Encore Brokedown Palace | 1985-09-05 | Grateful Dead

Kevin Tobin

gd1985-09-05.dts.mtx.tobin.102049.flac16

DTS-Audio-CD 5.1 Mix; SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica

Transferrer: Kevin Tobin

gd1985-09-05.sbd.tobin.102034.flac16

View Notespitch correction and patches by Kevin To (update of <a href="http://db.etree.org/shn/12180" rel="nofollow">source ID 12180</a>)

Transferrer: Kevin Tobin

gd1985-09-05.mtx.tobin.102032.flac16

Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica

Source 5 of 23

gd85-09-05.sbd.weiner.12180.sbeok.shnf

SBD >> ? > CDR > EAC > SHN

View NotesSBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael

Taper: Ted Mattes

gd1985-09-05.167116.nak300.mattes.miller.clugston.flac2496

Ted Mattes' Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Ted Mattes for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in the "Big River > Peggy O" transition, the noodle into "Let It Grow" (0:11), as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

Taper: Ted Mattes

gd1985-09-05.167115.nak300.mattes.miller.clugston.flac1648

Ted Mattes' Master Audience Cassettes; Nakamichi 300 mics > Sony D5M

Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Ted Mattes for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in the "Big River > Peggy O" transition, the noodle into "Let It Grow" (0:11), as well as a 0:22 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

Taper: Chris Hecht

gd1985-09-05.163566.neumann.km84i.hecht.miller.clugston.flac2496

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes for the Nakamichi 300 source which supplies some crowd and beginning of "Cold Rain & Snow" (0:52 total), a 0:33 patch in "Me & My Uncle", as well as an 0:08 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

Taper: Chris Hecht

gd1985-09-05.163565.neumann.km84i.hecht.miller.clugston.flac1648

Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Chris Hecht for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Ted Mattes for the Nakamichi 300 source which supplies some crowd and beginning of "Cold Rain & Snow" (0:52 total), a 0:33 patch in "Me & My Uncle", as well as an 0:08 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2020

Taper: Michael Hessberg

gd1985-09-05.148578.senn.me80.hessberg.miller.clugston.flac2496

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Scott Clugston and Charlie Miller

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:24 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Michael Hessberg

gd1985-09-05.148577.senn.me80.hessberg.miller.clugston.flac1648

Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Charlie Miller and Joe Noel

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies a 0:24 patch in "Drums"
- Pitch corrected

Mastered by Scott Clugston
October 2019

Taper: Robert Bryant

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2

Charlie Miller and Joe Noel

View NotesPatch info (9/5):
- source #027680 (Schoeps)
- s1t01; all
- s1t02; start - 00:48 & 
- s1t03; 00:15 - end (crowd)
- s1t07; 05:22 - end of set

Notes:
- speed corrected
- tape pauses cross faded
- tape flip patched
- first 40 some odd seconds of CR&S was marred with a heavy hiss
- eight count BIODTL
- after the tape flip (btw. Stagger Lee & M&MU) the mics sound like they get muffled.  Any adjust thereafter made for a terrible hiss.  The Oade recording was used, after remastering, to supplement the remainder of the show.
* contains first Hey Jude finale 
- This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2

Taper: Robert Bryant

Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

View NotesPatch info (9/5):
- source #027680 (Schoeps)
- s1t01; all
- s1t02; start - 00:48 &
- s1t03; 00:15 - end (crowd)
- s1t07; 05:22 - end of set

Notes:
- speed corrected
- tape pauses cross faded
- tape flip patched
- first 40 some odd seconds of CR&S was marred with a heavy hiss
- eight count BIODTL
- after the tape flip (btw. Stagger Lee & M&MU) the mics sound like they get muffled.  Any adjust thereafter made for a terrible hiss.  The Oade recording was used, after remastering, to supplement the remainder of the set.

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

2:25:27

Taper:

Kyle Holbrook

gd1985-09-05.153178.akgc422.davis-holbrook.flac2448

Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH]

Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

View Notes//  tape flip
/   tape paused between songs
#  level variation from both PA and Recorder at start
&  missed about 7 seconds of start
!  missed about 10 seconds of start
NOTE: The wind is apparent on all of set 2 of this recording. We used factory windscreens and it was not enough to reduce those winds at Red Rocks. The AKG c422 became intermittent due to fast transient distortions from high winds during set 1 and was substituted with the Beyer m201's for set 2.

Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney

2:25:27

Taper:

Kyle Holbrook

gd1985-09-05.153177.akgc422.davis-holbrook.flac1644

gd1985-09-05.142291.pp-aud.darby.tobin.flac1644

View Notes//  tape flip
/   tape paused between songs
#  level variation from both PA and Recorder at start
&  missed about 7 seconds of start
!  missed about 10 seconds of start
NOTE: The wind is apparent on all of set 2 of this recording. We used factory windscreens and it was not enough to reduce those winds at Red Rocks. The AKG c422 became intermittent due to fast transient distortions from high winds during set 1 and was substituted with the Beyer m201's for set 2.

Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

Taper: Mike Darby

flac16; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin

gd1985-09-05.142290.pp-aud.darby.tobin.flac2448

View Notes---------------------------------------------------------
Patching during end of Space. Speedwise the audience was a very fast when compared to other recordings - .8 seconds per minute. 

Brokedown House Production

Taper: Mike Darby

flac24; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin

gd1985-09-05.Senn421.Darby.119573.Flac1644

View NotesPatching during end of Space. Speedwise the audience was a very fast when compared to other recordings - .8 seconds per minute. 

Brokedown House Production

Taper: Mike Darby

Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

gd1985-09-05.Senn421.Darby.119572.Flac2448

View NotesComments:A Huge Huge Thanks out to Mr. Darby for
recording and sharing his source for this smoking
start of this 1985 Red Rocks run of shows!!Another
excellent share from the Darby collection of Master
Audience recordings!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!

Taper: Mike Darby

gd1985-09-05.nak300.morris.106789.flac16

View NotesComments:A Huge Huge Thanks out to Mr. Darby for
recording and sharing his source for this smoking
start of this 1985 Red Rocks run of shows!!Another
excellent share from the Darby collection of Master
Audience recordings!!!
AS ALWAYS ENJOY!!!!!!!!!!!!!!!!

Taper: Bob Morris

Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90)

Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

View NotesTape flips between: Big River & Peggy-O; Drums & Space.
Recorded by Bob Morris -- thanks to Sam for help.

Taper: Adam, Justin & Monica

Adam, Justin & Monica

Alex Ford

gd1985-09-05.senn441.mccue.ford.79778.sbeok.flac16

MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s

MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16

Doug Oade and Darrin Sacks

View NotesNotes:

- files encoded @ level 6. sector boundaries fixed & verified with trader's little helper.
- the encore was placed on disc 01 to fit the show on 2 discs.
- cd covers and McCue cassette collection photo are included with this fileset.
- d2t06 Drums 4:24-6:23 patched with Master Audience Cassette > DAT > CDR (shn id #11493).

Taper: Oade Brothers

gd1985-09-05.schoeps.oade.sacks.27680.sbeok.flac16

Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac

gd85-09-05.aud.barbella.11493.sbeok.shnf

View NotesNote:  Show can be burned to 2 x 80 minute disks if the Brokedown encore is placed at the end of set 1.

Seeded 1/7/05 --

Source 23 of 23

Audience Recording

Master Audience Cassette > DAT > CDR