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June 13th
Years
1995
30.2k
PlaybackListensHours
48h53170
7d1.5k202
30d30.2k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h914143
7d3.8k482
30d10.8k1.5k
85 shows
460 tapes
1993
41.3k
PlaybackListensHours
48h2.9k396
7d7.4k959
30d41.3k5.4k
83 shows
656 tapes
1992
39.9k
PlaybackListensHours
48h4.8k633
7d5.6k725
30d39.9k5.3k
57 shows
539 tapes
1991
39.2k
PlaybackListensHours
48h5.4k694
7d13k1.8k
30d39.2k5.3k
78 shows
973 tapes
1990
48.7k
PlaybackListensHours
48h2.7k348
7d18.6k2.3k
30d48.7k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.8k351
7d7.1k883
30d48.9k6.1k
78 shows
1,017 tapes
1988
21k
PlaybackListensHours
48h1.3k154
7d3k349
30d21k2.4k
82 shows
882 tapes
1987
34.8k
PlaybackListensHours
48h6k693
7d5.6k628
30d34.8k3.8k
88 shows
1,025 tapes
1986
12.2k
PlaybackListensHours
48h1.1k119
7d2.2k244
30d12.2k1.4k
47 shows
684 tapes
1985
22.9k
PlaybackListensHours
48h1.7k199
7d4.2k488
30d22.9k2.7k
73 shows
1,357 tapes
1984
21.2k
PlaybackListensHours
48h4.3k500
7d7.8k937
30d21.2k2.7k
67 shows
1,075 tapes
1983
26k
PlaybackListensHours
48h1.4k178
7d3.5k469
30d26k3.4k
71 shows
1,069 tapes
1982
42.1k
PlaybackListensHours
48h1.3k162
7d3.6k436
30d42.1k5.2k
63 shows
753 tapes
1981
44.1k
PlaybackListensHours
48h1.8k221
7d5.1k645
30d44.1k5.5k
92 shows
868 tapes
1980
69.1k
PlaybackListensHours
48h7.5k902
7d12.6k1.4k
30d69.1k8k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.7k235
7d3.9k557
30d21.7k3k
79 shows
608 tapes
1978
46.1k
PlaybackListensHours
48h1.9k265
7d4.8k652
30d46.1k6.3k
87 shows
592 tapes
1977
290.3k
PlaybackListensHours
48h8.7k1.2k
7d45.9k6.3k
30d290.3k40k
64 shows
419 tapes
1976
71.6k
PlaybackListensHours
48h18.4k2.4k
7d26.4k3.5k
30d71.6k9.7k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h34837
7d1.4k136
30d6.4k659
25 shows
63 tapes
1974
95.3k
PlaybackListensHours
48h3.6k475
7d13.7k1.8k
30d95.3k12.1k
42 shows
324 tapes
1973
88.8k
PlaybackListensHours
48h5.3k715
7d18.9k2.5k
30d88.8k11.4k
75 shows
445 tapes
1972
66.4k
PlaybackListensHours
48h2.7k339
7d6.1k765
30d66.4k8.1k
88 shows
361 tapes
1971
34k
PlaybackListensHours
48h1.9k210
7d4.3k487
30d34k3.9k
82 shows
357 tapes
1970
45k
PlaybackListensHours
48h1.5k173
7d7.8k819
30d45k4.8k
101 shows
376 tapes
1969
27.4k
PlaybackListensHours
48h1.4k181
7d4.5k677
30d27.4k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h42854
7d1.7k224
30d7.6k954
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14419
7d28540
30d1.6k220
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h32022
7d90558
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h161
7d1268
30d63237
2 shows
2 tapes
1985
8/31/85
Mississippi Half Step >
8:21
El Paso
5:41
Dupree's Diamond Blues
8:17
Mexicali Blues >
4:54
Big River
5:23
Althea
8:09
My Brother Esau
5:06
Jack A Roe
4:41
Let It Grow
12:54
Terrapin Station >*
11:37
Estimated Prophet >
15:15
Drums >
9:05
Space >
5:29
Goin' Down The Road Feelin' Bad >
8:22
Stella Blue >
7:07
Throwing Stones >
8:35
Not Fade Away
7:23
She Belongs To Me
8:07
One More Saturday Night
4:48
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:29:06
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-08-31.154552.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:15 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Michael Hessberg
2:29:06
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-08-31.154551.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:15 patch in "Drums" - Pitch corrected Mastered by Scott Clugston August 2020
Taper: Eddie Mook
2:31:07
Taper:
Eddie Mook
Transferrer:
Jason Scheuner, Charlie Miller, Scott Clugston
SHNID:
gd1985-08-31.151429.nak104.mook.scheuner.miller.clugston.flac2496
Source:
Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Eddie Mook for the master recording - Thanks to Jason Scheuner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Eddie Mook
2:31:07
Taper:
Eddie Mook
Transferrer:
Jason Scheuner, Charlie Miller, Scott Clugston
SHNID:
gd1985-08-31.151428.nak104.mook.scheuner.miller.clugston.flac1648
Source:
Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Eddie Mook for the master recording - Thanks to Jason Scheuner for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston November 2020
Taper: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
2:36:24
Rating:
8.00 / 1 rating
Taper:
Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1985-08-31.153037.akgc422-davis-holbrook.flac2448
Source:
This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand)
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesNinth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
2:36:24
Taper:
Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson,Mike Yacavone, Phil Schuman
Transferrer:
Kyle Holbrook
SHNID:
gd1985-08-31.153036.akgc422.davis-holbrook.flac1644
Source:
This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand)
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesNinth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Source 7 of 13
2:29:14
SHNID:
gd1985-08-31.123824.nak300.flac16
Source:
Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
Taper Notes:
View Notes* 1st 3 seconds missing
Transferrer: D5scott
2:30:29
Transferrer:
D5scott
SHNID:
gd1985-08-31.BeyerM160s-SonyD5.D5scott.108163.flac16
Source:
Master audience cassette recorded with 2 Beyer M160 microphones > Sony TC-D5M - Maxell MX90.
