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Today In History
June 11th
5 shows
52 tapes
Years
1995
30.1k
PlaybackListensHours
48h59080
7d2.4k331
30d30.1k4.2k
49 shows
341 tapes
1994
9.7k
PlaybackListensHours
48h2.1k269
7d2.8k366
30d9.7k1.4k
85 shows
460 tapes
1993
40.9k
PlaybackListensHours
48h2.4k308
7d10.6k1.4k
30d40.9k5.4k
83 shows
656 tapes
1992
38k
PlaybackListensHours
48h1.5k195
7d5.8k743
30d38k5k
57 shows
539 tapes
1991
37k
PlaybackListensHours
48h3.1k444
7d13.8k1.9k
30d37k5.1k
78 shows
973 tapes
1990
42.9k
PlaybackListensHours
48h10.1k1.2k
7d13.6k1.7k
30d42.9k5.6k
78 shows
1,139 tapes
1989
48.2k
PlaybackListensHours
48h2.7k334
7d7.8k968
30d48.2k6k
78 shows
1,017 tapes
1988
21.5k
PlaybackListensHours
48h1.2k140
7d3.2k373
30d21.5k2.5k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.2k250
7d5.7k640
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h901101
7d2.1k235
30d12.1k1.4k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.7k197
7d4.4k519
30d22k2.6k
73 shows
1,356 tapes
1984
17.6k
PlaybackListensHours
48h5.9k693
7d4.8k601
30d17.6k2.3k
67 shows
1,075 tapes
1983
34k
PlaybackListensHours
48h1.2k157
7d3.7k487
30d34k4.5k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.3k154
7d4.3k534
30d42.2k5.2k
63 shows
753 tapes
1981
46.6k
PlaybackListensHours
48h2k249
7d5.2k660
30d46.6k5.8k
92 shows
868 tapes
1980
71.2k
PlaybackListensHours
48h2.6k291
7d16.2k1.8k
30d71.2k8.3k
91 shows
794 tapes
1979
23.6k
PlaybackListensHours
48h1.6k228
7d3.6k521
30d23.6k3.3k
79 shows
600 tapes
1978
52.6k
PlaybackListensHours
48h2k266
7d6.6k883
30d52.6k7.2k
87 shows
592 tapes
1977
296.7k
PlaybackListensHours
48h17.1k2.3k
7d47.3k6.6k
30d296.7k40.9k
64 shows
419 tapes
1976
54.7k
PlaybackListensHours
48h12.7k1.7k
7d13.3k1.9k
30d54.7k7.5k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h37640
7d2k188
30d6.6k671
25 shows
63 tapes
1974
101.1k
PlaybackListensHours
48h4k534
7d14.7k1.9k
30d101.1k12.9k
42 shows
324 tapes
1973
83.3k
PlaybackListensHours
48h11.7k1.6k
7d13k1.7k
30d83.3k10.6k
75 shows
445 tapes
1972
69.3k
PlaybackListensHours
48h2.2k281
7d7.9k979
30d69.3k8.4k
88 shows
361 tapes
1971
34.4k
PlaybackListensHours
48h1.8k204
7d5k553
30d34.4k3.9k
82 shows
357 tapes
1970
46k
PlaybackListensHours
48h1.8k196
7d16.5k1.7k
30d46k4.9k
101 shows
376 tapes
1969
27.2k
PlaybackListensHours
48h1.1k164
7d6.9k1.1k
30d27.2k4.1k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h68687
7d1.7k223
30d7.3k926
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h8914
7d34649
30d1.6k215
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h42827
7d75952
30d8k536
32 shows
78 tapes
1965
595
PlaybackListensHours
48h685
7d1076
30d59534
2 shows
2 tapes
1985
10/29/85
Crowd
2:32
Feel Like A Stranger
8:43
Friend Of The Devil
9:11
New Minglewood Blues
7:27
Bird Song
10:34
Hell In A Bucket
7:26
Deal
7:40
Space
1:09
Mississippi Half-Step Uptown Toodeloo >
6:37
Franklin's Tower >
8:13
Lost Sailor >
6:32
Saint Of Circumstance >
6:59
Crazy Fingers >
15:47
Drums >
10:47
Space >
5:39
The Wheel >
4:54
The Other One >
4:19
Wharf Rat >
8:26
Johnny B. Goode
4:35
E: Brokedown Palace
5:09
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:22:57
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 29, 2021
SHNID:
gd1985-10-29.154409.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to the Oade brothers for the patch source -- This is 154300 2496 > 1644
Taper: Joani Walker and Paul Scotton
2:22:57
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 29, 2021
SHNID:
gd1985-10-29.154300.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to the Oade brothers for the patch source
Taper: Paul Scotton and Joani Walker
2:21:47
SBD
Rating:
8.50 / 5 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1985-10-29.sbd.walker-scotton.miller.105818.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the cassettes
Taper: Paul Scotton and Joani Walker
2:21:19
SBD
Rating:
9.33 / 6 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1985-10-29.sbd.miller.33704.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX90)
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- Seamless transition between Discs 2 and 3
Transferrer: Bill Tetzeli
2:23:30
SBD
Rating:
10.00 / 5 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1985-10-29.sbd.fix-shnid-33704.tetzeli.76118.flac16
Source:
Pitch-corrected fix of shnid 33704
Lineage:
See info file
Taper Notes:
View Notes------------------------------------------------------------------------------------- Pitch-corrected fix of shnid 33704 All editing done in CE Pro. The CE Pro temp directory and the files being worked on were on 2 separate, defragged external drives. This source was pitch/time stretched to 101.5%. Various tones generated in CE 2000 were compared with Brent's synthesizer played back in CE Pro. All tracks were worked on individually. Resulting SBEs were cleaned up using shntool. The patch in drums was redone using the same source as Charlie Miller. A 5 second crossfade was applied to the beginning and a 2-second crossfade to the end. The patch source was time/pitch stretched to 97.79% to match the stretched SBD source (AUD source was also a little off-pitch, flat as opposed to the SBD being sharp). After the crossfade back into the SBD there's a sudden, brief dropoff in volume, that's part of the SBD and not the patch. Many thanks to Charlie Miller for the SBD source and to Doug Nawrocki for the fine AUD. CAVEATS: This is as close to the correct pitch as my ears and equipment could make it. 100% correct pitch is not guaranteed but expressly disavowed - this is nearer the target but not a bullseye. Also, while any decreasing of pitch and speed automatically exaggerates any cassette wow, it's so infinitesimal in the original source as to be nonexistent, so it's not really a problem here. Bill Tetzeli ([email protected])8:16 PM 7/25/2006 -------------------------------------------------------------------------------------
Source 6 of 28
2:22:10
SBD
Rating:
9.57 / 28 ratings
SHNID:
gd85-10-29.sbd.hinko.21533.sbeok.shnf
Source:
SBD > MC > C > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Transferrer: Rob (Odeo) Harrison
4:16:40
SBD
Transferrer:
Rob (Odeo) Harrison
SHNID:
gd1985-10-29.sbd-set2.harrison.12182.shnf
Source:
SBD>Cassette>Cassette>DAT
Lineage:
Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN)
Taper Notes:
View NotesMissing encore. the transition from d1t08 to d2t01 is seamless
Taper: Rob Eaton
2:22:06
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-29.164047.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of "Deal", as well as a 0:31 patch in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:22:06
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-29.164046.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of "Deal", as well as a 0:31 patch in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:21:19
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.151884.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:21:19
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.151883.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Ted Mattes, Bobby Hunt
2:22:39
Taper:
Ted Mattes, Bobby Hunt
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148859.senn441.mattes.hunt.miller.clugston.flac2496
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Ted Mattes, Bobby Hunt
2:22:39
Taper:
Ted Mattes, Bobby Hunt
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148858.senn441.mattes.hunt.miller.clugston.flac1648
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Michael Hessberg
2:22:25
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148424.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:25
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148423.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2019
Source 16 of 28
2:18:32
SHNID:
gd1985-10-29.177050.senn.md421.strizak.flac2448
Transferrer: Matrix by Hunter Seamons
2:21:35
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1985-10-29.157450.mtx.seamons.ht143.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15). Some occasional pops and crackles from the PA.
Transferrer: Matrix by Hunter Seamons
2:21:34
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1985-10-29.157449.mtx.seamons.ht143.flac24
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15). Some occasional pops and crackles from the PA.
Taper: The Oade Brothers
2:28:45
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1985-10-29.132358.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5
Taper Notes:
View NotesMastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64 BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5 01-28-2015 Patches: gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16 ---a few drop outs in Deal metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:15:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-29.126305.chasingwilma.flac24
Source:
source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Stan Roberts
2:20:18
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1985-10-29.119948.sony.roberts.flac16
Source:
Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts
Taper: D5scott
2:09:30
Rating:
10.00 / 1 rating
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1985-10-29.108081.BeyerM160s-SonyD5.D5scott.flac16
Source:
2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet ~ 16th row-center ~ Maxell MX90's
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesAt the end of Hell In A Bucket and the begining of Deal, the right channel drops out, so I fixed it (80 seconds worth) by making it mono. Tape flip after Hell In A Bucket. What a beautiful Theater!!! ------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy- aka "Bigfoot" He was a friend of mine, who had nothing to do with this recording, but we sure do miss him! ------------------------------------------------------------------------------------------------------------------------------------------
Taper: Dave Cohen
2:23:03
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1985-10-29.nak300.cohen.104708.sbeok.flac16
Source:
3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. Orchestra Floor Sec. L/C Row RR Seat 73
Lineage:
The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Bill Koucky
2:21:25
Rating:
9.33 / 3 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky
SHNID:
gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16
Lineage:
MAC > Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] > iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
Taper Notes:
View NotesCrossfades applied for tape flips and before encore. Discs 2 and 3 are seamless.
Taper: PA Deli Mike
2:21:28
Rating:
9.00 / 2 ratings
Taper:
PA Deli Mike
Transferrer:
Mr. Chips
SHNID:
gd1985-10-29.senn441.pa-deli-mike.83024.sbeok.flac16
Source:
2x Sennheiser 441's -> Sony TCD5-M -> Maxell MX
Lineage:
Nakamichi CR-7A -> DAT (Sony DTC-60ES with SBM) -> CD -> EAC -> WAV -> FLAC
Source 26 of 28
2:23:01
Rating:
7.00 / 2 ratings
SHNID:
gd85-10-29.aud-fixed.nawrocki.16756.sbeok.shnf
Source:
Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):Nak 300 > Sony D-5
Taper Notes:
View NotesPitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified
Taper: Tommy Danscuk
2:16:19
Rating:
10.00 / 1 rating
Taper:
Tommy Danscuk
Transferrer:
Ernie Dodd
SHNID:
gd1985-10-29.nak300.danscuk.dodd.8599.sbeok.shnf
Source:
Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3
Lineage:
Eac > cool edit > CDwav > shnv3
Taper Notes:
View Notes* dropout in right channel at 4:01,4:31,6:13 replaced with the left channel for 350,260,172 milliseconds, respectively. # missing a few seconds due to tape flip & tape flip at beginning of drums x drums fade in
Source 28 of 28
1:35:51
Rating:
10.00 / 1 rating
Source:
AUD > DAT > CDR
Lineage:
CDR > EAC > CDR > EAC > SHN
Taper Notes:
View Notes- I slightly retracked the CDRs I received from Paul, removed and cross-faded a minor 0.5 second drop-out in d1t01 at 2:02, and boosted the levels by 4db - All track boundaries verified with shntool.