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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h1.5k208
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h59784
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.7k766
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.9k243
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.4k580
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k359
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.2k403
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.2k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k273
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h79990
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k234
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k180
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k241
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k274
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k691
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k175
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4k516
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.4k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.6k784
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h85872
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.5k559
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.4k578
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.5k425
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h9.1k920
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k594
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60273
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13621
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29322
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h382
7d1277
30d57234
2 shows
2 tapes
1985
7/13/85
crowd/tuning
1:17
One More Saturday Night
4:39
Fire On The Mountain
13:24
Walkin' Blues
8:18
Dupree's Diamond Blues
6:32
Mama Tried >
2:31
Big River
5:40
Bird Song
9:54
The Music Never Stopped
7:49
crowd/tuning
0:30
Touch Of Grey >
6:04
Man Smart (Woman Smarter)
7:52
Terrapin Station >
12:39
Drums >
12:36
Space >
8:56
The Wheel >
4:47
Cryptical Envelopment >
1:46
The Other One >
7:16
Comes A Time >
7:05
Around and Around
4:37
Sugar Magnolia > Sunshine Daydream
8:53
U.S. Blues
5:14
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:30:21
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] May 16, 2021
SHNID:
gd1985-07-13.152522.sbd.cm.miller.t.flac16
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There's some static coming from Phil's bass -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Jonathan Mow for the patch source -- This is 152473 24 -> 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:30:21
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] May 16, 2021
SHNID:
gd1985-07-13.152473.sbd.walker-scotton.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- There's some static coming from Phil's bass -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Jonathan Mow for the patch source
Taper: Joani Walker and Paul Scotton
2:30:24
SBD
Rating:
8.75 / 8 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1985-07-13.sbd.walker-scotton.miller.106193.flac16
Source:
SBD -> Cassette Master (Sony D5/TDK MA-R90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: Tony Suraci
2:27:38
SBD
Rating:
8.67 / 3 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-07-13.nak300.tonys.77489.sbeok.flac16
Source:
Nakamichi CM301's(split)>Sony D5M Directly behind SBD, one stand at each corner at 10 ft.
Lineage:
Sony D5pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac
Taper Notes:
View NotesNotes: This one took some guts to put up. A good dose of 1985 bass farts and the typical Pacific Ocean wind rumble that Ventura is famous for. I applied a small amount of HPF to help reduce the wind rumble and spent a good amount of time playing with the azimuth to minimize the high end wind push. The mics were split simply because the board was high and directly in front of me. I hope it's enjoyable!
Source 5 of 14
2:24:37
SBD
Rating:
9.00 / 42 ratings
SHNID:
gd85-07-13.sbd.georges.372.sbefail.shnf
Source:
SBDmc> DAT> CD> eac> cool edit> shn
Taper Notes:
View NotesSBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges
Taper: Chris Hecht
2:29:35
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-13.152076.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jonathan Mow and the folks responsible for the Nakamichi 700 source which supplies some crowd and beginning of "One More Saturday Night" 0:22 total), some crowd and beginning of "Fire On The Mountain" (0:20 total), the final 1:27 of "The Music Never Stopped", as well as a 0:42 patch in "Space" - Pitch corrected Mastered by Scott Clugston April 2020
Taper: Chris Hecht
2:29:35
Taper:
Chris Hecht
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-13.152075.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Jonathan Mow and the folks responsible for the Nakamichi 700 source which supplies some crowd and beginning of "One More Saturday Night" 0:22 total), some crowd and beginning of "Fire On The Mountain" (0:20 total), the final 1:27 of "The Music Never Stopped", as well as a 0:42 patch in "Space" - Pitch corrected Mastered by Scott Clugston April 2020
Taper: FOB Recording by Jonathan Mow
2:30:04
Rating:
10.00 / 1 rating
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 26, 2020
SHNID:
gd1985-07-13.150524.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesPatch info; - shnid 133534 (Nak CM-100) supplies; - s1t07; 05:36 - end - s1t08; start - 00:15 - s2t05; 01:28 - 12:03 - s2t11; 08:25 - 09:00 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Charlie Miller for transfer - Thanks to Ted Mattes for putting the project together - Thanks to Greg Holtz for the patch source - pitch corrected
Taper: FOB Recording by Jonathan Mow
2:30:04
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 26, 2020
SHNID:
gd1985-07-13.150578.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesPatch info; - shnid 133534 (Nak CM-100) supplies; - s1t07; 05:36 - end - s1t08; start - 00:15 - s2t05; 01:28 - 12:03 - s2t11; 08:25 - 09:00 Notes; - Thanks to Jonathon Mow for recording the show - Thanks to Charlie Miller for transfer - Thanks to Ted Mattes for putting the project together - Thanks to Greg Holtz for the patch source - pitch corrected - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 2, 2020
Taper: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies
2:30:43
Taper:
Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies
Transferrer:
Kyle Holbrook
SHNID:
gd1985-07-13.152826.beyerm88-pinney-holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height
Lineage:
Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes+ Sound level adjustments until ~30 seconds in, then steady // Tape Flip * must have had the limiter on or Dolby on, then switched off, as these tracks sound "different" than the rest of the recording. This tape GRAPHICALLY recorded the sound system problems that plagued the sound crew the entire summer and fall of 1985. IT seemed to have something to do with the low end. The tapers later circulated a story that it was Phil's new Bass pickups that were cross wired and caused his rig to freak out the PA's subwoofers. This distortion is all during this show, it occurs at least 20 times.
