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Today In History
June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1985
11/2/85
Crowd/tunning
1:06
Bertha ->
6:23
Greatest Story Ever Told
4:38
Dupree's Diamond Blues
8:09
C C Rider
7:29
Althea
9:40
My Brother Esau
5:18
Candyman
6:42
Let It Grow
11:01
Iko Iko
7:43
Estimated Prophet ->
11:10
Uncle John's Band ->
11:36
China Doll ->
6:37
Drums ->
8:45
Space ->
8:15
Morning Dew ->
11:20
Throwing Stones ->
8:14
Turn On Your Lovelight
4:57
It's All Over Now Baby Blue
7:48
FIN
View on archive.org
Sources
Transferrer: Kevin Tobin
2:24:43
SBD
Rating:
10.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-02.137205.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 08-NOV-2016 - Trader Little Helper - Tagged 08-NOV-2016 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:24:43
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-11-02.137152.upg-sbd.tobin.flac16
Source:
(original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected soundboard --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 01-NOV-2016 - Trader Little Helper - Tagged 01-NOV-2016 - Tag&Rename --------------------------------------------------------- Both sets needed major patching there was a cut on almost every song and some drop outs. Speedwise the audience was very fast when compared to other recordings - 1.500 seconds per minute. Brokedown House Production
Taper: See info files for details
2:24:09
SBD
Rating:
8.80 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-11-02.matrix.chappell.27582.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: Often overshadowed by the novelty of the night before, this was always a favorite show of those I attended because of the great performances by all band members. Highlights include a psychadelic ending on Iko (w/Phil on vocals too), a moving China Doll out of a very innovative modal jam post UJB, and a thunderous Dew out of Space. Given the multiple sources available on the Llama, I decided to put the effort into editing a matrix since I was never completely happy with the SBD. The result is a worthwile listen, especially given that none of the existing sources are complete
Source 4 of 23
2:13:57
SBD
Rating:
9.11 / 39 ratings
SHNID:
gd85-11-02.sbd.jim.14604.sbeok.shnf
Source:
SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Taper Notes:
View NotesSBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] January 16, 2026
2:31:13
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] January 16, 2026
SHNID:
gd1985-11-02.176242.schoeps.pcm.oade.miller.flac1644
Source:
Schoeps CMC4/MK41 + (1) Schoeps CMC4/MK2 > Oade Mixer > PCM (Sony PCM-F1)
Lineage:
PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Recorded by the Oade brothers -- I found this in Don Pearson's collection (2017) -- There's a few half-second patches in Bertha (shnid=171786) -- Thanks to Jaydoublu for his listening assistance
Taper: Stephen Thomas
2:25:27
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.167352.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Stephen Thomas
2:25:27
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.167351.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:24:57
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.164233.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:24:57
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-11-02.164232.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:21 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:23:58
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.151993.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Candyman" (0:34 total), some crowd and beginning of "Iko Iko" (0:15 total), as well as a 0:15 patch in "Drums" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:23:58
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.151992.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies some crowd and the beginning of "Candyman" (0:34 total), some crowd and beginning of "Iko Iko" (0:15 total), as well as a 0:15 patch in "Drums" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Rob Hunt and Ted Mattes
2:28:20
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.148861.senn441.mattes.miller.clugston.flac2496
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Rob Hunt and Ted Mattes
2:28:20
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-11-02.148860.senn441.mattes.miller.clugston.flac1648
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston December 2019
Source 14 of 23
2:29:15
SHNID:
gd1985-11-02.171787.senn.me80.hessberg.miller.clugston.flac2496
Source 15 of 23
2:29:15
SHNID:
gd1985-11-02.171786.senn.me80.hessberg.miller.clugston.flac1648
Taper: chasingwilma
2:20:35
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-11-02.126333.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:29:21
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-11-02.121577.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Lucien Zaleski
2:26:51
Rating:
8.00 / 2 ratings
Taper:
Lucien Zaleski
Transferrer:
Alex Ford
SHNID:
gd1985-11-02.senn421.zaleski.ford.91238.sbeok.flac16
Source:
MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II).
Lineage:
Master audience cassette > Nakamichi Dragon > Kind Kables RCA/XLR > Luntatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @16/44.1 > CD Wave Editor > TLH > flac16.
Taper Notes:
View Notes- Master audience cassette provided by Mark McCue. - SBE free, files encoded @ level 8. - Set II tape flip patched with shnid 77525. - Bass distortion during Morning Dew is on all recordings of this show.
Taper: Tim Alexander
2:18:08
Rating:
8.00 / 2 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-02.senn421s.nak300s.alexander.77906.flac24
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B))
Lineage:
MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
Taper: Tim Alexander
2:23:02
Rating:
8.00 / 2 ratings
Taper:
Tim Alexander
Transferrer:
Bill Tetzeli
SHNID:
gd1985-11-02.senn421s.nak300s.alexander.77525.sbeok.flac16
Source:
MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in))
Lineage:
MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
Taper: Charles Bandrofcheck
2:32:39
Rating:
10.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-11-02.cpb.retransfer.32798.sbeok.flac16
Source:
Can't remember shotgun mics -> Sony D6 -> Maxel MX 90s
Lineage:
Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN
Taper Notes:
View Notesnotes - This recording was done to capture as much as possable plus a lot of hiss. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. - nice finish for the last show ever at my home town arena - tracks on cd3 can be added to the end of CD 1 to save space. Will play uninterupted if placed on CD 3 though.
Taper: Oade Bros.
2:21:25
REMASTER
Rating:
8.89 / 18 ratings
Taper:
Oade Bros.
Transferrer:
Doug Oade
SHNID:
gd85-11-02.aud-oade.remaster.20663.sbeok.shnf
Source:
Schoeps CMC441s (90deg, 17cm) + (CMC42 omni - offset ~ 8') > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > compressed with mkwACT0.97b (mkw) > CDR > HD > mkwACT (verify) > WAV > CD Wave 1.91 (splits) > mkwACT > SHN (seekable)
Taper Notes:
View Notes*DSP Notes: Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16bit conversions of DAW files. Doug's DSP comments: The DSP I did was to accomplish three goals, one is to reduce the dynamic range, without making it sound compressed (very low ratio of 1.25 to 1), the second, to apply EQ in order to partially compensate for the LF rolloff of the mics used and finally, I used the C4 processor to reduce PA or source hiss from space that was brought up in level by the use of RCL. *1. The majority of the Bertha opener is missing (due to a late arrival/setup - which was unusual for the Oades). D.O.: "...we setup late and did not get the first set startup..." *2. There is a minor pop near the start of Candyman. D.O.: "The Candyman pop is a source pop. I remember it being a problem we had with one mic that was repaired prior to the NYE run in 85." *3. There is a ~3 second dropout in Drums/Space starting near 02:58. D.O.: "...it is a hard drop due to a bad spot on the master tape. My DAT has the same drop on it..." *4. Part of the intro into the "Baby Blue" encore is missing. D.O.: "...Baby Blue ... it was a late start, possible battery death after the second set and Jim did not notice it right away, seems like a rough night for the Oade Taping Team!" Tracked: CD-R > HD > verified mkw signature file - converted mkw to wav (mkwACT0.97b) > Tracked with CD Wave v.1.91 > compressed with mkwACT0.97b (SHN trackable - sector boundaries verified with shntool v1.02) > CD-R Comments: Discs were laid out to try to accommodate 74 minute CDs. If track 08a (45 seconds of audience before start of 2nd set) is omitted, timing for Disc 1 will be less than 74 minutes. If you want to include d1t08a, total time for Disc 1 will be 74 minutes and 23 seconds (i.e. consider using 80 minute CD). The decision was made to start Disc 2 with Uncle Johns Band even though Estimated Prophet segues into Uncle Johns. Its a minor transition from Estimated to Uncle Johns. Estimated ends cleanly on Disc 1 and Uncle Johns starts cleanly on Disc 2. Once you've listened to this recording I think you'll agree that the technical issues (noted above) fade in the light of the magic that was captured in the moment. I trust you'll appreciate the quality and energy of these shows that the Oades documented so faithfully. Thank you Doug, Jim and Carlos, for making this material available - for your tireless efforts and selfless dedication to preserving and sharing the music. ~~Conrad
Source 23 of 23
2:20:20
Rating:
9.86 / 14 ratings
SHNID:
gd85-11-02.beyer.connor.4772.sbeok.shnf
Source:
(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital m
Taper Notes:
View Notes(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd