Bands
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Bands
Grateful Dead
Today In History
June 13th
Years
1995
30.2k
PlaybackListensHours
48h51768
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.3k204
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.8k375
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.5k600
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h4.8k617
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.8k369
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.9k363
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.4k164
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h7k823
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k125
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k203
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h5k577
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.5k188
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.5k182
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k225
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h8.9k1.1k
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.8k244
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k266
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h9.1k1.3k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h16.5k2.2k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h37439
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.8k494
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k709
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.9k368
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k205
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.6k192
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k192
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h48360
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14520
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h32923
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1985
Sources
Transferrer: Charlie Miller
2:16:39
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd85-10-31.matrix.loy.31189.sbeok.flacf
Source:
Soundboard patched with Audience
Lineage:
SBD > Master Cassette > Reel > DAT (48khz) > Sony R500 > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN > Mitsui CDR > EAC > WAV > FLAC16
Transferrer: Transferred and Patched By Charlie Miller [email protected] 4/8/04
2:12:43
SBD
Transferrer:
Transferred and Patched By Charlie Miller [email protected] 4/8/04
SHNID:
gd1985-10-31.sbd.miller.023590.sbeok.shnf
Source:
SBD -> Master Cassette -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Transferrer: Loy
2:17:11
SBD
Transferrer:
Loy
SHNID:
gd1985-10-31.mtx.loy.30829.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSBD:D>C>D>C>D>CDR>DAE>SHN(id=19209) Sony D8 to transfer.Sony R500>HHB CDR800 Toast 1.1 for Wav SC Field: Schoeps CMC441(from TS, 17cm @ 90deg)> Oade M118>Oade modSony PCM-F1>master PCM> DAW(via SEKD card)>DSP*>CD>DAE>SHN(id=20282) Notes:* Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16bit conversions of DAW files.Tracking and verification done by dwonk. First BT hosting by macdaddy October 31, 2003. (too)shntool join>resampled to 32bit float/96khz>matrix>16 bit signed pcm WAV 44100 hz>tracking>FLAC The oade being the lowest gen was used for reference,the 2 auds ran really close together, speed correction board (-4.9% on average set1, -2.8 set2 flux throughout) fortunately the board was really clean,I took the liberty of repairing some of the usual baloon pops. I would guarantee that the fob is the oade recording, mislabeled somewhere along the lines, final mix appr 60/40 sbd/aud sbd was missing tuning between just about every song in the 1st set, the end of tennessee Jed was cut and also some butchering towards the end of what was there(T JED),missing 1min 25 sec of drums set 2 Missing all of encore US BLUES severe distortion at 62.26 nfa in both sources thanks go out to the Oade bros for sharing their diehard devotion and taping skills w/ all of us thanks as always to Jonathan Aizen(gdiap) for keeping us stocked up on the internet archive a very special thanks goes out to 'Cafe Wilhelmina' in Willemstad, Curacao during my last port call I was able to chat w/ my wife, see my kids on the webcam, and download these 3 sources while enjoying a very tasty treat. gave me a project to pass the time on my way home. __________________________________________________________________________________________________________________________________________________ FOB PCM->PCM->DATs->CDR->EAC->SHN(id=2249) I thought this was going to be a 3 source matrix but it turns out all 3 auds on the archive are Oade transfers of differing generations. after listening to(while watching the waveforms) several times, a few seconds of extra crowd at the beginning, one major glitch in the left channel, don't recall the spot but after the .1% speed correction, the waveforms were identical, leveling slightly different, but an exact match. so i didn't see a need to add gens to the matrix when it would have no real effect on sound. rjh
Source 4 of 18
1:59:40
SBD
Rating:
5.67 / 6 ratings
SHNID:
gd85-10-31.sbd.19209.sbeok.shnf
Source:
S:D>C>D>C>D>CDR [Note: See info file for further details]Lineage: Cassette > D8 > Sony R500>HHB CDR800Toast 1.1 for Wav via [email protected]
Lineage:
Cassette > D8 > Sony R500>HHB CDR800
Taper Notes:
View NotesS:D>C>D>C>D>CDR [Note: See info file for further details] Lineage: Cassette > D8 > Sony R500>HHB CDR800 Toast 1.1 for Wav via [email protected]
Transferrer: John Zeiei
4:10:31
SBD
Rating:
10.00 / 3 ratings
Transferrer:
John Zeiei
SHNID:
gd1985-10-31.sbd.zei.2028.shnf
Source:
S:C? > DAT > CDR
Lineage:
CDR > SHN > CDR > SHN
Taper Notes:
View NotesIf you find any errors please contact me.
Taper: Michael Hessberg
2:11:08
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.168185.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Michael Hessberg
2:11:08
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.168184.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:09:03
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.164118.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:09:03
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.164117.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:10:05
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-31.151886.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:10:05
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-31.151885.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston February 2021
Source 12 of 18
2:11:47
SHNID:
gd1985-10-31.177847.senn.md241.strizak.flac2448
Taper: chasingwilma
2:04:54
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-31.126314.chasingwilma.flac24
Source:
source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Stan Roberts
2:09:06
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1985-10-31.122146.senn.roberts.flac16
Source:
Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts
Taper: Charles Bandrofcheck
2:17:07
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-10-31.cpb-redo2.32864.sbeok.flac16
Lineage:
MC -> Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN.
Taper Notes:
View Notesnotes - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. Those who's ears are very susuptable to tape hiss should stear clear of this offering. See comments on my 11/1/85 offering.
Source 16 of 18
2:17:21
REMASTER
Rating:
6.67 / 9 ratings
SHNID:
gd85-10-31.aud-oade.remaster.20282.sbeok.shnf
Source:
Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Lineage:
master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Taper Notes:
View NotesField: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Source 17 of 18
2:17:41
Rating:
8.73 / 11 ratings
SHNID:
gd85-10-31.oade.connor.8793.sbeok.shnf
Source:
Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Dar
Taper Notes:
View NotesOade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor
Source 18 of 18
2:18:00
Rating:
8.29 / 7 ratings
SHNID:
gd85-10-31.aud-fob.sacks.2249.sbeok.shnf
Source:
FOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN
Taper Notes:
View NotesFOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN; via Darrin Sacks, from Scott Z's seed