It Must Have Been the Roses | 1985-07-02 | Grateful Dead

View NotesDTS-Audio-CD 5.1 Mix
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 25-JUN-2015 - Trader Little Helper
- Tagged 25-JUN-2015 - Tag&Rename
---------------------------------------------------------
Front
Left Channel SBD  -0db
Right Channel SBD -0db

Center
Mixed to mono -1db SBD

Surround
Left Channel -1db AUD
Right Channel -1db AUD

Sub/LFE
Mixed to mono -1db SBD
--------------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

Transferrer: Kevin Tobin

2:17:36

SBD

gd1985-07-02.133612.mtx.tobin.flac16

Source:

Matrix 2 Source Mix - SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - matrix mixing by Kevin Tobin

Taper Notes:

View NotesSBD + AUD Matrix 3 Source Mix(45%-SBD/55%-AUD)
---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 25-JUN-2015 - Trader Little Helper
- Tagged 25-JUN-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD - 0
AUD -.5

SET TWO

Stereo Matrix
SBD - 0
AUD -.5
---------------------------------------------------------
Brokedown House Production

Transferrer: Kevin Tobin

gd1985-07-02.133611.upd-sbd.tobin.flac16

Source:

Source:SBD>MC>D> - seeded to etree by bubba420 (original shnid 18249) - pitch correction and patches by Kevin Tobin

Taper Notes:

View Notes---------------------------------------------------------
- Mixed by [email protected]
- FLAC conversion 25-JUN-2015 - Trader Little Helper
- Tagged 25-JUN-2015 - Tag&Rename
---------------------------------------------------------
1st set had some additional dead air between songs to match audience tracks and fixed the patch before Promised Land. 
2nd set had a major 40 seconds patch towards the end of Terrapin Station, the lead in to Revolution and just after the start of Brokedown Palace.
Timing was from a previous video project and as compared to both audiences used for matrix/dts Speedwise the soundboard was only a little slow compared to the video - about .4 seconds per minute.

Brokedown House Production

Source 4 of 18

gd85-07-02.sbd.bubba420.18249.sbeok.shnf

Source:

SBD>MC>D>

Taper Notes:

View NotesSource:SBD>MC>D>
-Tape flip after RXR cuts in Promised
-cut in  brokedown 
uploaded from furthur via Sbd
seeded to etree by bubba420

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1985-07-02.164376.nak304.thomas.miller.clugston.flac2496

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80source which supplies some crowd and the first few notes of "Big Railroad Blues" (0:08 total), as well as a 0:15 patch in the "Drums > Space" transition
- False start to "Brokedown Palace"
- Pitch corrected

Mastered by Scott Clugston
February 2023

Taper: Stephen Thomas

Scott Clugston, Charlie Miller

SHNID:

gd1985-07-02.164375.nak304.thomas.miller.clugston.flac1648

Source:

Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M

Lineage:

Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Stephen Thomas for the master cassettes
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Michael Hessberg and the folks responsible for the Sennheiser ME80source which supplies some crowd and the first few notes of "Big Railroad Blues" (0:08 total), as well as a 0:15 patch in the "Drums > Space" transition
- False start to "Brokedown Palace"
- Pitch corrected

Mastered by Scott Clugston
February 2023

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1985-07-02.154548.senn.me80.hessberg.miller.clugston.flac2496

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:11 patch in "Drums"
- False start to "Brokedown Palace"
- Pitch corrected

Mastered by Scott Clugston
July 2020

Taper: Michael Hessberg

Scott Clugston and Charlie Miller

SHNID:

gd1985-07-02.154547.senn.me80.hessberg.miller.clugston.flac1648

Source:

Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M

Lineage:

Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

Taper Notes:

View NotesNotes:
- Thanks to Michael Hessberg for the master cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 1:11 patch in "Drums"
- False start to "Brokedown Palace"
- Pitch corrected

Mastered by Scott Clugston
July 2020

Taper: Robert Bryant

Sirmick and Charlie Miller

SHNID:

gd1985-07-02.145388.aud.bryant.miller.sirmick.flac16

Lineage:

Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24

Taper Notes:

View NotesNotes:

- Pitch corrected.
- The start of "Big Railroad Blues", "The Promised Land" and "Man Smart (Woman Smarter)" are clipped at the start and have been patched, also the tape flip in "Drums"  The source used was shnid 126240 - Thank You Mark Horvath.

Thanks to Robert Bryant for making his masters available.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
May 2018

Taper: Robert Bryant

Charlie Miller and SIRMick

SHNID:

gd1985-07-02.142046.aud.bryant.miller.sirmick.flac2496

Taper Notes:

View NotesNotes:

- Pitch corrected.
- The start of "Big Railroad Blues", "The Promised Land" and "Man Smart (Woman Smarter)" are clipped at the start and have been patched, also the tape flip in "Drums"  The source used was shnid 126240 - Thank You Mark Horvath.

Thanks to Robert Bryant for making his masters available.

Thanks to Charlie Miller for the transfer.

edited and mastered
SIRMick
May 2018

Taper: Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; Gary Steel

2:19:35

Taper:

Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1985-07-02.152711.akgc422.davis-holbrook.flac2448

Source:

Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notes
/   tape paused between songs
//  tape flip
*   missed the first few seconds after flip
**  Jerry missed the first verse so they stop, Jerry says, "Sounded good didn't it?" then start again a very slow, awful version of BDP

Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

Taper: Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; Gary Steel

2:19:35

Taper:

Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; Gary Steel

Transferrer:

Kyle Holbrook

SHNID:

gd1985-07-02.152710.akgc422.davis-holbrook.flac1644

Source:

Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH]

Lineage:

Taper Notes:

View Notes
/   tape paused between songs
//  tape flip
*   missed the first few seconds after flip
**  Jerry missed the first verse so they stop, Jerry says, "Sounded good didn't it?" then start again a very slow, awful version of BDP

Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

Taper: chasingwilma

gd1985-07-02.126240.chasingwilma.flac24

Source:

source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

Taper: Davey Meade

gd1985-07-02.fob.senn441.meade.ford.121191.sbeok.flac16

Source:

MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford.

Taper Notes:

View NotesNotes:

- Recorded using Adam Rossi's Sennheiser 441's.
- Master cassettes recorded with Mark McCue's Sony D5.
- * "Promised Land" patched into master cassette by Mark McCue from 1st gen tape.
- Set one contains "crackling" sounds from PA. Heard on other AUDs.
- If you add the encores to disc 01, only 2 CDR's are required to burn entire show.
- Taped by Davey Meade.
- Transferred, edited and mastered by Alex Ford.

Taper: Da Weez

gd1985-07-02.111805.BeyerM160.daweez.d5scott.flac16

Source:

Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes;

Lineage:

Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

Taper: Rick "Coyote" Colyard

Rick "Coyote" Colyard

Transferrer:

Alex Ford

SHNID:

gd1985-07-02.fob.senn421.colyard.92906.sbeok.flac16

Source:

(FOB, 30th row) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90

Lineage:

Master Audience Cassette > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96. Editing: .wav @ 24/96 > Wavelab 5.0 (iZotope Ozone 3 + BT Limiter LM2S-3) > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > TLH > FLAC16 (level eight)

Taper Notes:

View Notes- SBE Free.
- shnid=12082 used to patch tape pauses in Set I, one gap in Wharf Rat (3:47-3:54) and tape flips during Sets I and II. 
- Master Audience Cassettes provided by Rick "Coyote" Colyard via Muletaper.

Taper: Oade Brothers

Doug Oade - Darren Sacks

SHNID:

gd85-07-02.oade-schoeps.sacks.25244.sbeok.flacf

Source:

Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1<br>

Lineage:

Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Taper Notes:

View NotesSource: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1<br />
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac

Source 18 of 18

gd85-07-02.senn421.barbella.12082.sbeok.shnf

Source:

FOB Senn. 421's > Sony TC-D5 > DAT > CD

Taper Notes:

View NotesFOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella