Me And My Uncle > | 1985-10-26 | Grateful Dead

View NotesNotes:
-- There was a very loud buzz/hum in the first set that I removed
-- Thanks to Joani Walker and Paul Scotton for the cassettes
-- Thanks to Jim Blackwood for his assistance with this project
-- Thanks to Doug Oade, Jim Wise and Dave Usborne for the patch source
-- This is 152787 2496 > 1644

Taper: Joani Walker and Paul Scotton

2:18:46

SBD

Rating:

8.00 / 1 rating

Taper:

Joani Walker and Paul Scotton

Transferrer:

All Transfers and Mastering by Charlie Miller [email protected] July 5, 2021

SHNID:

gd1985-10-26.152787.sbd.walker-scotton.miller.flac2496

Source:

SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B)

Lineage:

Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24

Taper Notes:

View NotesNotes:
-- There was a very loud buzz/hum in the first set that I removed
-- Thanks to Joani Walker and Paul Scotton for the cassettes
-- Thanks to Jim Blackwood for his assistance with this project
-- Thanks to Doug Oade, Jim Wise and Dave Usborne for the patch source

Taper: Paul Scotton and Joani Walker

Paul Scotton and Joani Walker

Transferrer:

Charlie Miller, Jay Ashley

SHNID:

gd1985-10-26.sbd.miller.33929.sbeok.flac16

Source:

SBD -> Cassette Master (Sony D5/Maxell MX90)

Lineage:

Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

Taper Notes:

View NotesPatch Info:
AKG CE-1>Master Cassette>Dat>Cool Edit 2000>CD supplies:
Stagger Lee (0:00 - 0:02)
Space (0:00 - 0:24)

Notes:
-- There was a LOUD hum in the 1st Set removed By Jay Ashley
-- Thanks to Paul Scotton and Joani Walker for the Cassettes

Source 4 of 18

gd85-10-26.sbd-set2.digib.17275.sbeok.shnf

Source:

S:MC>D>CDR

Taper Notes:

View NotesSet 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03  By Bubba420

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1985-10-26.177545.nak304.thomas.miller.clugston.flac2496

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2026 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:38 total), some crowd and beginning of "Man Smart, Woman Smarter" (0:28 total), as well as a 0:23 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2026

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1985-10-26.177544.nak304.thomas.miller.clugston.flac1648

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2026 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:38 total), some crowd and beginning of "Man Smart, Woman Smarter" (0:28 total), as well as a 0:23 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
May 2026

Taper: Rob Eaton

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-10-26.163917.akg451.ck8.eaton.miller.clugston.flac2496

Source:

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Doug Lamarre for the Sennheiser 441 source which supplies some crowd and the beginning of "Big Railroad Blues" (0:22 total), as well as a 0:31 patch in "Space"
- Pitch verified

Mastered by Scott Clugston
November 2022

Taper: Rob Eaton

Rob Eaton, Scott Clugston, Charlie Miller

SHNID:

gd1985-10-26.163916.akg451.ck8.eaton.miller.clugston.flac1648

Source:

Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496

Taper Notes:

View NotesNotes:
- Thanks to Rob Eaton for the recording, as well as the transfer and harddrive
- Thanks to Charlie Miller for coordinating this effort
- Thanks to Doug Lamarre for the Sennheiser 441 source which supplies some crowd and the beginning of "Big Railroad Blues" (0:22 total), as well as a 0:31 patch in "Space"
- Pitch verified

Mastered by Scott Clugston
November 2022

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-26.154872.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Doug Lamarre for the Sennheiser 441 source which supplies an 0:08 patch in the "Big Railroad Blues > Looks Like Rain" transition (0:08 total), as well as a 0:34 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2021

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-26.154871.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Doug Lamarre for the Sennheiser 441 source which supplies an 0:08 patch in the "Big Railroad Blues > Looks Like Rain" transition (0:08 total), as well as a 0:34 patch in "Space"
- Pitch corrected

Mastered by Scott Clugston
September 2021

Taper: Recorded by Doug Lamarre

2:17:08

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-26.151828.senn441.lamarre.miller.clugston.flac2496

Source:

Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:16 total), as well as a 0:26 patch in "Space"
- Pitch verified

Mastered by Scott Clugston
February 2021

Taper: Recorded by Doug Lamarre

2:17:08

Taper:

Recorded by Doug Lamarre

Transferrer:

Scott Clugston and Charlie Miller

SHNID:

gd1985-10-26.151827.senn441.lamarre.miller.clugston.flac1648

Source:

Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Doug Lamarre for the Master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:16 total), as well as a 0:26 patch in "Space"
- Pitch verified

Mastered by Scott Clugston
February 2021

Source 13 of 18

2:16:39

SHNID:

gd1985-10-26.176851.Senn.MD441.strizak.flac2448

Taper: The Oade Brothers

gd1985-10-26.128703.schoeps.oade.BCE.flac16

Source:

Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope Ozone 5 Paragraphic EQ used for De-Emphasis Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper

Taper Notes:

View NotesPatches:
gd85-10-26.mance.minches.18986.sbeok.shnf
--End of Greatest Story Ever Told
--All of Dupree's Diamond Blues
--All of Stagger Lee
--All of Me And My Uncle
--All of Big River
--All of Big Railroad Blues
--All of Looks Like Rain
--All of Don't Ease Me In
--A few drop outs in China Cat Sunflower

gd1985-10-26.124361.nak300.setI.doherty.droncit.flat.flac16
There is an anomolie at the very beginning of Stagger Lee that is present on
all the sources, including the SBD. I used this source to try and bolster the
sound a little, it's still pretty rough.


metadata added

Thanks to Doug Oade & Jim Wise for making this beautiful recording available.

BCE Collaboration
[email protected]

Taper: chasingwilma

gd1985-10-26.126295.chasingwilma.flac24

Source:

source: (2) audio technica atm 11/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Bill Doherty

gd1985-10-26.124361.nak300.setI.doherty.droncit.flat.flac16

Source:

Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty

Taper Notes:

View NotesJust a very slight clip for the opening notes (tape flip).
Vocals are a little low sometimes.  They appear to be that way on the soundboard.  Most noticable for Garcia.
Questions or comments:  [email protected]

Source 17 of 18

gd85-10-26.mance.minches.18986.sbeok.shnf

Source:

Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones

Taper Notes:

View NotesKen Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones  
Analog > DAT by Mark Cohen: Playback on Uher 240 >Tascam DA40 DAT > deck (record)
Encoding: Tascam DA-30 playback>Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches
Info file prepared by Matt Vernon

Source 18 of 18

2:18:35

SHNID:

gd85-10-26.horvath.welch.5078.sbeok.shnf

Source:

FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette

Taper Notes:

View NotesFOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch