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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1985
11/4/85
Crowd/Tuning
1:08
Alabama Getaway >
5:03
Promised Land
4:33
It Must Have Been The Roses
5:38
El Paso
5:32
West LA Fadeaway
7:44
New Minglewood Blues
7:52
Big Railroad Blues
4:27
Technical Issues
4:05
The Music Never Stopped >
6:28
Might As Well
4:30
Crowd/Tuning
3:45
China Cat Sunflower >
5:30
I Know You Rider
4:56
Playin' In The Band >
9:05
Terrapin Station >
10:59
Drums >
5:24
Space >
6:20
The Wheel >
4:24
Truckin' >
6:30
Wharf Rat >
9:01
Sugar Magnolia
8:21
E: US Blues
4:58
FIN
View on archive.org
Sources
Taper: Anon
2:08:32
SBD
Rating:
8.00 / 1 rating
Taper:
Anon
Transferrer:
Speed Correction by Jason Chastain Audio Mastering by Jamie Waddell
SHNID:
gd1985-11-04.150099.sbd.anon.gems.flac1644
Source:
SBD Cassette > DAT
Taper Notes:
View Notes16bit/44.1kHz FLAC - crowd is mixed into this soundboard - benefactor couldn't recall exact lineage on this source, possibly an extra reel or PCM generation, very clean sounding - de-emphasized in the mastering stage
Transferrer: Bill Tetzeli
2:13:22
SBD
Rating:
7.60 / 5 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-04.sbd.fix-shnid-7801.tetzeli.83072.flac16
Source:
Pitch and patch fix of shnid 7801
Lineage:
SBD:MC> DAT> C> DAT> CD> SHN
Taper Notes:
View Notes-------------------------------------------------------------------------------- Pitch and patch fix of shnid 7801 I adjusted this source -50 cents in Wavelab, using tones generated in CE 2000 as a tuning fork. I also patched in the bridge between Music Never Stopped and Might as Well in Cool Edit Pro using Phil Unger's audience recording (shnid 11880), downloaded from archive.org. All resulting SBEs and non-canonical headers were fixed using shntool. CAVEATS: I don't know what artifacts are inherent in using Wavelab for pitch correction - I just do the best I can with the means at my disposal. I do know there is audible tape wow in the original source, and that it and any other pre-existing flaws will be exaggerated by stretching it out as I have done. That said, this still sounds quite good to my ears, and definitely preferable to the "Jerry and the Chipmunks" quality of a speeded up source. Many thanks to Peter Braverman for the main source and to Phil Unger for his AUD patch source. Bill Tetzeli ([email protected])5:28 PM 2/2/2007 --------------------------------------------------------------------------------
Source 3 of 18
2:09:27
SBD
Rating:
8.00 / 10 ratings
SHNID:
gd85-11-04.sbd.braverman.7801.sbeok.shnf
Source:
SBD:MC> DAT> C> DAT> CD
Taper Notes:
View NotesSBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman
Taper: Bruce Barnum
2:08:57
Taper:
Bruce Barnum
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-04.172446.nak701.blend.barnum.miller.clugston.flac2496
Source:
Bruce Barnum's Master Audience Cassettes; Nakamichi 701 (cardioid) mics x 3 > Nakamichi MX-100 mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bruce Barnum (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 1:08 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Pitch verified Mastered by Scott Clugston September 2019
Taper: Bruce Barnum
2:08:57
Taper:
Bruce Barnum
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-04.172445.nak701.blend.barnum.miller.clugston.flac1648
Source:
Bruce Barnum's Master Audience Cassettes; Nakamichi 701 (cardioid) mics x 3 > Nakamichi MX-100 mixer > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bruce Barnum (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 1:08 patch in the "Drums > Space" transition - Wheel space included in "The Wheel" - Pitch verified Mastered by Scott Clugston September 2019
Taper: Recorded by Doug Lamarre
2:16:13
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.151995.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:16:13
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.151994.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Michael Hessberg
2:20:21
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.148635.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid132765 Schoeps CMC4 MK41 source which supplies a 0:39 patch in "Drums > Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Michael Hessberg
2:20:21
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-04.148634.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid132765 Schoeps CMC4 MK41 source which supplies a 0:39 patch in "Drums > Space" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Doug Oade and Jim Wise
2:23:18
Rating:
8.00 / 1 rating
Taper:
Doug Oade and Jim Wise
Transferrer:
Dave Usborne
SHNID:
gd1985-11-04.132765.schoeps-oade.BCE.flac16
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dave Usborne
Taper Notes:
View NotesPatches: gd1985-11-04.nak300.morris.106580.flac16 --small patch in Might As Well metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:08:22
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-04.126360.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:11:19
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-11-04.nak300.morris.114674.flac24
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris
Taper Notes:
View NotesNotes: - Tape flip between Drums & Space. - Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris. - Thanks to Sam for help. - Transfer (Nov 2009) & 2496 conversion/edits (Jul 2011) by Bob Morris. - Thanks to dnick926 for assistance with the shnid's. - One DVD FLAC
Taper: Bob Morris
2:11:19
Rating:
10.00 / 1 rating
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-11-04.nak300.morris.106580.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flip between Drums & Space. Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris. Thanks to Sam for help.
Taper: Tony Suraci
2:09:43
Rating:
8.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-11-04.nak-beyer.tonys.79656.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notes* Recorded from directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Tim Alexander
2:13:40
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-04.senn421s.nak300s.alexander.77835.flac24
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B))
Lineage:
MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flip at the beginning of Big RR Blues - Tape flip at last second of Space This is a 24 bit recording - Please do not downsample, a CD quality version of this source has already been seeded.
Taper: Tim Alexander
2:13:44
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-04.senn421s.nak300s.alexander.77298.sbeok.flac16
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B))
Lineage:
MAC playback on Nak DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper Notes:
View NotesKnown flaws: - Tape flip at the beginning of Big RR Blues - Tape flip between Space and The Wheel Many thanks to Tim Alexander for lending me his excellent AUD masters!
Taper: Charlie Connor
1:09:16
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-11-04.set2.beyerM88.connor.77167.sbeok.flac16
Source:
Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Source 18 of 18
2:11:18
Rating:
8.00 / 8 ratings
SHNID:
gd85-11-04.aud.unger.11880.sbefail.shnf
Source:
Nakamici #100 Shotguns> SonyD5
Taper Notes:
View NotesTaper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD