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June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1985
10/29/85
Crowd /Tuning
1:59
Feel Like A Stranger
8:39
Friend Of The Devil
8:39
New Minglewood Blues
7:42
Bird Song
9:42
Hell In A Bucket >
7:26
Deal
7:46
Space >
1:15
Mississippi Half-Step Uptown Toodeloo >
6:36
Franklin's Tower >
8:12
Lost Sailor >
6:30
Saint Of Circumstance >
6:58
Crazy Fingers > Jam >
15:41
Drums >
9:26
Space >
7:03
The Wheel >
4:51
The Other One >
4:21
Wharf Rat >
8:25
Johnny B. Goode
4:46
E: Brokedown Palace
5:22
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:22:57
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 29, 2021
SHNID:
gd1985-10-29.154409.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to the Oade brothers for the patch source -- This is 154300 2496 > 1644
Taper: Joani Walker and Paul Scotton
2:22:57
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] August 29, 2021
SHNID:
gd1985-10-29.154300.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to the Oade brothers for the patch source
Taper: Paul Scotton and Joani Walker
2:21:47
SBD
Rating:
8.50 / 5 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1985-10-29.sbd.walker-scotton.miller.105818.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the cassettes
Taper: Paul Scotton and Joani Walker
2:21:19
SBD
Rating:
9.33 / 6 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller
SHNID:
gd1985-10-29.sbd.miller.33704.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX90)
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesNotes: -- Thanks to Paul Scotton and Joani Walker for the Cassettes -- Seamless transition between Discs 2 and 3
Transferrer: Bill Tetzeli
2:23:30
SBD
Rating:
10.00 / 5 ratings
Transferrer:
Bill Tetzeli
SHNID:
gd1985-10-29.sbd.fix-shnid-33704.tetzeli.76118.flac16
Source:
Pitch-corrected fix of shnid 33704
Lineage:
See info file
Taper Notes:
View Notes------------------------------------------------------------------------------------- Pitch-corrected fix of shnid 33704 All editing done in CE Pro. The CE Pro temp directory and the files being worked on were on 2 separate, defragged external drives. This source was pitch/time stretched to 101.5%. Various tones generated in CE 2000 were compared with Brent's synthesizer played back in CE Pro. All tracks were worked on individually. Resulting SBEs were cleaned up using shntool. The patch in drums was redone using the same source as Charlie Miller. A 5 second crossfade was applied to the beginning and a 2-second crossfade to the end. The patch source was time/pitch stretched to 97.79% to match the stretched SBD source (AUD source was also a little off-pitch, flat as opposed to the SBD being sharp). After the crossfade back into the SBD there's a sudden, brief dropoff in volume, that's part of the SBD and not the patch. Many thanks to Charlie Miller for the SBD source and to Doug Nawrocki for the fine AUD. CAVEATS: This is as close to the correct pitch as my ears and equipment could make it. 100% correct pitch is not guaranteed but expressly disavowed - this is nearer the target but not a bullseye. Also, while any decreasing of pitch and speed automatically exaggerates any cassette wow, it's so infinitesimal in the original source as to be nonexistent, so it's not really a problem here. Bill Tetzeli ([email protected])8:16 PM 7/25/2006 -------------------------------------------------------------------------------------
Source 6 of 28
2:22:10
SBD
Rating:
9.57 / 28 ratings
SHNID:
gd85-10-29.sbd.hinko.21533.sbeok.shnf
Source:
SBD > MC > C > DAT > CD > EAC > SHN
Taper Notes:
View NotesSBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Transferrer: Rob (Odeo) Harrison
4:16:40
SBD
Transferrer:
Rob (Odeo) Harrison
SHNID:
gd1985-10-29.sbd-set2.harrison.12182.shnf
Source:
SBD>Cassette>Cassette>DAT
Lineage:
Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN)
Taper Notes:
View NotesMissing encore. the transition from d1t08 to d2t01 is seamless
Taper: Rob Eaton
2:22:06
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-29.164047.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of "Deal", as well as a 0:31 patch in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Rob Eaton
2:22:06
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-29.164046.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the first 0:28 of "Deal", as well as a 0:31 patch in "Drums" - Pitch verified Mastered by Scott Clugston December 2022
Taper: Recorded by Doug Lamarre
2:21:19
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.151884.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:21:19
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.151883.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes and the folks responsible for the Sennheiser 441 source which supplies a 0:10 patch in the "Hell In A Bucket > Deal" transition, as well as a 0:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston February 2021
Taper: Ted Mattes, Bobby Hunt
2:22:39
Taper:
Ted Mattes, Bobby Hunt
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148859.senn441.mattes.hunt.miller.clugston.flac2496
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Ted Mattes, Bobby Hunt
2:22:39
Taper:
Ted Mattes, Bobby Hunt
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148858.senn441.mattes.hunt.miller.clugston.flac1648
Source:
Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes and Robby Hunt for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:27 patch in "Drums" - Pitch corrected Mastered by Scott Clugston December 2019
Taper: Michael Hessberg
2:22:25
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148424.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:22:25
Rating:
10.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-29.148423.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in the "Hell In A Bucket > Deal" transition, as well as 0:38 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2019
Source 16 of 28
2:18:32
SHNID:
gd1985-10-29.177050.senn.md421.strizak.flac2448
Transferrer: Matrix by Hunter Seamons
2:21:35
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1985-10-29.157450.mtx.seamons.ht143.flac16
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15). Some occasional pops and crackles from the PA.
Transferrer: Matrix by Hunter Seamons
2:21:34
Transferrer:
Matrix by Hunter Seamons
SHNID:
gd1985-10-29.157449.mtx.seamons.ht143.flac24
Source:
Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging)
Taper Notes:
View NotesNotes: Doug Oade's audience recording patches the majority of breaks between songs in Lamarre's AUD source (#132358 via Jim Wise and Dave Usborne, 1/28/15). Some occasional pops and crackles from the PA.
Taper: The Oade Brothers
2:28:45
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1985-10-29.132358.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5
Taper Notes:
View NotesMastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64 BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5 01-28-2015 Patches: gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16 ---a few drop outs in Deal metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:15:57
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-29.126305.chasingwilma.flac24
Source:
source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Stan Roberts
2:20:18
Taper:
Stan Roberts
Transferrer:
Stan Roberts
SHNID:
gd1985-10-29.119948.sony.roberts.flac16
Source:
Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts
Taper: D5scott
2:09:30
Rating:
10.00 / 1 rating
Taper:
D5scott
Transferrer:
D5scott
SHNID:
gd1985-10-29.108081.BeyerM160s-SonyD5.D5scott.flac16
Source:
2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet ~ 16th row-center ~ Maxell MX90's
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesAt the end of Hell In A Bucket and the begining of Deal, the right channel drops out, so I fixed it (80 seconds worth) by making it mono. Tape flip after Hell In A Bucket. What a beautiful Theater!!! ------------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy- aka "Bigfoot" He was a friend of mine, who had nothing to do with this recording, but we sure do miss him! ------------------------------------------------------------------------------------------------------------------------------------------
Taper: Dave Cohen
2:23:03
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1985-10-29.nak300.cohen.104708.sbeok.flac16
Source:
3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. Orchestra Floor Sec. L/C Row RR Seat 73
Lineage:
The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Bill Koucky
2:21:25
Rating:
9.33 / 3 ratings
Taper:
Bill Koucky
Transferrer:
Bill Koucky
SHNID:
gd1985-10-29.nak300.koucky.gmb.89970.sbeok.flac16
Lineage:
MAC > Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] > iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
Taper Notes:
View NotesCrossfades applied for tape flips and before encore. Discs 2 and 3 are seamless.
Taper: PA Deli Mike
2:21:28
Rating:
9.00 / 2 ratings
Taper:
PA Deli Mike
Transferrer:
Mr. Chips
SHNID:
gd1985-10-29.senn441.pa-deli-mike.83024.sbeok.flac16
Source:
2x Sennheiser 441's -> Sony TCD5-M -> Maxell MX
Lineage:
Nakamichi CR-7A -> DAT (Sony DTC-60ES with SBM) -> CD -> EAC -> WAV -> FLAC
Source 26 of 28
2:23:01
Rating:
7.00 / 2 ratings
SHNID:
gd85-10-29.aud-fixed.nawrocki.16756.sbeok.shnf
Source:
Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom):Nak 300 > Sony D-5
Taper Notes:
View NotesPitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified
Taper: Tommy Danscuk
2:16:19
Rating:
10.00 / 1 rating
Taper:
Tommy Danscuk
Transferrer:
Ernie Dodd
SHNID:
gd1985-10-29.nak300.danscuk.dodd.8599.sbeok.shnf
Source:
Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3
Lineage:
Eac > cool edit > CDwav > shnv3
Taper Notes:
View Notes* dropout in right channel at 4:01,4:31,6:13 replaced with the left channel for 350,260,172 milliseconds, respectively. # missing a few seconds due to tape flip & tape flip at beginning of drums x drums fade in
Source 28 of 28
1:35:51
Rating:
10.00 / 1 rating
Source:
AUD > DAT > CDR
Lineage:
CDR > EAC > CDR > EAC > SHN
Taper Notes:
View Notes- I slightly retracked the CDRs I received from Paul, removed and cross-faded a minor 0.5 second drop-out in d1t01 at 2:02, and boosted the levels by 4db - All track boundaries verified with shntool.