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Bands
Grateful Dead
Today In History
June 12th
Years
1995
30.1k
PlaybackListensHours
48h55375
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h995133
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k439
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h3.7k490
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h6k751
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h4.6k594
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.8k345
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1k122
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h3.6k403
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h977109
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.7k200
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h3.5k416
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.3k171
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k149
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2k246
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h3.8k453
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.6k218
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k259
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h8.5k1.2k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.4k2.7k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h22324
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.5k468
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h7.2k1k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2.2k278
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.5k170
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.4k170
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k169
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h42955
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h11515
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h41427
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h242
7d1368
30d63237
2 shows
2 tapes
1985
Sources
Taper: Joani Walker and Paul Scotton
2:18:46
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 5, 2021
SHNID:
gd1985-10-26.154406.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There was a very loud buzz/hum in the first set that I removed -- Thanks to Joani Walker and Paul Scotton for the cassettes -- Thanks to Jim Blackwood for his assistance with this project -- Thanks to Doug Oade, Jim Wise and Dave Usborne for the patch source -- This is 152787 2496 > 1644
Taper: Joani Walker and Paul Scotton
2:18:46
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 5, 2021
SHNID:
gd1985-10-26.152787.sbd.walker-scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There was a very loud buzz/hum in the first set that I removed -- Thanks to Joani Walker and Paul Scotton for the cassettes -- Thanks to Jim Blackwood for his assistance with this project -- Thanks to Doug Oade, Jim Wise and Dave Usborne for the patch source
Taper: Paul Scotton and Joani Walker
2:17:14
SBD
Rating:
9.50 / 5 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller, Jay Ashley
SHNID:
gd1985-10-26.sbd.miller.33929.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX90)
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: AKG CE-1>Master Cassette>Dat>Cool Edit 2000>CD supplies: Stagger Lee (0:00 - 0:02) Space (0:00 - 0:24) Notes: -- There was a LOUD hum in the 1st Set removed By Jay Ashley -- Thanks to Paul Scotton and Joani Walker for the Cassettes
Source 4 of 18
1:13:53
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd85-10-26.sbd-set2.digib.17275.sbeok.shnf
Source:
S:MC>D>CDR
Taper Notes:
View NotesSet 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420
Taper: Stephen Thomas
2:17:43
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.177545.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:38 total), some crowd and beginning of "Man Smart, Woman Smarter" (0:28 total), as well as a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2026
Taper: Stephen Thomas
2:17:43
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.177544.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:38 total), some crowd and beginning of "Man Smart, Woman Smarter" (0:28 total), as well as a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2026
Taper: Rob Eaton
2:18:47
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.163917.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies some crowd and the beginning of "Big Railroad Blues" (0:22 total), as well as a 0:31 patch in "Space" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Rob Eaton
2:18:47
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.163916.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies some crowd and the beginning of "Big Railroad Blues" (0:22 total), as well as a 0:31 patch in "Space" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Michael Hessberg
2:21:22
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.154872.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies an 0:08 patch in the "Big Railroad Blues > Looks Like Rain" transition (0:08 total), as well as a 0:34 patch in "Space" - Pitch corrected Mastered by Scott Clugston September 2021
Taper: Michael Hessberg
2:21:22
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.154871.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies an 0:08 patch in the "Big Railroad Blues > Looks Like Rain" transition (0:08 total), as well as a 0:34 patch in "Space" - Pitch corrected Mastered by Scott Clugston September 2021
Taper: Recorded by Doug Lamarre
2:17:08
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.151828.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:16 total), as well as a 0:26 patch in "Space" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:17:08
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.151827.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:16 total), as well as a 0:26 patch in "Space" - Pitch verified Mastered by Scott Clugston February 2021
Source 13 of 18
2:16:39
SHNID:
gd1985-10-26.176851.Senn.MD441.strizak.flac2448
Taper: The Oade Brothers
2:22:15
Rating:
8.00 / 1 rating
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1985-10-26.128703.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope Ozone 5 Paragraphic EQ used for De-Emphasis Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesPatches: gd85-10-26.mance.minches.18986.sbeok.shnf --End of Greatest Story Ever Told --All of Dupree's Diamond Blues --All of Stagger Lee --All of Me And My Uncle --All of Big River --All of Big Railroad Blues --All of Looks Like Rain --All of Don't Ease Me In --A few drop outs in China Cat Sunflower gd1985-10-26.124361.nak300.setI.doherty.droncit.flat.flac16 There is an anomolie at the very beginning of Stagger Lee that is present on all the sources, including the SBD. I used this source to try and bolster the sound a little, it's still pretty rough. metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:14:32
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-26.126295.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bill Doherty
56:08
Rating:
8.00 / 1 rating
Taper:
Bill Doherty
Transferrer:
droncit
SHNID:
gd1985-10-26.124361.nak300.setI.doherty.droncit.flat.flac16
Source:
Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty
Taper Notes:
View NotesJust a very slight clip for the opening notes (tape flip). Vocals are a little low sometimes. They appear to be that way on the soundboard. Most noticable for Garcia. Questions or comments: [email protected]
Source 17 of 18
2:18:26
Rating:
8.00 / 2 ratings
SHNID:
gd85-10-26.mance.minches.18986.sbeok.shnf
Source:
Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones
Taper Notes:
View NotesKen Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones Analog > DAT by Mark Cohen: Playback on Uher 240 >Tascam DA40 DAT > deck (record) Encoding: Tascam DA-30 playback>Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches Info file prepared by Matt Vernon
Source 18 of 18
2:18:35
SHNID:
gd85-10-26.horvath.welch.5078.sbeok.shnf
Source:
FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette
Taper Notes:
View NotesFOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch