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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
7/1/85
Crowd/tunning
1:33
Dancin' In The Streets
7:49
Dupree's Diamond Blues ->
7:11
Walkin' Blues
8:52
Jack-A-Roe
7:01
My Brother Esau
4:49
Staqgger Lee
8:35
Let It Grow ->
12:48
Keep Your Day Job
4:26
Scarlett Begonias ->
7:58
Fire On The Mountain
15:20
Playing In The Band ->
9:14
Uncle John's Band ->
12:57
Drums ->
8:41
Space ->
9:30
Dr. Mr. Fantasy ->
6:02
Goin' Down The Road Feelin' Bad ->
5:57
Good Lovin' ->
11:16
Satisfaction
5:23
It's All Over Now Baby Blue
7:35
FIN
View on archive.org
Sources
Taper: From Gastwirt Collection
2:42:03
SBD
Rating:
10.00 / 2 ratings
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-07-01.139047.sbd.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017
Taper Notes:
View NotesNotes: - The last 1:06 of "Stagger Lee" had a substantial drop in the gain in the left channel , this problem is from the master. I have carried out some restoration work and don't think it sounds too bad now. - There is a cut of approximately 41 seconds in "Dear Mr. Fantasy" This is common to the other circulating sources. It has been patched with audio technica atm 11/ (2) nakamichi 300 + cp4, shnid 126180 taped by Chasingwilma (aka Mark Horvath)
Transferrer: Hunter Seamons
2:42:00
SBD
Rating:
9.45 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-07-01.mtx.seamons.94681.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (SHNID 17350): Lineage: Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC [55 second cut during Fantasy] ---------------------------------------------------- AUD (SHNID 25243): Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend) Dropouts: Dancin' in the Streets -- first 2:30 patched Dupree's Diamond Blues -- d/o patched @ 2:12 Jack-a-Roe -- d/o patched @ 4:36 Day Job -- d/o patched @2:03 and @3:36 Dear Mr. Fantasy -- d/o patched @4:57 Good Lovin' -- d/o patched @5:39, d/o removed @11:20 Baby Blue -- d/o patched @4:26 --------------------------------------------------- Thank you to PainoMan, Sean Cribbs, and Charlie Miller for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) September 25, 2008 Notes: 1) Occasional static/clicks/pops in the sources. 2) The matrix begins around 2:12 of Dancin'. 3) The SBD source was generally 1.4% slow. The matrix speed was flexed as desired/needed, but kept within 0.5% of the Oade speed (if not exact), which is close enough in my view. 4) The AUD patches were not included in the matrix, save one during Fantasy. 5) There was a harsh dropout in the SBD at 2:23 that I faded out. 6) The show appears to be seamless.
Taper: Charles Bandrofcheck
2:46:28
SBD
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-07-01.cpb.2nd-retransfer.32596.sbeok.flac16
Lineage:
Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN
Taper Notes:
View Notesnotes - d2t04 (changed tapes, toward end, the casual listner will not pick it out) - This whole show was quite a swan song for Grateful Dead shows at Merriweather - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the firsttape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. For the second set Side B of second tape was used first, then Side B of the first tape. This would leave most of the blank tape on Side A of the second tape, which I would then wind past where the set ended to get the encore. - d3t03 Didn't count on two so there is a split in Baby Blue. (changed tapes towards end, very appropriate for such a great venue)
Taper: Mike Guy and Jim Pailes
47:39
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.144157.nak304.guy.pailes.miller.clugston.flac2496
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies the crowd and part of the noodle into "Let It Grow" (1:22 total), the crowd and part of the noodle into "Scarlet Begonias" (0:09 total), a 6:53 patch in "Drums", as well as a 0:07 patch in the transition between "Satisfaction" and "It's All Over Now, Baby Blue" - Pitch corrected Mastered by Scott Clugston December 2018
Taper: Mike Guy and Jim Pailes
2:37:45
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.144156.nak304.guy.pailes.miller.clugston.flac1648
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies the crowd and part of the noodle into "Let It Grow" (1:22 total), the crowd and part of the noodle into "Scarlet Begonias" (0:09 total), a 6:53 patch in "Drums", as well as a 0:07 patch in the transition between "Satisfaction" and "It's All Over Now, Baby Blue" - Pitch corrected Mastered by Scott Clugston December 2018
Taper: Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
2:41:37
Taper:
Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-07-01.152709.akgc422.davis-holbrook.flac2448
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill). This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. We knicknamed them "Phil pharts". Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
2:41:37
Taper:
Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-07-01.152708.akgc422.davis-holbrook.flac1644
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill). This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. We knicknamed them "Phil pharts". Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Charles Bandrofcheck
2:42:57
Rating:
8.00 / 2 ratings
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-07-01.shotgun.cpb.redo.34164.shnf
Lineage:
MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View Notesnotes - This is a re-record of shnid=32596 - Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization. - d2t04 tape change towards end - d3t04 tape change toward end - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. - Disc can be combined for continuous play on longer media - This was a great played end to the Grateful Dead at Merriweather Post Pavillion, as some may know this was the last time they ever performed at this arena.