Lineage:
Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View Notes* I patched a 2 second gap in Mexicali Blues, along with all of Drums and Space from a different source: FOB > (Jim Vita's) Beyer Dynamic M160's > Sony TCD5M My buddy Cas took my D5 on the road for a couple of shows and this is one of them. He patched out of "The Veteran's" mics which happen to be the same kind as mine. I asked where they recorded from and Cas said they were "way up front". I should put out a big thanks to "The Veteran" who was responsible for me getting my own pair of Beyer M-160's! --------------------------------------------------------------------------------------------------------------------------------------------- R.I.P. Sandy - aka "Bigfoot" - He was a friend of mine who had nothing to do with this recording but we sure do miss him!
Taper: Mark McCue
2:26:29
Rating:
9.00 / 3 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford and SirMick
SHNID:
gd1985-08-31.fob.mccue.motb.82689.flac24
Source:
Audience FOB Recording, 10-15 rows back, DFC 2 Sennheiser 441s > Sony TC-D5M > MAC
Lineage:
MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Grace Design Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim
Taper Notes:
View NotesNotes: patch sources: 1- FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 2 - Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - - there was a tape problem at 0:58 in Dupree's. I put in a sub-second patch - Space has a patch 2:49 - 2:59, which has been mix-pasted by aproximatey 2.5 seconds at either end - last 1:09 of NFA and crowd patched - source 1 patches for Dupree's and Space. Source 2 patches for NFA and crowd. They have been eq'd so that they have a closer match to the sound of this source - crossfades added where tape had been paused between some tracks and on tape flips, except during Space (see above) - mastered using Wavelab v5 as host for iZotope Ozone v3.08, TC Works Native Dex v3.1 and BBE Sonic Maximiser v2 Comments: - the vocals are lower in the mix during much of the first 2 tracks - what I'd really like to know is "Who was Harry?"
Taper: Mark McCue
2:26:29
Rating:
9.00 / 5 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford and SirMick
SHNID:
gd1985-08-31.fob.mccue-motb.82367.sbeok.flac16
Source:
(FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s FOB, 10-15 rows back, DFC
Lineage:
Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim
Taper Notes:
View Notespatch sources: 1- FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 2 - Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Notes: - - there was a tape problem at 0:58 in Dupree's. I put in a sub-second patch - Space has a patch 2:49 - 2:59, which has been mix-pasted by aproximatey 2.5 seconds at either end - last 1:09 of NFA and crowd patched - source 1 patches for Dupree's and Space. Source 2 patches for NFA and crowd. They have been eq'd so that they have a closer match to the sound of this source - crossfades added where tape had been paused between some tracks and on tape flips, except during Space (see above) - mastered using Wavelab v5 as host for iZotope Ozone v3.08, TC Works Native Dex v3.1 and BBE Sonic Maximiser v2 - downsampled to 16/44.1 with Wavelab 5 and dithered with iZotope Ozone (type:Mbit+, noise shaping:high, dither amount:normal) Comments: - the vocals are lower in the mix during much of the first 2 tracks - what I'd really like to know is "Who was Harry?"
Taper: Charlie Connor
2:22:55
Taper:
Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-08-31.beyerM160.connor.77193.sbeok.flac16
Source:
FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Source 12 of 13
2:36:43
Rating:
8.67 / 6 ratings
SHNID:
gd85-08-31.schoeps-oade.sacks.25943.sbeok.flacf
Source:
Oade Brothers Recording Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View Notes<b>flac16</b>; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks
Source 13 of 13
2:36:45
Rating:
7.40 / 10 ratings
SHNID:
gd85-08-31.oade.connor.8237.sbeok.shnf
Source:
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT)
Taper Notes:
View NotesOade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT);EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade.