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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1985
9/3/85
The Music Never Stopped ->
7:02
Don't Ease Me In
3:17
Cryptical Envelopment ->
3:09
The Other One ->
7:16
Cryptical Envelopment ->
2:05
Eyes of the World ->
10:43
Don't Need Love ->
6:04
Drums ->
7:34
Space ->
8:44
Nobody's Fault But Mine ->
4:37
Truckin' ->
6:20
Smokestack Lightning ->
2:27
Comes a Time ->
6:41
Turn On Your Lovelight
6:42
It's All Over Now Baby Blue
8:35
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:11:41
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-09-03.123078.sbd.miller.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- The pitch is not perfect but it's a lot better -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:11:16
SBD
Rating:
8.67 / 6 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-09-03.sbd.miller.34772.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesPatch Info: The last 88 seconds of Baby Blue patched with the oade Schoeps PCM AUD
Transferrer: Hunter Seamons
2:11:14
SBD
Rating:
10.00 / 5 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-09-03.mtx.seamons.94595.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: EAC & Decoded to Shn by Jim Keith ---------------------------------------------------- AUD: Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade > EAC > SHN (seekable) --------------------------------------------------- Thank you to Jim Keith and Todd Campbell for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) September 19, 2008 Notes: 1) Occasional, momentary cuts in the sources. Significant cut in the SBD near end of Baby Blue.
Source 4 of 19
2:10:53
SBD
Rating:
7.88 / 17 ratings
SHNID:
gd85-09-03.sbd.keith.7229.sbeok.shnf
Source:
EAC> Shn by Jim Keith
Taper Notes:
View NotesSBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short)
Taper: Bob Wagner
2:13:58
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-03.169186.nak700.wagner.miller.clugston.flac2496
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:16 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2024
Taper: Bob Wagner
2:13:58
Taper:
Bob Wagner
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-09-03.169185.nak700.wagner.miller.clugston.flac1648
Source:
Bob Wagner's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Bob Wagner for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:16 patch in "Drums" - Pitch corrected Mastered by Scott Clugston October 2024
Taper: Michael Hessberg
2:07:18
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-03.148576.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Feel Like A Stranger" (0:47 total), an 0:11 patch at the beginning of "Don't Ease Me In", as well as a 0:29 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:07:18
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-09-03.148575.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the shnid27250 Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Feel Like A Stranger" (0:47 total), an 0:11 patch at the beginning of "Don't Ease Me In", as well as a 0:29 patch in "Space" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
2:05:55
Rating:
8.00 / 3 ratings
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1985-09-03.153133.akgc422-davis-pinney.holbrook.flac2496
Source:
Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesEleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
2:05:55
Taper:
Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha
Transferrer:
Kyle Holbrook
SHNID:
gd1985-09-03.153132.akgc422-davis-pinney.holbrook.flac1644
Source:
Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesEleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Source 11 of 19
2:06:28
SHNID:
gd1985-09-03.150522.Kansas.City.MO.BeyerM160.Peoria.August2020.flac1648
Source:
Source: Beyer M160 > Sony D5 (Cass/M) > DAT @ 16/48
Lineage:
Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotope RX > xACT(FLAC/TAG) DiGiHoArDeRs: 8/24/2020
Taper: Mike Darby
2:07:19
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-03.Senn421.Darby.119571.Flac1644
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent 1985 Grateful Dead performance.Another fantastic share from The Darby Collection of master audiences! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Mike Darby
2:07:19
Taper:
Mike Darby
Transferrer:
Keo
SHNID:
gd1985-09-03.Senn421.Darby.119570.Flac2448
Source:
Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
Taper Notes:
View NotesComments:Another Huge Huge Thanks out to Mr. Darby for recording and sharing his source for this excellent 1985 Grateful Dead performance.Another fantastic share from The Darby Collection of master audiences! As always ENJOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Taper: Charlie Connor
2:06:08
Rating:
9.00 / 2 ratings
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-09-03.beyerM160.connor.77197.sbeok.flac16
Source:
FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Taper Notes:
View NotesComments: This is a fresh transfer from my cassette masters that doesn't have the DAE layer from the prior seed. I ran my deck, as well as the decks for my taping buds, Vita, Hance, Goldsher and even possibly Eugene D'Alesandro. As I remember it the FOB seat location was mine (which is why I got the job running the rig) Although it is possible that one of those guys gave me their seat because I offered to work the show. Also note, The prior seed indicates the Cassette Masters were Maxell MX 90's that is incorrect, they are TDK MA 90's
Transferrer: Todd Evans and blingfree
1:31:16
Transferrer:
Todd Evans and blingfree
SHNID:
gd1985-09-03.schoeps.oade.gems.34669.sbeok.flac16
Source:
FOB Schoeps CMC42 (Omni) and CMC34 (Cardiod) Passive Mix - F1
Lineage:
DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Taper Notes:
View Notes**Warning. Tracks not labeled by CD standard length. You will have to split it as you see fit.** *Audution Notes: Fade-In 00:00:00.00 - 00:00:04:71 Digital noise fixed 00:17:24.53 - 00:17:24.57 Trim (taper fade) 01:12:26:48 - 01:12:29:06 Fade-In 01:12:26:48 - 01:12:31:50 Fade-Out 01:20:56:40 - 01:21:01:40 Fade-In 01:21:01:40 - 01:21:06:41 Converted to 44.1kHz using pre/post filters. Notes: Timing @ 75fps. Fades done by taper unless noted above.
Taper: Oade Brothers
1:31:14
Taper:
Oade Brothers
Transferrer:
Todd Evans and blingfree
SHNID:
gd1985-09-03.schoeps.oade.gems.34668.sbeok.flac1648
Source:
FOB Schoeps CMC42 (Omni) and CMC34 (Cardiod) Passive Mix - F1
Lineage:
DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
Taper Notes:
View Notes*Audution Notes: Fade-In 00:00:00.00 - 00:00:04:71 Digital noise fixed 00:17:24.53 - 00:17:24.57 Trim (taper fade) 01:12:26:48 - 01:12:29:06 Fade-In 01:12:26:48 - 01:12:31:50 Fade-Out 01:20:56:40 - 01:21:01:40 Fade-In 01:21:01:40 - 01:21:06:41 Notes: Timing @ 75fps. Fades done by taper unless noted above.
Source 17 of 19
2:15:34
Rating:
7.60 / 5 ratings
SHNID:
gd85-09-03.oade-schoeps.sacks.27250.sbeok.flacf
Source:
<b>flac16</b> Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording
Taper Notes:
View Notes<b>flac16</b> Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note)
Source 18 of 19
2:12:07
Rating:
8.40 / 16 ratings
SHNID:
gd85-09-03.oade.sacks.7691.sbeok.shnf
Source:
Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade
Taper Notes:
View NotesOade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks
Source 19 of 19
2:05:45
Rating:
8.00 / 5 ratings
SHNID:
gd85-09-03.beyer.agan.1681.sbefail.shnf
Source:
AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN
Taper Notes:
View NotesAUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor