Bands
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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h45061
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.1k337
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k308
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k362
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k371
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k166
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k932
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h931105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.3k276
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5k585
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k164
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k197
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.9k233
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.5k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k211
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k255
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.6k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.8k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h41241
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.9k486
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.9k643
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k362
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.8k191
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k214
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.6k234
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h77094
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8312
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h22617
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h342
7d1037
30d62737
2 shows
2 tapes
1985
Sources
Taper: Anon
2:08:32
SBD
Rating:
8.00 / 1 rating
Taper:
Anon
Transferrer:
Speed Correction by Jason Chastain Audio Mastering by Jamie Waddell
SHNID:
gd1985-11-04.150099.sbd.anon.gems.flac1644
Source:
SBD Cassette > DAT
Taper Notes:
View Notes16bit/44.1kHz FLAC - crowd is mixed into this soundboard - benefactor couldn't recall exact lineage on this source, possibly an extra reel or PCM generation, very clean sounding - de-emphasized in the mastering stage
Transferrer: Bill Tetzeli
2:13:22
SBD
Rating:
7.60 / 5 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-04.sbd.fix-shnid-7801.tetzeli.83072.flac16
Source:
Pitch and patch fix of shnid 7801
Lineage:
SBD:MC> DAT> C> DAT> CD> SHN
Taper Notes:
View Notes-------------------------------------------------------------------------------- Pitch and patch fix of shnid 7801 I adjusted this source -50 cents in Wavelab, using tones generated in CE 2000 as a tuning fork. I also patched in the bridge between Music Never Stopped and Might as Well in Cool Edit Pro using Phil Unger's audience recording (shnid 11880), downloaded from archive.org. All resulting SBEs and non-canonical headers were fixed using shntool. CAVEATS: I don't know what artifacts are inherent in using Wavelab for pitch correction - I just do the best I can with the means at my disposal. I do know there is audible tape wow in the original source, and that it and any other pre-existing flaws will be exaggerated by stretching it out as I have done. That said, this still sounds quite good to my ears, and definitely preferable to the "Jerry and the Chipmunks" quality of a speeded up source. Many thanks to Peter Braverman for the main source and to Phil Unger for his AUD patch source. Bill Tetzeli ([email protected])5:28 PM 2/2/2007 --------------------------------------------------------------------------------
Source 3 of 18
2:09:27
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd85-11-04.sbd.braverman.7801.sbeok.shnf
Source:
SBD:MC> DAT> C> DAT> CD
Taper Notes:
View NotesSBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman
Taper: Bruce Barnum
2:08:57
Taper:
Bruce Barnum
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-04.172446.nak701.blend.barnum.miller.clugston.flac2496
Source:
Bruce Barnum's Master Audience Cassettes; Nakamichi 701 (cardioid) mics x 3 > Nakamichi MX-100 mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bruce Barnum (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 1:08 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Pitch verified Mastered by Scott Clugston September 2019
Taper: Bruce Barnum
2:08:57
Taper:
Bruce Barnum
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-04.172445.nak701.blend.barnum.miller.clugston.flac1648
Source:
Bruce Barnum's Master Audience Cassettes; Nakamichi 701 (cardioid) mics x 3 > Nakamichi MX-100 mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bruce Barnum (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 1:08 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Pitch verified Mastered by Scott Clugston September 2019
Taper: Recorded by Doug Lamarre
2:16:13
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.151995.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:16:13
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.151994.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Michael Hessberg
2:20:21
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.148635.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid132765 Schoeps CMC4 MK41 source which supplies a 0:39 patch in "Drums > Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Michael Hessberg
2:20:21
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.148634.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid132765 Schoeps CMC4 MK41 source which supplies a 0:39 patch in "Drums > Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Doug Oade and Jim Wise
2:23:18
Rating:
8.00 / 1 rating
Taper:
Doug Oade and Jim Wise
Transferrer:
Dave Usborne
SHNID:
gd1985-11-04.132765.schoeps-oade.BCE.flac16
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dave Usborne
Taper Notes:
View NotesPatches: gd1985-11-04.nak300.morris.106580.flac16 --small patch in Might As Well metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:08:22
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-04.126360.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:11:19
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-11-04.nak300.morris.114674.flac24
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris
Taper Notes:
View NotesNotes: - Tape flip between Drums & Space. - Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris. - Thanks to Sam for help. - Transfer (Nov 2009) & 2496 conversion/edits (Jul 2011) by Bob Morris. - Thanks to dnick926 for assistance with the shnid's. - One DVD FLAC
Taper: Bob Morris
2:11:19
Rating:
10.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-11-04.nak300.morris.106580.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flip between Drums & Space. Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris. Thanks to Sam for help.
Taper: Tony Suraci
2:09:43
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-11-04.nak-beyer.tonys.79656.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notes* Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Tim Alexander
2:13:40
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-04.senn421s.nak300s.alexander.77835.flac24
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B))
Lineage:
MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flip at the beginning of Big RR Blues - Tape flip at last second of Space This is a 24 bit recording - Please do not downsample, a CD quality version of this source has already been seeded.
Taper: Tim Alexander
2:13:44
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-04.senn421s.nak300s.alexander.77298.sbeok.flac16
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B))
Lineage:
MAC playback on Nak DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flip at the beginning of Big RR Blues - Tape flip between Space and The Wheel Many thanks to Tim Alexander for lending me his excellent AUD masters!
Taper: Charlie Connor
1:09:16
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-11-04.set2.beyerM88.connor.77167.sbeok.flac16
Source:
Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Source 18 of 18
2:11:18
Rating:
8.00 / 8 ratings
SHNID:
gd85-11-04.aud.unger.11880.sbefail.shnf
Source:
Nakamici #100 Shotguns> SonyD5
Taper Notes:
View NotesTaper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD