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Grateful Dead
Today In History
June 10th
Years
1995
29.8k
PlaybackListensHours
48h57177
7d2.1k285
30d29.8k4.2k
49 shows
341 tapes
1994
8.7k
PlaybackListensHours
48h2k252
7d1.8k240
30d8.7k1.2k
85 shows
460 tapes
1993
39.3k
PlaybackListensHours
48h2.4k299
7d9k1.2k
30d39.3k5.2k
83 shows
656 tapes
1992
37k
PlaybackListensHours
48h1.5k197
7d4.8k614
30d37k4.9k
57 shows
539 tapes
1991
35k
PlaybackListensHours
48h2.9k419
7d11.7k1.6k
30d35k4.8k
78 shows
973 tapes
1990
38.5k
PlaybackListensHours
48h9.4k1.1k
7d9.3k1.2k
30d38.5k5k
78 shows
1,139 tapes
1989
47k
PlaybackListensHours
48h2.5k304
7d6.5k807
30d47k5.9k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.1k133
7d2.7k310
30d21k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h2k225
7d4.7k520
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h76687
7d1.8k197
30d11.7k1.3k
47 shows
684 tapes
1985
21.3k
PlaybackListensHours
48h1.7k191
7d3.7k437
30d21.3k2.5k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h5.4k626
7d2.6k335
30d15.3k2k
67 shows
1,075 tapes
1983
33.4k
PlaybackListensHours
48h1.2k158
7d3k402
30d33.4k4.4k
71 shows
1,069 tapes
1982
41.6k
PlaybackListensHours
48h1.2k143
7d3.8k466
30d41.6k5.2k
63 shows
753 tapes
1981
45.9k
PlaybackListensHours
48h1.8k232
7d4.5k573
30d45.9k5.8k
92 shows
868 tapes
1980
69.5k
PlaybackListensHours
48h2.7k303
7d14.6k1.6k
30d69.5k8.1k
91 shows
794 tapes
1979
22.9k
PlaybackListensHours
48h1.4k206
7d2.9k413
30d22.9k3.2k
79 shows
600 tapes
1978
51.7k
PlaybackListensHours
48h1.9k251
7d5.7k756
30d51.7k7.1k
87 shows
592 tapes
1977
285.6k
PlaybackListensHours
48h17.1k2.3k
7d36.3k5.1k
30d285.6k39.4k
64 shows
419 tapes
1976
50.3k
PlaybackListensHours
48h11.5k1.6k
7d8.9k1.2k
30d50.3k6.8k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h34036
7d1.8k162
30d6.3k644
25 shows
63 tapes
1974
98.8k
PlaybackListensHours
48h4.2k553
7d12.3k1.6k
30d98.8k12.5k
42 shows
324 tapes
1973
79.3k
PlaybackListensHours
48h10.4k1.4k
7d8.9k1.2k
30d79.3k10.1k
75 shows
445 tapes
1972
68.1k
PlaybackListensHours
48h2.1k272
7d6.8k827
30d68.1k8.3k
88 shows
361 tapes
1971
33.5k
PlaybackListensHours
48h1.7k196
7d4.1k452
30d33.5k3.8k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.8k197
7d15.5k1.6k
30d45k4.8k
101 shows
376 tapes
1969
26.5k
PlaybackListensHours
48h1.1k167
7d6.2k1k
30d26.5k4k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h72390
7d1.3k168
30d6.9k870
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9815
7d27740
30d1.5k206
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h41826
7d55340
30d7.8k523
32 shows
78 tapes
1965
576
PlaybackListensHours
48h654
7d885
30d57633
2 shows
2 tapes
1985
Sources
Transferrer: Kevin Tobin
2:38:20
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-05.142292.mtx.tobin.flac1644
Source:
<b>flac16;</b> <i>Matrix 2 Source Mix</i> - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix (44/16) --------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-JUN-2018 - Trader Little Helper - Tagged 14-JUN-2018 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Kevin Tobin
2:34:32
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-05.dts.mtx.tobin.102049.flac16
Source:
DTS-Audio-CD 5.1 Mix; SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica
Transferrer: Kevin Tobin
2:34:32
SBD
Rating:
8.00 / 1 rating
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-05.sbd.tobin.102034.flac16
Source:
SBD > ?
Lineage:
? > CDR > EAC > SHN
Taper Notes:
View Notespitch correction and patches by Kevin To (update of <a href="http://db.etree.org/shn/12180" rel="nofollow">source ID 12180</a>)
Transferrer: Kevin Tobin
2:34:32
SBD
Transferrer:
Kevin Tobin
SHNID:
gd1985-09-05.mtx.tobin.102032.flac16
Source:
Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica
Source 5 of 23
2:33:02
SBD
Rating:
8.20 / 12 ratings
SHNID:
gd85-09-05.sbd.weiner.12180.sbeok.shnf
Source:
SBD >> ? > CDR > EAC > SHN
Taper Notes:
View NotesSBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael
Taper: Ted Mattes
2:27:14
Taper:
Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-05.167116.nak300.mattes.miller.clugston.flac2496
Source:
Ted Mattes' Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in the "Big River > Peggy O" transition, the noodle into "Let It Grow" (0:11), as well as a 0:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Ted Mattes
2:27:14
Taper:
Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-05.167115.nak300.mattes.miller.clugston.flac1648
Source:
Ted Mattes' Master Audience Cassettes; Nakamichi 300 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Ted Mattes for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in the "Big River > Peggy O" transition, the noodle into "Let It Grow" (0:11), as well as a 0:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Chris Hecht
2:23:53
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-05.163566.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Nakamichi 300 source which supplies some crowd and beginning of "Cold Rain & Snow" (0:52 total), a 0:33 patch in "Me & My Uncle", as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Chris Hecht
2:23:53
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-05.163565.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Ted Mattes for the Nakamichi 300 source which supplies some crowd and beginning of "Cold Rain & Snow" (0:52 total), a 0:33 patch in "Me & My Uncle", as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2020
Taper: Michael Hessberg
2:21:36
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-05.148578.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:24 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:21:36
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-05.148577.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:24 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Robert Bryant
1:04:49
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info (9/5): - source #027680 (Schoeps) - s1t01; all - s1t02; start - 00:48 & - s1t03; 00:15 - end (crowd) - s1t07; 05:22 - end of set Notes: - speed corrected - tape pauses cross faded - tape flip patched - first 40 some odd seconds of CR&S was marred with a heavy hiss - eight count BIODTL - after the tape flip (btw. Stagger Lee & M&MU) the mics sound like they get muffled. Any adjust thereafter made for a terrible hiss. The Oade recording was used, after remastering, to supplement the remainder of the show. * contains first Hey Jude finale - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
1:04:49
Rating:
6.00 / 1 rating
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96
Taper Notes:
View NotesPatch info (9/5): - source #027680 (Schoeps) - s1t01; all - s1t02; start - 00:48 & - s1t03; 00:15 - end (crowd) - s1t07; 05:22 - end of set Notes: - speed corrected - tape pauses cross faded - tape flip patched - first 40 some odd seconds of CR&S was marred with a heavy hiss - eight count BIODTL - after the tape flip (btw. Stagger Lee & M&MU) the mics sound like they get muffled. Any adjust thereafter made for a terrible hiss. The Oade recording was used, after remastering, to supplement the remainder of the set.
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney
2:25:27
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-09-05.153178.akgc422.davis-holbrook.flac2448
Source:
Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip / tape paused between songs # level variation from both PA and Recorder at start & missed about 7 seconds of start ! missed about 10 seconds of start NOTE: The wind is apparent on all of set 2 of this recording. We used factory windscreens and it was not enough to reduce those winds at Red Rocks. The AKG c422 became intermittent due to fast transient distortions from high winds during set 1 and was substituted with the Beyer m201's for set 2. Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney
2:25:27
Taper:
Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney
Transferrer:
Kyle Holbrook
SHNID:
gd1985-09-05.153177.akgc422.davis-holbrook.flac1644
Source:
Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip / tape paused between songs # level variation from both PA and Recorder at start & missed about 7 seconds of start ! missed about 10 seconds of start NOTE: The wind is apparent on all of set 2 of this recording. We used factory windscreens and it was not enough to reduce those winds at Red Rocks. The AKG c422 became intermittent due to fast transient distortions from high winds during set 1 and was substituted with the Beyer m201's for set 2. Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Mike Darby
2:38:20
Taper:
Mike Darby
Transferrer:
Kevin Tobin and Keo
SHNID:
gd1985-09-05.142291.pp-aud.darby.tobin.flac1644
Source:
<b>flac16;</b> <i>Patched & Pitch Corrected Audience</i> - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- Patching during end of Space. Speedwise the audience was a very fast when compared to other recordings - .8 seconds per minute. Brokedown House Production
Taper: Mike Darby
2:38:20
Taper:
Mike Darby
Transferrer:
Kevin Tobin and Keo
SHNID:
gd1985-09-05.142290.pp-aud.darby.tobin.flac2448
Source:
<b>flac24;</b> <i>Patched & Pitch Corrected Audience</i> - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin
Taper Notes:
View NotesPatching during end of Space. Speedwise the audience was a very fast when compared to other recordings - .8 seconds per minute. Brokedown House Production
Taper: Mike Darby
2:22:38
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-05.Senn421.Darby.119573.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this smoking start of this 1985 Red Rocks run of shows!!Another excellent share from the Darby collection of Master Audience recordings!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:22:38
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-05.Senn421.Darby.119572.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:A Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this smoking start of this 1985 Red Rocks run of shows!!Another excellent share from the Darby collection of Master Audience recordings!!! AS ALWAYS ENJOY!!!!!!!!!!!!!!!!
Taper: Bob Morris
2:21:28
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-09-05.nak300.morris.106789.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flips between: Big River & Peggy-O; Drums & Space. Recorded by Bob Morris -- thanks to Sam for help.
Taper: Adam, Justin & Monica
2:22:29
Rating:
8.00 / 1 rating
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-09-05.senn441.mccue.ford.79778.sbeok.flac16
Source:
MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s
Lineage:
MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16
Taper Notes:
View NotesNotes: - files encoded @ level 6. sector boundaries fixed & verified with trader's little helper. - the encore was placed on disc 01 to fit the show on 2 discs. - cd covers and McCue cassette collection photo are included with this fileset. - d2t06 Drums 4:24-6:23 patched with Master Audience Cassette > DAT > CDR (shn id #11493).
Taper: Oade Brothers
2:36:15
Taper:
Oade Brothers
Transferrer:
Doug Oade and Darrin Sacks
SHNID:
gd1985-09-05.schoeps.oade.sacks.27680.sbeok.flac16
Source:
Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac
Taper Notes:
View NotesNote: Show can be burned to 2 x 80 minute disks if the Brokedown encore is placed at the end of set 1. Seeded 1/7/05 --
Source 23 of 23
2:29:23
Rating:
8.00 / 4 ratings
SHNID:
gd85-09-05.aud.barbella.11493.sbeok.shnf
Source:
Audience Recording
Lineage:
Master Audience Cassette > DAT > CDR
Taper Notes:
View NotesMaster Audience Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella