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June 8th
Years
1995
29.8k
PlaybackListensHours
48h53971
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k133
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k301
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k266
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.9k822
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h5.4k681
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.6k328
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.1k132
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k189
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h78686
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k159
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h989129
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k186
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k190
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.9k237
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8k860
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.4k195
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k226
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h21.5k3k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.9k396
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h87284
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h6.7k862
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.7k488
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k317
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k171
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.8k473
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.4k376
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h62887
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h10814
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h16913
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1985
9/3/85
Crowd/Tuning
1:00
Feel Like A Stranger>
7:22
They Love Each Other
7:55
Little Red Rooster
8:36
Dire Wolf
3:47
Cassidy>
5:47
Big Railroad Blues
3:52
The Music Never Stopped>
6:45
Don't Ease Me In, Set Break
3:03
Tuning
1:21
Cryptical Envelopment>
2:05
The Other One>
7:14
Cryptical Envelopment>
2:02
Eyes Of The World>
9:35
Don't Need Love>
7:01
Drums>
8:08
Space>
6:57
Nobody's Fault But Mine>
4:53
Truckin'>
6:23
Smokestack Lightning>
2:28
Comes A Time>
6:36
Lovelight, Encore Break
6:23
It's All Over Now Baby Blue
8:06
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:11:41
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-09-03.123078.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- The pitch is not perfect but it's a lot better -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:11:16
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-09-03.sbd.miller.34772.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: The last 88 seconds of Baby Blue patched with the oade Schoeps PCM AUD
Transferrer: Hunter Seamons
2:11:14
SBD
Rating:
10.00 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-09-03.mtx.seamons.94595.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: EAC & Decoded to Shn by Jim Keith ---------------------------------------------------- AUD: Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade > EAC > SHN (seekable) --------------------------------------------------- Thank you to Jim Keith and Todd Campbell for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) September 19, 2008 Notes: 1) Occasional, momentary cuts in the sources. Significant cut in the SBD near end of Baby Blue.
Source 4 of 19
2:10:53
SBD
Rating:
7.88 / 17 ratings
SHNID:
gd85-09-03.sbd.keith.7229.sbeok.shnf
Source:
EAC> Shn by Jim Keith
Taper Notes:
View NotesSBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short)
Taper: Bob Wagner
2:13:58
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-03.169186.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:16 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2024
Taper: Bob Wagner
2:13:58
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-03.169185.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:16 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2024
Taper: Michael Hessberg
2:07:18
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-03.148576.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Feel Like A Stranger" (0:47 total), an 0:11 patch at the beginning of "Don't Ease Me In", as well as a 0:29 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:07:18
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-03.148575.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Feel Like A Stranger" (0:47 total), an 0:11 patch at the beginning of "Don't Ease Me In", as well as a 0:29 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
2:05:55
Rating:
8.00 / 3 ratings
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1985-09-03.153133.akgc422-davis-pinney.holbrook.flac2496
Source:
Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesEleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
2:05:55
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1985-09-03.153132.akgc422-davis-pinney.holbrook.flac1644
Source:
Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesEleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Source 11 of 19
2:06:28
SHNID:
gd1985-09-03.150522.Kansas.City.MO.BeyerM160.Peoria.August2020.flac1648
Source:
Source: Beyer M160 > Sony D5 (Cass/M) > DAT @ 16/48
Lineage:
Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotope RX > xACT(FLAC/TAG) DiGiHoArDeRs: 8/24/2020
Taper: Mike Darby
2:07:19
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-03.Senn421.Darby.119571.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent 1985 Grateful Dead performance.Another fantastic share from The Darby Collection of master audiences! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:07:19
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-03.Senn421.Darby.119570.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent 1985 Grateful Dead performance.Another fantastic share from The Darby Collection of master audiences! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Charlie Connor
2:06:08
Rating:
9.00 / 2 ratings
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-09-03.beyerM160.connor.77197.sbeok.flac16
Source:
FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Taper Notes:
View NotesComments: This is a fresh transfer from my cassette masters that doesn't have the DAE layer from the prior seed. I ran my deck, as well as the decks for my taping buds, Vita, Hance, Goldsher and even possibly Eugene D'Alesandro. As I remember it the FOB seat location was mine (which is why I got the job running the rig) Although it is possible that one of those guys gave me their seat because I offered to work the show. Also note, The prior seed indicates the Cassette Masters were Maxell MX 90's that is incorrect, they are TDK MA 90's
Transferrer: Todd Evans and blingfree
1:31:16
Transferrer:
Todd Evans and blingfree
SHNID:
gd1985-09-03.schoeps.oade.gems.34669.sbeok.flac16
Source:
FOB Schoeps CMC42 (Omni) and CMC34 (Cardiod) Passive Mix - F1
Lineage:
DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Taper Notes:
View Notes**Warning. Tracks not labeled by CD standard length. You will have to split it as you see fit.** *Audution Notes: Fade-In 00:00:00.00 - 00:00:04:71 Digital noise fixed 00:17:24.53 - 00:17:24.57 Trim (taper fade) 01:12:26:48 - 01:12:29:06 Fade-In 01:12:26:48 - 01:12:31:50 Fade-Out 01:20:56:40 - 01:21:01:40 Fade-In 01:21:01:40 - 01:21:06:41 Converted to 44.1kHz using pre/post filters. Notes: Timing @ 75fps. Fades done by taper unless noted above.
Taper: Oade Brothers
1:31:14
Taper:
Oade Brothers
Transferrer:
Todd Evans and blingfree
SHNID:
gd1985-09-03.schoeps.oade.gems.34668.sbeok.flac1648
Source:
FOB Schoeps CMC42 (Omni) and CMC34 (Cardiod) Passive Mix - F1
Lineage:
DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Taper Notes:
View Notes*Audution Notes: Fade-In 00:00:00.00 - 00:00:04:71 Digital noise fixed 00:17:24.53 - 00:17:24.57 Trim (taper fade) 01:12:26:48 - 01:12:29:06 Fade-In 01:12:26:48 - 01:12:31:50 Fade-Out 01:20:56:40 - 01:21:01:40 Fade-In 01:21:01:40 - 01:21:06:41 Notes: Timing @ 75fps. Fades done by taper unless noted above.
Source 17 of 19
2:15:34
Rating:
7.60 / 5 ratings
SHNID:
gd85-09-03.oade-schoeps.sacks.27250.sbeok.flacf
Source:
<b>flac16</b> Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording
Taper Notes:
View Notes<b>flac16</b> Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note)
Source 18 of 19
2:12:07
Rating:
8.40 / 16 ratings
SHNID:
gd85-09-03.oade.sacks.7691.sbeok.shnf
Source:
Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade
Taper Notes:
View NotesOade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks
Source 19 of 19
2:05:45
Rating:
8.00 / 5 ratings
SHNID:
gd85-09-03.beyer.agan.1681.sbefail.shnf
Source:
AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN
Taper Notes:
View NotesAUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor