Brown Eyed Women | 1985-11-08 | Grateful Dead

Matrix by Kevin Tobin

gd1985-11-08.142749.mtx.tobin.flac2496

gd1985-11-08.139899.sbd.cm.miller.flac1644

View NotesSBD + AUD Matrix 2 Source Mix (96/24)

---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 24-JUL-2018 - Trader Little Helper
- Tagged 24-JUL-2018 - Tag&Rename
---------------------------------------------------------
Brokedown House Production

Transferrer: Charlie Miller

SBD > Cassette Master (TDK MA-R90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

gd1985-11-08.139717.sbd.miller.flac2496

View NotesNotes:
-- Thanks to the Oade Brothers for the patch source
-- This fileset is 16 bit

Transferrer: Charlie Miller

SBD > Cassette Master (TDK MA-R90)

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24

Scott Clugston and Bill Tetzeli

View NotesNotes:
-- Thanks to the Oade Brothers for the patch source

Transferrer: Scott Clugston and Bill Tetzeli

gd1985-11-08.sbd.clugston.tetzeli.patch-5301.35361.sbeok.shnf

Master Soundboard Cassette > Reel to Reel > DAT > CDR

CDR > EAC > SHN > ? > SHN

gd85-11-08.sbd.clugston.5301.sbeok.shnf

View NotesCharlie Connor's Master Audience Cassette; Beyer M88 mics>Sony TC-D5M supplies "Jack Straw" (d1t07) and "Might As Well" (d1t08)

Bill Tetzeli patched in some missing Space from :34 to 3:08 using Doug Oade's AUD source (shnid 4773).  The AUD was pitch and volume adjusted and crossfaded with the SBD source.  Shntool was used to clean up SBEs.

Source 6 of 27

Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8

Scott Clugston, Charlie Miller

View NotesMaster Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min

Taper: Michael Hessberg

gd1985-11-08.169422.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:44 patch in "Space"
- Other One themed "Space"
- Other One space included in "The Other One"
- "It's nobody's birthday"
- Pitch corrected

Mastered by Scott Clugston
March  2023

Taper: Michael Hessberg

gd1985-11-08.169421.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:44 patch in "Space"
- Other One themed "Space"
- Other One space included in "The Other One"
- "It's nobody's birthday"
- Pitch corrected

Mastered by Scott Clugston
March  2023

Taper: Rob Eaton

gd1985-11-08.164302.akg451.ck8.eaton.miller.clugston.flac2496

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Rob Eaton, Scott Clugston, Charlie Miller

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:56 patch in "Space"
- "It's nobody's birthday"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Rob Eaton

gd1985-11-08.164301.akg451.ck8.eaton.miller.clugston.flac1648

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:56 patch in "Space"
- "It's nobody's birthday"
- Pitch verified

Mastered by Scott Clugston
January 2023

Taper: Recorded by Doug Lamarre

2:07:08

Recorded by Doug Lamarre

gd1985-11-08.152021.senn441.lamarre.miller.clugston.flac2496

Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies an 0:11 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2021

Taper: Recorded by Doug Lamarre

2:07:08

Recorded by Doug Lamarre

gd1985-11-08.152020.senn441.lamarre.miller.clugston.flac1648

Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies an 0:11 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
February 2021

Taper: Rob Hunt and Ted Mattes

2:11:31

Rob Hunt and Ted Mattes

gd1985-11-08.149436.senn441.hunt.mattes.miller.clugston.flac2496

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:55 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
February 2019

Taper: Rob Hunt and Ted Mattes

2:11:31

Rob Hunt and Ted Mattes

gd1985-11-08.149435.senn441.hunt.mattes.miller.clugston.flac1648

Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M

Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Rob Hunt and Ted Mattes for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:55 patch in the "Drums > Space" transition
- Other One space included in "The Other One"
- Pitch corrected

Mastered by Scott Clugston
February 2019

Taper: Executive Crew; Mike Davis, Kyle Holbrook

2:07:29

Executive Crew; Mike Davis, Kyle Holbrook

Kyle Holbrook

gd1985-11-08.154072.akgc422.davis-holbrook.f2448

Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC

View Notes//    tape flip
///   tape paused for lead deck to flip
#     final time played
**    first 20 seconds odd distortion, 1 channel drops out

Taper: Executive Crew; Mike Davis, Kyle Holbrook

2:07:29

Executive Crew; Mike Davis, Kyle Holbrook

Kyle Holbrook

gd1985-11-08.154071.akgc422.davis-holbrook.f1644

Kevin Tobin and chasingwilma

View Notes//    tape flip
///   tape paused for lead deck to flip
#     final time played
**    first 20 seconds odd distortion, 1 channel drops out

Taper: chasingwilma

gd1985-11-08.142748.pp-aud.chasingwilma.tobin.flac1644

Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin

Kevin Tobin and chasingwilma

View NotesPatched and pitch corrected audience (44/16)
Patching during end of Space. Speedwise the audience was a very fast when compared to other recordings - 1.5 seconds per minute. 

Brokedown House Production

Taper: chasingwilma

gd1985-11-08.142747.pp-aud.chasingwilma.tobin.flac2496

Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin

gd1985-11-08.126696.chasingwilma.flac24

View NotesPatched and pitch corrected audience (96/24)
Patching during end of Space. Speedwise the audience was a very fast when compared to other recordings - 1.5 seconds per minute. 

Brokedown House Production

Taper: chasingwilma

source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bob Morris

gd1985-11-08.nak300.morris.114677.flac24

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris

gd1985-11-08.aud.morris.106807.flac16

View NotesNotes:
 - Drums spliced at 6:15 and 6:20. 
 - Recorded by Bob Morris -- thanks to Sam for help. 
 - Transfer (Nov 2009) & 2496 conversion/edits (Jul 2011) by Bob Morris.
 - Thanks to dnick926 for help with shnid's etc.
 - One DVD Flac

Taper: Bob Morris

Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

Taper: Joe D'Amico

gd1985-11-08.nak300.damico.87509.sbeok.flac16

nak 300 mics > sony d-6 > mac

mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend

Taper: Andrew F

Andrew F and Jim Wise

gd1985-11-08.akg.andrewf.86547.sbeok.flac16

AKG CK1's > Uher CR-240 > Sony TC-D5M (first deck out). Taped onto Maxell MX-90's with no Dolby. Mics on stand (aprx 7 feet) set up just to the left (stage right) of the soundboard.

MAC > Nakamichi Dragon (no Dolby) > HHB. CDR-800 > CDR. EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC.

gd1985-11-08.naks.tonys.79024.sbeok.flac16

View NotesNotes: 
- ShnID-22023 provides four small patches, as follows...
- 1st Set Bobby intro 0:00 > 0:32. 
- Little Red Rooster 4:31 > 4:35. 
- 2nd Set Bobby intro 0:00 > 0:30. 
- Space 5:26 > 5:53. 
- Soundforge used to make fades, adjust levels, and add patches. 
- TLH used for SBE-OK, FLAC compression, and checksums. 
- This was the final GD performance at the War Memorial. 
- THANKS to Jim Wise for transferring my masters!

Taper: Tony Suraci

Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M

Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16bit>Cdwav>flac

Taper: Brian Mandel

gd1985-11-08.nak300.mandel.25275.sbeok.shnf

Nakamichi 300 Shotguns CP4's & Sony TCD5M

Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn

Taper: Oade Brothers

gd85-11-08.aud-oade.dwonk.22023.sbeok.shnf

Audience Recording

Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN)

gd85-11-08.beyer.connor.4773.sbeok.shnf

View NotesTapers: Oade Bros
Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1

Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN)

Tracking, fades and verification done by dwonk. 

First hosted via Bit Torrent February 5, 2004 by macdaddy

Source 27 of 27

AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT)