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1,864
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1,868
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311
929
248
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283
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201
67
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104
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28
49
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49
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Adam Deitch
371
81
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114
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Akron/Family
20
40
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43
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American Babies
28
87
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106
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Andrew Bird
258
125
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133
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Andy Frasco & The UN
360
82
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114
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Animal Collective
309
123
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134
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Animal Liberation Orchestra
1.8k
429
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533
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Antibalas
139
81
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92
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Aquarium Rescue Unit
1.3k
159
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236
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Aqueous
168
161
shows
248
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Assembly of Dust
612
286
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421
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Barefoot Manner
32
102
shows
107
tapes
Bela Fleck and the Flecktones
1.5k
488
shows
610
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Ben Kweller
30
32
shows
35
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Benevento Russo Duo
223
277
shows
380
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Bernie Worrell
39
7
shows
7
tapes
Bernie Worrell and the WOO Warriors
82
27
shows
29
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Bernie Worrell Orchestra
17
19
shows
27
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Big Something
337
351
shows
522
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Billy & the Kids
2.3k
17
shows
61
tapes
Billy Strings
90k
539
shows
1,056
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Blind Melon
1.7k
62
shows
76
tapes
Blueground Undergrass
54
182
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205
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Grateful Dead
Years
Recent
Top
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
49
shows
343
tapes
1994
12.7k
85
shows
460
tapes
1993
38k
83
shows
656
tapes
1992
45.1k
57
shows
539
tapes
1991
43k
78
shows
973
tapes
1990
48.5k
78
shows
1,139
tapes
1989
48.9k
78
shows
1,017
tapes
1988
20.3k
82
shows
882
tapes
1987
42.7k
88
shows
1,025
tapes
1986
12.5k
47
shows
684
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1985
24.7k
73
shows
1,357
tapes
1984
27k
67
shows
1,075
tapes
1983
21k
71
shows
1,069
tapes
1982
42.4k
63
shows
753
tapes
1981
31.2k
92
shows
868
tapes
1980
71.1k
91
shows
794
tapes
1979
21.7k
79
shows
608
tapes
1978
38.8k
87
shows
592
tapes
1977
267.8k
64
shows
418
tapes
1976
91.9k
45
shows
298
tapes
1975
6.3k
25
shows
63
tapes
1974
89.9k
42
shows
324
tapes
1973
90.4k
75
shows
445
tapes
1972
62.9k
88
shows
361
tapes
1971
33.7k
82
shows
357
tapes
1970
39.3k
101
shows
376
tapes
1969
28.3k
112
shows
326
tapes
1968
8.1k
41
shows
125
tapes
1967
1.7k
23
shows
55
tapes
1966
8k
32
shows
78
tapes
1965
639
2
shows
2
tapes
1985
SBD
12/31
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
272
4:59:06
19
tapes
12/30
SBD
Oakland-Alameda County Coliseum
Oakland, CA, USA
216
4:28:26
17
tapes
11/22
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
139
2:15:35
11
tapes
11/21
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
212
2:15:55
14
tapes
11/20
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
393
2:17:56
11
tapes
11/17
SBD
Long Beach Arena
Long Beach, CA, USA
142
2:29:03
8
tapes
11/16
SBD
Long Beach Arena
Long Beach, CA, USA
130
2:22:30
8
tapes
11/11
SBD
Meadowlands Arena
East Rutherford, NJ, USA
238
2:28:13
21
tapes
11/10
SBD
Meadowlands Arena
East Rutherford, NJ, USA
167
4:40:11
27
tapes
11/08
SBD
Community War Memorial Auditorium
Rochester, NY, USA
206
2:12:53
27
tapes
11/07
SBD
Community War Memorial Auditorium
Rochester, NY, USA
136
2:21:32
24
tapes
11/05
SBD
The Centrum
Worcester, MA, USA
271
2:41:50
14
tapes
11/04
SBD
The Centrum
Worcester, MA, USA
478
2:23:18
18
tapes
11/02
SBD
Richmond Coliseum
Richmond, VA, USA
227
2:32:39
23
tapes
11/01
SBD
Richmond Coliseum
Richmond, VA, USA
287
2:40:08
17
tapes
10/31
SBD
Carolina Coliseum, U. of South Carolina
Columbia, SC, USA
296
4:10:31
18
tapes
10/29
SBD
Fox Theater
Atlanta, GA, USA
381
4:16:40
28
tapes
10/28
SBD
Fox Theater
Atlanta, GA, USA
164
2:27:19
25
tapes
10/26
SBD
Sun Dome
Tampa, FL, USA
369
2:22:15
18
tapes
10/25
SBD
The Sportatorium
Pembroke Pines, FL, USA
86
2:21:11
12
tapes
9/15
SBD
Devore Field, Southwestern College
Chula Vista, CA, USA
314
2:21:39
12
tapes
9/12
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
116
2:30:28
15
tapes
9/11
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
108
2:22:15
12
tapes
9/10
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
76
2:15:03
10
tapes
9/07
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
467
5:00:50
22
tapes
9/06
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
79
2:10:32
14
tapes
9/05
SBD
Red Rocks Amphitheatre
Morrison, CO, USA
229
2:38:20
23
tapes
9/03
SBD
Starlight Theater
Kansas City, MO, USA
390
2:15:34
19
tapes
9/02
SBD
Zoo Amphitheater
Oklahoma City, OK, USA
484
2:33:12
22
tapes
8/31
Manor Downs
Austin, TX, USA
145
2:36:45
13
tapes
8/30
SBD
Southern Star Amphitheater
Houston, TX, USA
152
2:15:38
15
tapes
8/24
SBD
Boreal Ridge Ski Resort
Donner's Summit, CA, USA
144
2:12:43
5
tapes
7/14
SBD
Ventura County Fairgrounds
Ventura, CA, USA
442
2:41:38
11
tapes
7/13
SBD
Ventura County Fairgrounds
Ventura, CA, USA
386
2:30:43
14
tapes
7/02
SBD
Civic Arena
Pittsburgh, PA, USA
170
2:25:58
18
tapes
7/01
SBD
Merriweather Post Pavilion
Columbia, MD, USA
455
2:46:28
28
tapes
6/30
SBD
Merriweather Post Pavilion
Columbia, MD, USA
1.6k
2:39:13
29
tapes
6/28
SBD
Hershey Park Stadium
Hershey, PA, USA
962
2:27:36
28
tapes
6/27
SBD
Saratoga Performing Arts Center
Saratoga Springs, NY, USA
817
2:43:37
27
tapes
6/25
SBD
Blossom Music Center
Cuyahoga Falls, OH, USA
463
2:29:46
13
tapes
6/24
SBD
River Bend Music Center
Cincinnati, OH, USA
576
2:35:44
15
tapes
6/22
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
319
2:30:32
14
tapes
6/21
SBD
Alpine Valley Music Theatre
East Troy, WI, USA
291
2:26:06
15
tapes
6/16
SBD
Greek Theatre
Berkeley, CA, USA
653
2:34:51
28
tapes
6/15
SBD
Greek Theatre
Berkeley, CA, USA
546
2:28:39
29
tapes
6/14
SBD
Greek Theatre
Berkeley, CA, USA
2k
2:55:22
28
tapes
4/28
SBD
Frost Amphitheatre
Palo Alto, CA, USA
663
2:29:42
22
tapes
4/27
SBD
Frost Amphitheatre
Palo Alto, CA, USA
771
2:50:08
28
tapes
4/21
SBD
Marin Veterans Memorial Auditorium
San Rafael, CA
20
1:32:04
2
tapes
4/14
SBD
Irvine Meadows
Irvine, CA, USA
236
2:43:42
16
tapes
4/13
SBD
Irvine Meadows
Irvine, CA, USA
767
2:17:27
8
tapes
4/08
SBD
The Spectrum
Philadelphia, PA, USA
302
2:32:59
30
tapes
4/07
SBD
The Spectrum
Philadelphia, PA, USA
214
2:23:56
32
tapes
4/06
SBD
The Spectrum
Philadelphia, PA, USA
229
2:28:31
28
tapes
4/04
SBD
Providence Civic Center
Providence, RI, USA
338
2:33:15
22
tapes
4/03
SBD
Providence Civic Center
Providence, RI, USA
163
2:51:34
26
tapes
4/01
Cumberland County Civic Center
Portland, ME, USA
151
2:22:23
37
tapes
3/31
SBD
Cumberland County Civic Center
Portland, ME, USA
250
2:16:59
31
tapes
3/29
Nassau Coliseum
Uniondale, NY, USA
160
2:18:20
25
tapes
3/28
SBD
Nassau Coliseum
Uniondale, NY, USA
286
2:35:05
33
tapes
3/27
SBD
Nassau Coliseum
Uniondale, NY, USA
170
2:13:05
27
tapes
3/25
SBD
Springfield Civic Center
Springfield, MA, USA
353
2:46:52
30
tapes
3/24
SBD
Springfield Civic Center
Springfield, MA, USA
149
2:21:11
27
tapes
3/22
Hampton Coliseum
Hampton, VA, USA
187
2:49:47
20
tapes
3/21
SBD
Hampton Coliseum
Hampton, VA, USA
276
2:21:56
17
tapes
3/13
SBD
Berkeley Community Theater
Berkeley, CA, USA
313
2:23:36
9
tapes
3/12
Berkeley Community Theater
Berkeley, CA, USA
92
2:13:21
8
tapes
3/10
Berkeley Community Theater
Berkeley, CA, USA
70
2:18:50
7
tapes
3/09
SBD
Berkeley Community Theater
Berkeley, CA, USA
500
2:14:44
13
tapes
2/XX
SBD
Twilight Zone Sessions
CA
67
13:28
1
tape
2/20
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
246
2:16:03
7
tapes
2/19
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
251
1:58:18
5
tapes
2/18
SBD
Henry J. Kaiser Convention Center
Oakland, CA, USA
268
2:26:39
7
tapes
11/2/85
Bertha ->
6:25
Greatest Story Ever Told
4:39
Dupree's Diamond Blues
8:07
C C Rider
7:33
Althea
8:46
My Brother Esau
5:40
Candyman
6:41
Let It Grow
10:56
Iko Iko
7:43
Estimated Prophet ->
11:10
Uncle John's Band ->
11:20
China Doll ->
6:54
Drums ->
7:58
Space ->
9:06
Morning Dew ->
11:17
Throwing Stones ->
8:11
Turn On Your Lovelight
4:47
It's All Over Now, Baby Blue
7:30
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:24:43
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-02.137205.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin
Taper Notes:
View Notes
SBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by
[email protected]
- FLAC conversion 08-NOV-2016 - Trader Little Helper - Tagged 08-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:24:43
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-02.137152.upg-sbd.tobin.flac16
Source:
(original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes
Patched and pitch corrected soundboard --------------------------------------------------------- - Mixed by
[email protected]
- FLAC conversion 01-NOV-2016 - Trader Little Helper - Tagged 01-NOV-2016 - Tag&Rename --------------------------------------------------------- Both sets needed major patching there was a cut on almost every song and some drop outs. Speedwise the audience was very fast when compared to other recordings - 1.500 seconds per minute. Brokedown House Production
Taper: See info files for details
2:24:09
SBD
Rating:
8.80 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-11-02.matrix.chappell.27582.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View Notes
General Notes: Often overshadowed by the novelty of the night before, this was always a favorite show of those I attended because of the great performances by all band members. Highlights include a psychadelic ending on Iko (w/Phil on vocals too), a moving China Doll out of a very innovative modal jam post UJB, and a thunderous Dew out of Space. Given the multiple sources available on the Llama, I decided to put the effort into editing a matrix since I was never completely happy with the SBD. The result is a worthwile listen, especially given that none of the existing sources are complete
Source 4 of 23
2:13:57
SBD
Rating:
9.11 / 39 ratings
SHNID:
gd85-11-02.sbd.jim.14604.sbeok.shnf
Source:
SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Taper Notes:
View Notes
SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Transferrer: All Transfers and Mastering by Charlie Miller
[email protected]
January 16, 2026
2:31:13
Transferrer:
All Transfers and Mastering by Charlie Miller
[email protected]
January 16, 2026
SHNID:
gd1985-11-02.176242.schoeps.pcm.oade.miller.flac1644
Source:
Schoeps CMC4/MK41 + (1) Schoeps CMC4/MK2 > Oade Mixer > PCM (Sony PCM-F1)
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View Notes
Notes: -- Recorded by the Oade brothers -- I found this in Don Pearson's collection (2017) -- There's a few half-second patches in Bertha (shnid=171786) -- Thanks to Jaydoublu for his listening assistance
Taper: Stephen Thomas
2:25:27
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.167352.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Stephen Thomas
2:25:27
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.167351.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:24:57
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.164233.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View Notes
Notes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:24:57
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.164232.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View Notes
Notes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:23:58
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.151993.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Candyman" (0:34 total), some crowd and beginning of "Iko Iko" (0:15 total), as well as a 0:15 patch in "Drums" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:23:58
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.151992.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Candyman" (0:34 total), some crowd and beginning of "Iko Iko" (0:15 total), as well as a 0:15 patch in "Drums" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Rob Hunt and Ted Mattes
2:28:20
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.148861.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Rob Hunt and Ted Mattes
2:28:20
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.148860.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View Notes
Notes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Source 14 of 23
2:29:15
SHNID:
gd1985-11-02.171787.senn.me80.hessberg.miller.clugston.flac2496
Source 15 of 23
2:29:15
SHNID:
gd1985-11-02.171786.senn.me80.hessberg.miller.clugston.flac1648
Taper: chasingwilma
2:20:35
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-02.126333.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:29:21
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-11-02.121577.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes
--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Lucien Zaleski
2:26:51
Rating:
8.00 / 2 ratings
Taper:
Lucien Zaleski
Transferrer:
Alex Ford
SHNID:
gd1985-11-02.senn421.zaleski.ford.91238.sbeok.flac16
Source:
MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II).
Lineage:
Master audience cassette > Nakamichi Dragon > Kind Kables RCA/XLR > Luntatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @16/44.1 > CD Wave Editor > TLH > flac16.
Taper Notes:
View Notes
- Master audience cassette provided by Mark McCue. - SBE free, files encoded @ level 8. - Set II tape flip patched with shnid 77525. - Bass distortion during Morning Dew is on all recordings of this show.
Taper: Tim Alexander
2:18:08
Rating:
8.00 / 2 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-02.senn421s.nak300s.alexander.77906.flac24
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B))
Lineage:
MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper: Tim Alexander
2:23:02
Rating:
8.00 / 2 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-02.senn421s.nak300s.alexander.77525.sbeok.flac16
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in))
Lineage:
MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper: Charles Bandrofcheck
2:32:39
Rating:
10.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-11-02.cpb.retransfer.32798.sbeok.flac16
Source:
Can't remember shotgun mics -> Sony D6 -> Maxel MX 90s
Lineage:
Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN
Taper Notes:
View Notes
notes - This recording was done to capture as much as possable plus a lot of hiss. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. - nice finish for the last show ever at my home town arena - tracks on cd3 can be added to the end of CD 1 to save space. Will play uninterupted if placed on CD 3 though.
Taper: Oade Bros.
2:21:25
REMASTER
Rating:
8.89 / 18 ratings
Taper:
Oade Bros.
Transferrer:
Doug Oade
SHNID:
gd85-11-02.aud-oade.remaster.20663.sbeok.shnf
Source:
Schoeps CMC441s (90deg, 17cm) + (CMC42 omni - offset ~ 8') > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR > HD > mkwACT (verify) > WAV > CD Wave 1.91 (splits) > mkwACT > SHN (seekable)
Taper Notes:
View Notes
*DSP Notes: Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16bit conversions of DAW files. Doug's DSP comments: The DSP I did was to accomplish three goals, one is to reduce the dynamic range, without making it sound compressed (very low ratio of 1.25 to 1), the second, to apply EQ in order to partially compensate for the LF rolloff of the mics used and finally, I used the C4 processor to reduce PA or source hiss from space that was brought up in level by the use of RCL. *1. The majority of the Bertha opener is missing (due to a late arrival/setup - which was unusual for the Oades). D.O.: "...we setup late and did not get the first set startup..." *2. There is a minor pop near the start of Candyman. D.O.: "The Candyman pop is a source pop. I remember it being a problem we had with one mic that was repaired prior to the NYE run in 85." *3. There is a ~3 second dropout in Drums/Space starting near 02:58. D.O.: "...it is a hard drop due to a bad spot on the master tape. My DAT has the same drop on it..." *4. Part of the intro into the "Baby Blue" encore is missing. D.O.: "...Baby Blue ... it was a late start, possible battery death after the second set and Jim did not notice it right away, seems like a rough night for the Oade Taping Team!" Tracked: CD-R > HD > verified mkw signature file - converted mkw to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 > compressed with mkwACT0.97b (SHN trackable - sector boundaries verified with shntool v1.02) > CD-R Comments: Discs were laid out to try to accommodate 74 minute CDs. If track 08a (45 seconds of audience before start of 2nd set) is omitted, timing for Disc 1 will be less than 74 minutes. If you want to include d1t08a, total time for Disc 1 will be 74 minutes and 23 seconds (i.e. consider using 80 minute CD). The decision was made to start Disc 2 with Uncle Johns Band even though Estimated Prophet segues into Uncle Johns. Its a minor transition from Estimated to Uncle Johns. Estimated ends cleanly on Disc 1 and Uncle Johns starts cleanly on Disc 2. Once you've listened to this recording I think you'll agree that the technical issues (noted above) fade in the light of the magic that was captured in the moment. I trust you'll appreciate the quality and energy of these shows that the Oades documented so faithfully. Thank you Doug, Jim and Carlos, for making this material available - for your tireless efforts and selfless dedication to preserving and sharing the music. ~~Conrad
Source 23 of 23
2:20:20
Rating:
9.86 / 14 ratings
SHNID:
gd85-11-02.beyer.connor.4772.sbeok.shnf
Source:
(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital m
Taper Notes:
View Notes
(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd