recording. 
 - Transfer (Nov 2009) & 2496 conversion/edits (Jul 2011) by Bob Morris.
 - Thanks to dnick926 for supplying the shnid's.
 - 2.93 GB total flac (1 DVD).

Taper: Bob Morris

gd1985-11-11.aud.morris.106809.flac16

Source:

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Taper Section 5, Row O, Seat 14

Lineage:

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Mark McCue

gd1985-11-11.fob.senn441.mccue.tetzeli-pitch.95245.sbeok.flac16

Source:

(FOB) 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) and TDK MA-R90(Set II)

Lineage:

Master Audience Cassettes> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@ 24/96)> coax> Audiophile 2496> WaveLab 5.0> .wav @ 24/96> Waves L3 UltraMaximizer> .wav @ 16/44.1> CD Wave Editor> Trader's Little Helper> FLAC16

Taper Notes:

View NotesAdditional editing by Bill Tetzeli:

- Inverted right channel to bring .wavs back into phase in Cool Edit Pro
- Adjusted pitch -57 cents in Wavelab 5.0, using Oade source (shnid 19303) as a reference
- Patched three seconds where the tape seemed to get momentarily stuck during Althea from 4:23-4:26 with Oade source
- Combined .wavs for set 1 and set 2 each in Wavemerge and retracked in CD Wave
- Removed filler track at end of CD 1

Remastered and seeded 10/10/2008 by Bill Tetzeli ([email protected])

Taper: Mark McCue

gd1985-11-11.fob.senn441.mccue.LMPP.94621.sbeok.flac16

Source:

(FOB) 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) and TDK MA-R90(Set II). Mic Config: forehead level, PAS. Location: FOB, 26th row, ROC

Lineage:

Taper Notes:

View Notes- Master audience cassettes provided by Mark McCue.

- SBE Free

- Shnid 19303 supplies tape flips and other minor patches.

- Filler: 11/10/85 2 x Nakamichi 300 > D5 > MAC ots taped by Jimmy from Philly.

Taper: Joe D'Amico

gd1985-11-11.nak300.damico.87540.sbeok.flac16

Source:

nak 300 mics > sony d-6 > mac

Lineage:

mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

Taper: Tony Suraci

gd1985-11-11.nak-cm304-beyerM101.79719.sbeok.flac16

Source:

Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS Floor Section 5, Stand at 9 Feet

Lineage:

Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16

Taper Notes:

View Notes* Recorded from directly behind SBD, very close to center.
Notes: This is the 16Bit version. 24 Bit is archived on DVDA.

Taper: Brian Mandel

gd1985-11-11.nak300.mandel.33584.sbeok.shnf

Source:

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Lineage:

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Taper: Charles Bandrofcheck

gd1985-11-11.cpb.retransfer.32639.sbeok.flac16

Source:

Do not remember the mics exception that they had shotgun characteristics > Sony D6 > Maxell MX 90's, located first right hand seat of taper section 12" stand.

Lineage:

Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN

Taper Notes:

View Notesnotes

*  tried Wave Merge here, but left a blip

- Don't know how it is now, but back then you had to have taper tickets to record.  There were specific instructions on a hot line for ordering tickets.  If you did not follow these exactly you were SOL.  I'd record the instructions.  Taper tickets were only available this way.  Half the tickets where publicly sold.

- This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or  rewinding during the actual recording.  Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Side of first cassette was recorded then B side of second cassette.

- Recording of CD is probably the 2nd or 3rd at most times these tapes have been played since being recorded. They have held up extremely well.  I keep all my tapes tight wound.

Hope you enjoy.

Charlie

Source 19 of 21

gd85-11-11.aud.oade.19303.sbeok.shnf

Source:

Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1

Lineage:

PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT

Taper Notes:

View NotesSchoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT

Taper: Mark Cohen

gd85-11-11.naks.cohen.17960.sbeok.shnf

Source:

Audience analog cassette master 2 Nakamichi cm-700's > Sony tc-d5M(dolby b)

Lineage:

MAC > CDR > WAV > SHN

Taper Notes:

View NotesMAC > CDR > WAV > SHN. Audience analog cassette master 2 Nakamichi  cm-700's > Sony tc-d5M(dolby b) recorded by Mark Cohen. a-d transfer > SHN by Anne Cohen.

Source 21 of 21

1:19:49

SHNID:

gd85-11-11.schoeps-set2.barbella.12083.sbeok.shnf

Source:

Schoeps CMC 341's> Master Cassette > DAT > CDR

Taper Notes:

View Notes2nd set only; Schoeps CMC 341's> Master Cassette > DAT > CDR; via Storyteller; Seeded to etree by Steve Barbella