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June 6th
Years
1995
29.2k
PlaybackListensHours
48h1.6k224
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h58983
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h5.5k738
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1.7k223
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h4.2k552
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.7k354
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3.3k407
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.3k147
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.5k274
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h78488
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k229
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.4k188
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.4k182
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k239
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.1k273
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h5.9k685
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.2k174
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h4.3k559
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h12.6k1.7k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h5.8k814
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h86372
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.4k552
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.3k571
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.4k417
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.2k245
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h8.7k869
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k591
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h60073
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13921
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h29522
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h402
7d1277
30d57234
2 shows
2 tapes
1985
7/1/85
Dancin' In The Streets
7:25
Dupree's Diamond Blues
7:04
Walking Blues
8:46
Jack A Roe
7:02
My Brother Esau
4:48
Stagger Lee
7:20
Let It Grow >
13:45
Keep Your Day Job
4:23
tuning
0:39
Scarlet Begonias >
11:13
Fire On The Mountain
12:00
Playin' In The Band >
9:07
Uncle John's Band >
13:21
Drums >
8:15
Space >
9:19
Dear Mr. Fantasy >
5:58
Goin' Down The Road Feelin' Bad >
5:59
Good Lovin'
8:14
encore break
1:23
(I Can't Get No) Satisfaction >
5:24
It's All Over Now, Baby Blue
7:12
FIN
View on archive.org
Sources
Taper: Dick Latvala
2:42:54
SBD
Taper:
Dick Latvala
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 8, 2023
SHNID:
gd1985-07-01.165100.sbd.miller.flac1644
Source:
SBD > PCM Master > DAT Clone (44.1k)
Lineage:
DAT (Panasonic SV-3900) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
Taper Notes:
View NotesNotes: -- Some PA static throughout the show -- Thanks to Dick Latvala for the dats
Taper: Recorded by Steve Marcus
2:42:49
SBD
Taper:
Recorded by Steve Marcus
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.151269.sbd.marcus.miller.clugston.flac16
Lineage:
.wav > Adobe Audition 2020 > TLH > flac16
Taper Notes:
View NotesNotes: - Thanks to Steve Marcus for the source recording - Thanks to Charlie Miller for coordinating this effort - Thanks to Mike Guy and Jim Pailes for the Nakamichi 304 source which supplies a 0:38 patch in "Dear Mr. Fantasy" - Some PA static throughout - Pitch corrected Mastered by Scott Clugston December 2020
Taper: From Gastwirt Collection
2:42:03
SBD
Rating:
10.00 / 2 ratings
Taper:
From Gastwirt Collection
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-07-01.139047.sbd.gastwirt.miller.sirmick.sbeok.flac16
Source:
<b>flac16/48kHz</b>; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017
Taper Notes:
View NotesNotes: - The last 1:06 of "Stagger Lee" had a substantial drop in the gain in the left channel , this problem is from the master. I have carried out some restoration work and don't think it sounds too bad now. - There is a cut of approximately 41 seconds in "Dear Mr. Fantasy" This is common to the other circulating sources. It has been patched with audio technica atm 11/ (2) nakamichi 300 + cp4, shnid 126180 taped by Chasingwilma (aka Mark Horvath)
Transferrer: Charlie Miller
2:43:50
SBD
Rating:
8.50 / 12 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-07-01.sbd.miller.96421.sbeok.shnf
Source:
SBD -> Cm -> ? -> Dat
Lineage:
Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD
Taper Notes:
View NotesNotes: -- Normalized to 100% -- Cassette Master tape flips removed with crossfades -- All recording and editing done with Sampliutde v6.0
Transferrer: Hunter Seamons
2:42:00
SBD
Rating:
9.45 / 12 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-07-01.mtx.seamons.94681.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD (SHNID 17350): Lineage: Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC [55 second cut during Fantasy] ---------------------------------------------------- AUD (SHNID 25243): Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend) Dropouts: Dancin' in the Streets -- first 2:30 patched Dupree's Diamond Blues -- d/o patched @ 2:12 Jack-a-Roe -- d/o patched @ 4:36 Day Job -- d/o patched @2:03 and @3:36 Dear Mr. Fantasy -- d/o patched @4:57 Good Lovin' -- d/o patched @5:39, d/o removed @11:20 Baby Blue -- d/o patched @4:26 --------------------------------------------------- Thank you to PainoMan, Sean Cribbs, and Charlie Miller for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) September 25, 2008 Notes: 1) Occasional static/clicks/pops in the sources. 2) The matrix begins around 2:12 of Dancin'. 3) The SBD source was generally 1.4% slow. The matrix speed was flexed as desired/needed, but kept within 0.5% of the Oade speed (if not exact), which is close enough in my view. 4) The AUD patches were not included in the matrix, save one during Fantasy. 5) There was a harsh dropout in the SBD at 2:23 that I faded out. 6) The show appears to be seamless.
Taper: Tony Suraci
2:31:09
SBD
Rating:
9.00 / 2 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-07-01.nak.tonys.79649.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS at SBD, Stand at 9 Feet
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notes# some weirdness around the 1:29 mark. I think it was the PA. +drums was joined using wavmerge. * Recorded from row directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Taper: Charles Bandrofcheck
2:46:28
SBD
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-07-01.cpb.2nd-retransfer.32596.sbeok.flac16
Lineage:
Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN
Taper Notes:
View Notesnotes - d2t04 (changed tapes, toward end, the casual listner will not pick it out) - This whole show was quite a swan song for Grateful Dead shows at Merriweather - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the firsttape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. For the second set Side B of second tape was used first, then Side B of the first tape. This would leave most of the blank tape on Side A of the second tape, which I would then wind past where the set ended to get the encore. - d3t03 Didn't count on two so there is a split in Baby Blue. (changed tapes towards end, very appropriate for such a great venue)
Source 8 of 28
2:39:47
SBD
Rating:
9.31 / 29 ratings
SHNID:
gd85-07-01.composite.torbjorn.17350.sbeok.shnf
Source:
Fix of <A href= "http://db.etree.org/shninfo_detail.php?shnid=369">previous</a> sbd shn set
Taper Notes:
View NotesFix of <a href="http://db.etree.org/shninfo_detail.php?shnid=369" rel="ugc nofollow">previous</a> sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man
Transferrer: Sean Cribbs
43:19
SBD
Transferrer:
Sean Cribbs
SHNID:
gd1985-07-01.sbd.disc3.cribbs.16581.sbeok.shnf
Source:
SBD > Master Cassette
Lineage:
Master Cassette > ? > DAT > CD > EAC > SHN
Taper Notes:
View NotesThis shn set is a modified version of disc 3 of previous shn set: http://db.etree.org/shninfo_detail.php?shnid=8482. It includes a patch to Dear Mr. Fantasy from the Oade source: http://db.etree.org/shninfo_detail.php?shnid=7892 The patch in d3t02 is at 4:47 - 5:32. Only d3t02 thru d3t06 were altered. SBEs for t2-t6 were corrected subequent to the patching of d3t02 using shntool.
Source 10 of 28
2:34:54
SBD
Rating:
9.20 / 10 ratings
SHNID:
gd85-07-01.sbd.paino.8482.sbeok.shnf
Source:
SBDmc> ?> DAT> CD> EAC
Taper Notes:
View NotesSBDmc> ?> DAT> CD> EAC; same source as 6/30/85 seeded by Nick; via Nick Georges; some static/digi noise present here and there, esp. in d1
Taper: Michael Hessberg
2:38:15
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.154540.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the first notes of "Let It Grow" (0:29 total), as well as a 0:19 patch in "Uncle John's Band" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:38:15
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.154539.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the first notes of "Let It Grow" (0:29 total), as well as a 0:19 patch in "Uncle John's Band" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Mike Guy and Jim Pailes
47:39
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.144157.nak304.guy.pailes.miller.clugston.flac2496
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies the crowd and part of the noodle into "Let It Grow" (1:22 total), the crowd and part of the noodle into "Scarlet Begonias" (0:09 total), a 6:53 patch in "Drums", as well as a 0:07 patch in the transition between "Satisfaction" and "It's All Over Now, Baby Blue" - Pitch corrected Mastered by Scott Clugston December 2018
Taper: Mike Guy and Jim Pailes
2:37:45
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-07-01.144156.nak304.guy.pailes.miller.clugston.flac1648
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies the crowd and part of the noodle into "Let It Grow" (1:22 total), the crowd and part of the noodle into "Scarlet Begonias" (0:09 total), a 6:53 patch in "Drums", as well as a 0:07 patch in the transition between "Satisfaction" and "It's All Over Now, Baby Blue" - Pitch corrected Mastered by Scott Clugston December 2018
Taper: Tom Strizak
2:35:15
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1985-07-01.176684.senn.nd41.strizak.flac2448
Source:
Master cassette 2- Sennheiser MD441 mounted in standard stereo configuration< (mic stand at approx. 7.5' height) > Sony TC-D5M (dolby - On B) TDK MA90 Cassette. Location: Taper Section on lawn slightly right of center approx. 8' back from last row of pavilion seating.
Lineage:
Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48Khz WAV > Reaper v7.61 *DAW (final audio editing and mastering) > Audacity *DAW (tracking and conversion from WAV file to FLAC 24bit 48khz file set)
Source 16 of 28
2:43:04
Rating:
10.00 / 1 rating
SHNID:
gd1985-07-01.172192.mtx.seamons.ht25.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 1, 2025
Taper Notes:
View NotesThank you to Dick Latvala and Charlie Miller for the SBD transfer, to Jim Oade and Michael Hessberg for recording the show, to Doug Oade, Darrin Sacks, Charlie Miller and Scott Clugston for the AUD transfers, and to Michael Adrian and Jerome Poynton for hooking us up with the SBD source. Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) July 1, 2025
Taper: Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
2:41:37
Taper:
Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-07-01.152709.akgc422.davis-holbrook.flac2448
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill). This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. We knicknamed them "Phil pharts". Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
2:41:37
Taper:
Executive Crew; Mike Davis; Kenny Davis; Sean Murtha; Kyle Holbrook; Tom Pinney; John Borg; Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-07-01.152708.akgc422.davis-holbrook.flac1644
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill). This Source: Master AUDCA Maxell MX90 No NR [KH]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes// tape flip The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. We knicknamed them "Phil pharts". Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
Taper: chasingwilma
2:30:41
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-07-01.126180.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:33:18
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-07-01.118988.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Greg Holtz
2:32:45
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-07-01.nak100.holtz.jaz.101283.flac16
Source:
Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5
Lineage:
Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
Taper: Tony Suraci
2:31:10
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-07-01.nakcm304.beyerm101.suraci.90242.sbeok.flac24
Source:
Nak CM304's>Sony D5M
Lineage:
Nak CR5A>Lunatec V3>SD722@24/96
Taper Notes:
View Notes# some weirdness around the 1:29 mark. I think it was the PA. +drums was joined using Adobe Aud. * Recorded from row directly behind SBD, very close to center. Notes: The 16bit Version is avaiable for streaming.
Taper: Kyle Holbrook
2:38:37
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1985-07-01.beyer-holbrook.burke.85993.flac24
Source:
beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41
Taper Notes:
View NotesNotes: The tape flips occur after Stagger Lee, 0:17 of Drums and at the track split between s2t10 and s2t11.
Taper: Kyle Holbrook
2:40:03
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1985-07-01.beyerdynamicM201.holbrook.burke.85820.sbeok.flac16
Source:
beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41
Taper Notes:
View NotesNotes: The tape flips occur after Stagger Lee, 0:17 of Drums and at the track split between s2t10 and s2t11.
Taper: B. Koucky
2:33:26
Rating:
10.00 / 1 rating
Taper:
B. Koucky
Transferrer:
C. Ladner
SHNID:
gd1985-07-01.fob-nak700.koucky-glassberg.gmb.83465.sbeok.flac16
Source:
FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes.
Lineage:
MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8).
Taper: Charles Bandrofcheck
2:42:57
Rating:
8.00 / 2 ratings
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-07-01.shotgun.cpb.redo.34164.shnf
Lineage:
MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View Notesnotes - This is a re-record of shnid=32596 - Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization. - d2t04 tape change towards end - d3t04 tape change toward end - This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. - Disc can be combined for continuous play on longer media - This was a great played end to the Grateful Dead at Merriweather Post Pavillion, as some may know this was the last time they ever performed at this arena.
Taper: Oade Brothers
2:42:53
Rating:
9.56 / 9 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-07-01.oade-schoeps.sacks.25243.sbeok.flacf
Source:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks)<br>
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend)
Taper Notes:
View NotesSource: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks)<br /> Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend)
Source 28 of 28
2:43:54
Rating:
9.00 / 4 ratings
SHNID:
gd85-07-01.oade.sacks.7892.sbefail.shnf
Source:
Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable)
Taper Notes:
View NotesOade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)