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June 10th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h60482
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.7k222
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h2.9k363
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2k262
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3k440
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h8.9k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k300
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.1k129
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.7k194
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h69777
7d2.3k257
30d12.5k1.4k
47 shows
684 tapes
1985
22.1k
PlaybackListensHours
48h1.4k166
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h3.6k419
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k154
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.1k137
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.5k184
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h3.7k423
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k221
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.8k241
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h19k2.6k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h7.5k1.1k
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h40444
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h5.7k765
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h6.9k889
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.1k270
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k189
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h1.7k188
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.4k225
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h841112
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13218
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h31718
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h584
7d1076
30d59434
2 shows
2 tapes
1985
10/31/85
Space
4:18
Werewolves Of London
5:12
The Music Never Stopped
9:12
West LA Fadeaway
8:58
Mama Tried
2:30
Mexicali Blues
4:54
Tennessee Jed
7:27
Looks Like Rain
9:03
Might As Well
3:44
Shakedown Street
15:37
Playing In The Band
8:20
Ship Of Fools
7:27
Playing In The Band Reprise
9:52
Drums
3:29
Space
4:12
Dear Mr. Fantasy
5:48
Not Fade Away
9:37
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:16:39
SBD
Rating:
8.00 / 1 rating
Transferrer:
Charlie Miller
SHNID:
gd85-10-31.matrix.loy.31189.sbeok.flacf
Source:
Soundboard patched with Audience
Lineage:
SBD > Master Cassette > Reel > DAT (48khz) > Sony R500 > SEK'D Prodif Plus > Samplitude v7.02 Professional > SHN > Mitsui CDR > EAC > WAV > FLAC16
Transferrer: Transferred and Patched By Charlie Miller [email protected] 4/8/04
2:12:43
SBD
Transferrer:
Transferred and Patched By Charlie Miller [email protected] 4/8/04
SHNID:
gd1985-10-31.sbd.miller.023590.sbeok.shnf
Source:
SBD -> Master Cassette -> Reel -> Dat (48k)
Lineage:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN
Transferrer: Loy
2:17:11
SBD
Transferrer:
Loy
SHNID:
gd1985-10-31.mtx.loy.30829.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View NotesSBD:D>C>D>C>D>CDR>DAE>SHN(id=19209) Sony D8 to transfer.Sony R500>HHB CDR800 Toast 1.1 for Wav SC Field: Schoeps CMC441(from TS, 17cm @ 90deg)> Oade M118>Oade modSony PCM-F1>master PCM> DAW(via SEKD card)>DSP*>CD>DAE>SHN(id=20282) Notes:* Doug Oade performed DSP on the transferred wav files using Waves REQ, RCL and C4 plug ins. IDR used for 32 > 16bit conversions of DAW files.Tracking and verification done by dwonk. First BT hosting by macdaddy October 31, 2003. (too)shntool join>resampled to 32bit float/96khz>matrix>16 bit signed pcm WAV 44100 hz>tracking>FLAC The oade being the lowest gen was used for reference,the 2 auds ran really close together, speed correction board (-4.9% on average set1, -2.8 set2 flux throughout) fortunately the board was really clean,I took the liberty of repairing some of the usual baloon pops. I would guarantee that the fob is the oade recording, mislabeled somewhere along the lines, final mix appr 60/40 sbd/aud sbd was missing tuning between just about every song in the 1st set, the end of tennessee Jed was cut and also some butchering towards the end of what was there(T JED),missing 1min 25 sec of drums set 2 Missing all of encore US BLUES severe distortion at 62.26 nfa in both sources thanks go out to the Oade bros for sharing their diehard devotion and taping skills w/ all of us thanks as always to Jonathan Aizen(gdiap) for keeping us stocked up on the internet archive a very special thanks goes out to 'Cafe Wilhelmina' in Willemstad, Curacao during my last port call I was able to chat w/ my wife, see my kids on the webcam, and download these 3 sources while enjoying a very tasty treat. gave me a project to pass the time on my way home. __________________________________________________________________________________________________________________________________________________ FOB PCM->PCM->DATs->CDR->EAC->SHN(id=2249) I thought this was going to be a 3 source matrix but it turns out all 3 auds on the archive are Oade transfers of differing generations. after listening to(while watching the waveforms) several times, a few seconds of extra crowd at the beginning, one major glitch in the left channel, don't recall the spot but after the .1% speed correction, the waveforms were identical, leveling slightly different, but an exact match. so i didn't see a need to add gens to the matrix when it would have no real effect on sound. rjh
Source 4 of 17
1:59:40
SBD
Rating:
5.67 / 6 ratings
SHNID:
gd85-10-31.sbd.19209.sbeok.shnf
Source:
S:D>C>D>C>D>CDR [Note: See info file for further details]Lineage: Cassette > D8 > Sony R500>HHB CDR800Toast 1.1 for Wav via [email protected]
Lineage:
Cassette > D8 > Sony R500>HHB CDR800
Taper Notes:
View NotesS:D>C>D>C>D>CDR [Note: See info file for further details] Lineage: Cassette > D8 > Sony R500>HHB CDR800 Toast 1.1 for Wav via [email protected]
Transferrer: John Zeiei
4:10:31
SBD
Rating:
10.00 / 3 ratings
Transferrer:
John Zeiei
SHNID:
gd1985-10-31.sbd.zei.2028.shnf
Source:
S:C? > DAT > CDR
Lineage:
CDR > SHN > CDR > SHN
Taper Notes:
View NotesIf you find any errors please contact me.
Taper: Michael Hessberg
2:11:08
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.168185.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Michael Hessberg
2:11:08
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.168184.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View Notes Notes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Drums" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Rob Eaton
2:09:03
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.164118.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:09:03
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-31.164117.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the final few notes and crowd of "Tennessee Jed" (0:06 total), a 0:09 patch in "Drums", as well as a 0:40 patch in "Space" - Pitch corrected Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:10:05
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-31.151886.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:10:05
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-31.151885.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:14 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston February 2021
Taper: chasingwilma
2:04:54
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-31.126314.chasingwilma.flac24
Source:
source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Stan Roberts
2:09:06
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1985-10-31.122146.senn.roberts.flac16
Source:
Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts
Taper: Charles Bandrofcheck
2:17:07
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-10-31.cpb-redo2.32864.sbeok.flac16
Lineage:
MC -> Playback on Marantz SD 4050 -> Marantz Intergrated Stereo Amp MP-68 -> SBLive! -> CDWave -> WAV -> mkwAC -> SHN.
Taper Notes:
View Notesnotes - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. Those who's ears are very susuptable to tape hiss should stear clear of this offering. See comments on my 11/1/85 offering.
Source 15 of 17
2:17:21
REMASTER
Rating:
6.67 / 9 ratings
SHNID:
gd85-10-31.aud-oade.remaster.20282.sbeok.shnf
Source:
Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Lineage:
master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Taper Notes:
View NotesField: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
Source 16 of 17
2:17:41
Rating:
8.73 / 11 ratings
SHNID:
gd85-10-31.oade.connor.8793.sbeok.shnf
Source:
Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k)DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Dar
Taper Notes:
View NotesOade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor
Source 17 of 17
2:18:00
Rating:
8.29 / 7 ratings
SHNID:
gd85-10-31.aud-fob.sacks.2249.sbeok.shnf
Source:
FOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN
Taper Notes:
View NotesFOB PCM AUD -- ??? Mics -> PCM -> DATs -> CDR (x1) -> EAC -> SHN; via Darrin Sacks, from Scott Z's seed