Taper: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies
2:30:43
Taper:
Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies
Transferrer:
Kyle Holbrook
SHNID:
gd1985-07-13.152825.beyerm88-pinney-holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height
Lineage:
Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes+ Sound level adjustments until ~30 seconds in, then steady // Tape Flip * must have had the limiter on or Dolby on, then switched off, as these tracks sound "different" than the rest of the recording. This tape GRAPHICALLY recorded the sound system problems that plagued the sound crew the entire summer and fall of 1985. IT seemed to have something to do with the low end. The tapers later circulated a story that it was Phil's new Bass pickups that were cross wired and caused his rig to freak out the PA's subwoofers. This distortion is all during this show, it occurs at least 20 times.
Taper: Greg Holtz
2:29:40
Taper:
Greg Holtz
Transferrer:
Greg Holtz
SHNID:
gd1985-07-13.133534.aud.Holtz.NakCM104.flac2496
Source:
Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes;
Lineage:
MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz
Taper Notes:
View NotesJune 2015 Recollection: It was a hot sunny weekend in Ventura, and the sea breeze was kicking up the sand in the rodeo arena. We had to keep the tape decks covered with a towel to protect them from the dust, and for at least one of the shows (I think it was the 14th) we put socks over the foam windscreens to try and minimize the wind noise on the mics. The Saturday show started in the hot afternoon sun, and there were fires burning on the mountains east of the faigrounds, so it was fitting to open up the first show with One More Saturday Night and Fire On The Mountain. It was also kind of cosmic when they sang "ashes ashes all fall down" during the end of Throwing Stones (again on the 14th) as there were ashes falling down out of the sky all weekend from the fires. As usual, Ventura delivered with some of the greatest camping scenes ever, with bands playing, old school movies to watch on the "big screen", thriving hippy bazaar, and lots of food, drink, smoke, music and other goodies to share with everybody. The recordings came out great, save for a bit of wind noise. It was terribly good fun making these recordings, and I hope that you enjoy this show in 24/96 resolution. Greg Holtz
Taper: Adam
2:28:19
Rating:
8.00 / 2 ratings
Taper:
Adam
Transferrer:
Alex Ford
SHNID:
gd1985-07-13.senn441.mccue.ford.89032.sbeok.flac16
Source:
2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90
Lineage:
MAC > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496)> coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Waves L3 UltraMaximizer > wav @ 1644 > CD Wave Editor > TLH > FLAC16
Taper Notes:
View Notes- SBE Free. - tape filps and xyz in TMNSP patched with beyer source - All distortion (mostly during Set 2) is from a blown amp (Phil's). - Master Audience Cassettes provided by Mark McCue. - 24 bit transfer, editing and conversion by Alex Ford December 2007.
Taper: Jim Vita and Charlie Connor
2:25:59
Rating:
9.00 / 3 ratings
Taper:
Jim Vita and Charlie Connor
Transferrer:
Charlie Connor
SHNID:
gd1985-07-13.BeyerM160.connor.76913.sbeok.flac16
Source:
FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)
Lineage:
Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16
Taper Notes:
View Notescomments: Enjoy this really nice "In Your Face" FOB. This seed is dedicated to the memory of Jim Vita who so often allowed me to patch out of him when he was in the sweet spot. The pictures of Jerry and Phil attached to the torrent were taken by my niece Edris (who was my tour buddy for the entire summer of 1985) She met Bear at this show and he got her back stage. flaws: The static present most notably in the second set is from Phil's bass and was common during this entire summer tour.