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Bands
Grateful Dead
Today In History
June 14th
10 shows
102 tapes
Years
1995
29.9k
PlaybackListensHours
48h47665
7d1.2k163
30d29.9k4.2k
49 shows
343 tapes
1994
10.5k
PlaybackListensHours
48h2.3k381
7d3k394
30d10.5k1.5k
85 shows
460 tapes
1993
36.8k
PlaybackListensHours
48h2.4k311
7d6k786
30d36.8k4.9k
83 shows
656 tapes
1992
42.6k
PlaybackListensHours
48h2.4k323
7d6.5k850
30d42.6k5.6k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h2.8k372
7d10k1.3k
30d40.6k5.5k
78 shows
973 tapes
1990
46.9k
PlaybackListensHours
48h2.9k382
7d13.7k1.7k
30d46.9k6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k354
7d5.7k705
30d47.5k5.9k
78 shows
1,017 tapes
1988
19.6k
PlaybackListensHours
48h1.4k163
7d2.4k282
30d19.6k2.3k
82 shows
882 tapes
1987
35.7k
PlaybackListensHours
48h7.6k957
7d6.8k763
30d35.7k3.9k
88 shows
1,025 tapes
1986
11.9k
PlaybackListensHours
48h971110
7d1.9k214
30d11.9k1.3k
47 shows
684 tapes
1985
22.4k
PlaybackListensHours
48h2.8k325
7d3.6k419
30d22.4k2.6k
73 shows
1,357 tapes
1984
22.5k
PlaybackListensHours
48h4.8k562
7d9.3k1.1k
30d22.5k2.8k
67 shows
1,075 tapes
1983
20.5k
PlaybackListensHours
48h1.3k161
7d2.7k354
30d20.5k2.7k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.5k186
7d2.6k315
30d41.6k5.2k
63 shows
753 tapes
1981
34.9k
PlaybackListensHours
48h1.8k229
7d4k501
30d34.9k4.4k
92 shows
868 tapes
1980
63.9k
PlaybackListensHours
48h8.4k985
7d8.1k947
30d63.9k7.4k
91 shows
794 tapes
1979
20.9k
PlaybackListensHours
48h1.4k199
7d3.3k463
30d20.9k2.9k
79 shows
608 tapes
1978
41.2k
PlaybackListensHours
48h1.8k248
7d3.9k536
30d41.2k5.5k
87 shows
592 tapes
1977
272.4k
PlaybackListensHours
48h9.8k1.4k
7d27.3k3.7k
30d272.4k37.6k
64 shows
419 tapes
1976
80.8k
PlaybackListensHours
48h10.9k1.5k
7d34.3k4.6k
30d80.8k10.9k
45 shows
298 tapes
1975
6.2k
PlaybackListensHours
48h47548
7d61966
30d6.2k630
25 shows
63 tapes
1974
90.9k
PlaybackListensHours
48h3.7k467
7d8.1k1.1k
30d90.9k11.5k
42 shows
324 tapes
1973
87.1k
PlaybackListensHours
48h4.9k650
7d17.5k2.4k
30d87.1k11.2k
75 shows
445 tapes
1972
61.9k
PlaybackListensHours
48h3k375
7d4.7k601
30d61.9k7.5k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h1.6k176
7d3.5k390
30d32.7k3.8k
82 shows
357 tapes
1970
38.4k
PlaybackListensHours
48h1.7k210
7d3.4k388
30d38.4k4.1k
101 shows
376 tapes
1969
26.9k
PlaybackListensHours
48h1.7k268
7d2.6k366
30d26.9k4k
112 shows
326 tapes
1968
7.4k
PlaybackListensHours
48h832102
7d1.2k157
30d7.4k928
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h12118
7d25334
30d1.6k220
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22017
7d86156
30d7.9k528
32 shows
78 tapes
1965
608
PlaybackListensHours
48h352
7d886
30d60836
2 shows
2 tapes
1985
Sources
Taper: Joani Walker and Paul Scotton
2:18:46
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 5, 2021
SHNID:
gd1985-10-26.154406.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There was a very loud buzz/hum in the first set that I removed -- Thanks to Joani Walker and Paul Scotton for the cassettes -- Thanks to Jim Blackwood for his assistance with this project -- Thanks to Doug Oade, Jim Wise and Dave Usborne for the patch source -- This is 152787 2496 > 1644
Taper: Joani Walker and Paul Scotton
2:18:46
SBD
Rating:
8.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 5, 2021
SHNID:
gd1985-10-26.152787.sbd.walker-scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B)
Lineage:
Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There was a very loud buzz/hum in the first set that I removed -- Thanks to Joani Walker and Paul Scotton for the cassettes -- Thanks to Jim Blackwood for his assistance with this project -- Thanks to Doug Oade, Jim Wise and Dave Usborne for the patch source
Taper: Paul Scotton and Joani Walker
2:17:14
SBD
Rating:
9.50 / 5 ratings
Taper:
Paul Scotton and Joani Walker
Transferrer:
Charlie Miller, Jay Ashley
SHNID:
gd1985-10-26.sbd.miller.33929.sbeok.flac16
Source:
SBD -> Cassette Master (Sony D5/Maxell MX90)
Lineage:
Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
Taper Notes:
View NotesPatch Info: AKG CE-1>Master Cassette>Dat>Cool Edit 2000>CD supplies: Stagger Lee (0:00 - 0:02) Space (0:00 - 0:24) Notes: -- There was a LOUD hum in the 1st Set removed By Jay Ashley -- Thanks to Paul Scotton and Joani Walker for the Cassettes
Source 4 of 18
1:13:53
SBD
Rating:
7.75 / 8 ratings
SHNID:
gd85-10-26.sbd-set2.digib.17275.sbeok.shnf
Source:
S:MC>D>CDR
Taper Notes:
View NotesSet 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420
Taper: Stephen Thomas
2:17:43
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.177545.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:38 total), some crowd and beginning of "Man Smart, Woman Smarter" (0:28 total), as well as a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2026
Taper: Stephen Thomas
2:17:43
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.177544.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2026 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and Charlie Miller for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:38 total), some crowd and beginning of "Man Smart, Woman Smarter" (0:28 total), as well as a 0:23 patch in "Drums" - Pitch corrected Mastered by Scott Clugston May 2026
Taper: Rob Eaton
2:18:47
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.163917.akg451.ck8.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies some crowd and the beginning of "Big Railroad Blues" (0:22 total), as well as a 0:31 patch in "Space" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Rob Eaton
2:18:47
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-10-26.163916.akg451.ck8.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master Audience Cassettes; AKG 451's w/ CK8 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies some crowd and the beginning of "Big Railroad Blues" (0:22 total), as well as a 0:31 patch in "Space" - Pitch verified Mastered by Scott Clugston November 2022
Taper: Michael Hessberg
2:21:22
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.154872.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies an 0:08 patch in the "Big Railroad Blues > Looks Like Rain" transition (0:08 total), as well as a 0:34 patch in "Space" - Pitch corrected Mastered by Scott Clugston September 2021
Taper: Michael Hessberg
2:21:22
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.154871.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Doug Lamarre for the Sennheiser 441 source which supplies an 0:08 patch in the "Big Railroad Blues > Looks Like Rain" transition (0:08 total), as well as a 0:34 patch in "Space" - Pitch corrected Mastered by Scott Clugston September 2021
Taper: Recorded by Doug Lamarre
2:17:08
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.151828.senn441.lamarre.miller.clugston.flac2496
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:16 total), as well as a 0:26 patch in "Space" - Pitch verified Mastered by Scott Clugston February 2021
Taper: Recorded by Doug Lamarre
2:17:08
Taper:
Recorded by Doug Lamarre
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-10-26.151827.senn441.lamarre.miller.clugston.flac1648
Source:
Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Doug Lamarre for the Master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80 source which supplies some crowd and beginning of "Big Railroad Blues" (0:16 total), as well as a 0:26 patch in "Space" - Pitch verified Mastered by Scott Clugston February 2021
Source 13 of 18
2:16:39
SHNID:
gd1985-10-26.176851.Senn.MD441.strizak.flac2448
Taper: The Oade Brothers
2:22:15
Rating:
8.00 / 1 rating
Taper:
The Oade Brothers
Transferrer:
Doug Oade
SHNID:
gd1985-10-26.128703.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope Ozone 5 Paragraphic EQ used for De-Emphasis Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesPatches: gd85-10-26.mance.minches.18986.sbeok.shnf --End of Greatest Story Ever Told --All of Dupree's Diamond Blues --All of Stagger Lee --All of Me And My Uncle --All of Big River --All of Big Railroad Blues --All of Looks Like Rain --All of Don't Ease Me In --A few drop outs in China Cat Sunflower gd1985-10-26.124361.nak300.setI.doherty.droncit.flat.flac16 There is an anomolie at the very beginning of Stagger Lee that is present on all the sources, including the SBD. I used this source to try and bolster the sound a little, it's still pretty rough. metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:14:32
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-10-26.126295.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bill Doherty
56:08
Rating:
8.00 / 1 rating
Taper:
Bill Doherty
Transferrer:
droncit
SHNID:
gd1985-10-26.124361.nak300.setI.doherty.droncit.flat.flac16
Source:
Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty
Taper Notes:
View NotesJust a very slight clip for the opening notes (tape flip). Vocals are a little low sometimes. They appear to be that way on the soundboard. Most noticable for Garcia. Questions or comments: [email protected]
Source 17 of 18
2:18:26
Rating:
8.00 / 2 ratings
SHNID:
gd85-10-26.mance.minches.18986.sbeok.shnf
Source:
Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones
Taper Notes:
View NotesKen Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones Analog > DAT by Mark Cohen: Playback on Uher 240 >Tascam DA40 DAT > deck (record) Encoding: Tascam DA-30 playback>Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches Info file prepared by Matt Vernon
Source 18 of 18
2:18:35
SHNID:
gd85-10-26.horvath.welch.5078.sbeok.shnf
Source:
FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette
Taper Notes:
View NotesFOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch