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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1985
6/30/85
Mississippi Half Step
7:39
CC Rider
8:07
Brown Eyed Women
7:38
Mama Tried
2:45
Mexicalli Blues
7:09
Keep on Growing
4:37
Big Railroad Blues
4:12
Looks Like Rain
7:55
Don't Ease Me In
3:05
Shakedown Street >
15:00
Samson & Delilah
10:10
Gimmie Some Lovin
5:29
He's Gone >
12:19
Cryptical Envelopment >
2:01
Drums >
11:31
Space >
7:03
Other One Jamming >
3:25
Other One >
5:41
Stella Blue
9:03
Around and Around
3:47
Sugar Magnolia
10:52
E. U.S. Blues
5:17
FIN
View on archive.org
Sources
Taper: Dick Latvala
1:41:29
SBD
Rating:
8.00 / 2 ratings
Taper:
Dick Latvala
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] July 15, 2023
SHNID:
gd1985-06-30.165131.s2.sbd.pcm.latvala.miller.flac1644
Source:
SBD > PCM Master > DAT Clone (44.1k)
Lineage:
DAT Clone (Panasonic SV-3900) > Samplitude Pro X6 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Thanks to Dick Latvala for the source dat
Taper: Recorded by Steve Marcus
2:33:08
SBD
Taper:
Recorded by Steve Marcus
Transferrer:
All Transfers and Mastering By Charlie Miller [email protected] December 25, 2020
SHNID:
gd1985-06-30.151255.sbd.marcus.miller.flac1644
Source:
SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV
Lineage:
WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
Taper Notes:
View NotesNotes: -- Recorded by Steve Marcus -- I cleaned up a lot of PA static but some still remains -- Thanks to the Oade Brothers for the patch source
Transferrer: Charlie Miller
2:28:19
SBD
Rating:
9.26 / 41 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-30.sbd.miller.89192.sbeok.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC
Taper Notes:
View Notes-- Disc change is seamless -- Two SBD Cassette Masters were used to make this show complete -- Many flaws have been fixed but PA static still remains -- There is no channel swapping on this source -- It sounds like there was some prior processing done to the discs -- This recording is for from perfect but it's still the best I've heard -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Charlie Miller
2:26:11
SBD
Rating:
9.18 / 17 ratings
Transferrer:
Charlie Miller
SHNID:
gd85-06-30.sbd.miller.30158.sbeok.flacf
Source:
<b>flac16</b>
Lineage:
SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC
Taper Notes:
View Notes<b>flac16</b>; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller
Transferrer: Hunter Seamons
2:34:35
SBD
Rating:
9.53 / 18 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-30.mtx.seamons.94642.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] December 21, 2007 ---------------------------------------------------- AUD: Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Charlie Miller for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) September 21, 2008 Notes: 1) Occasional static/clicks/pops in the sources. 2) Cuts in the SBD between some songs. Some dropouts in C.C. Rider, and briefs cuts in LL Rain, Drums, and Other One. Other One also has some brief, shifty channel business. 3) The show appears to be seamless.
Taper: Tony Suraci
2:19:12
SBD
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-06-30.nakcm304-beyerm101.suraci.89039.flac24
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS at SBD, Stand at 9 Feet
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition 2.0>Cdwav/tracking>flac24
Taper Notes:
View Notes// tape flips, very little missing. * Recorded from row directly behind SBD, very close to center.
Taper: Tony Suraci
2:21:55
SBD
Rating:
9.00 / 4 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-06-30.nak-beyer.tonys.79641.sbeok.flac16
Source:
Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M *OTS at SBD, Stand at 9 Feet
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 > Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notes// tape flips, very little missing. * Recorded from row directly behind SBD, very close to center. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Transferrer: Tommy Brane and Darryl Hinko
2:25:13
SBD
Rating:
9.78 / 9 ratings
Transferrer:
Tommy Brane and Darryl Hinko
SHNID:
gd1985-06-30.sbd.brame-hinko.23223.sbeok.shnf
Source:
SBDmc>DAT>CD
Taper Notes:
View Notesfixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame ***This orginal shnset was downloaded from GDLive. It was all sorts of messed up. Darryl Hinko retracked Stella>Around and Around. I combined both of the TOO tracks (as they should've been to begin with.) I also corrected any SBE from the edits and now it's all good.
Source 9 of 29
2:26:45
SBD
Rating:
8.44 / 27 ratings
SHNID:
gd85-06-30.sbd.georges.366.sbeok.shnf
Source:
SBDmc> DAT> CD
Taper Notes:
View NotesSBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via [email protected]
Taper: Michael Hessberg
2:27:42
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.148523.fob.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tony Suraci for the shnid79641 Nakamichi 304 + Beyer M101 source which supplies a 0:27 patch at the beginning of "Looks Like Rain", as well as a 0:06 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Michael Hessberg
2:27:42
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.148522.fob.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Tony Suraci for the shnid79641 Nakamichi 304 + Beyer M101 source which supplies a 0:27 patch at the beginning of "Looks Like Rain", as well as a 0:06 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston October 2019
Taper: Ray Ackerman
2:25:10
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-30.145353.ots.at.835b.akg.d12e.blend.ackerman.miller.noel.t-flac16
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS)
Lineage:
Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > FLAC 24/96 April 04, 2018 This file set is 16 bit @ 44.1 Patch info: - shnid 25242 (Schoeps CMC441) supplies - s1t08; 0:05 - 0:23 - s2t06; 4:42 - 5:04 Notes: - This is an upgrade to shnid 102134 - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for The Oade Bros. efforts that supply the patch source
Taper: Mike Guy and Jim Pailes
1:39:08
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.144155.set2.nak304.guy.pailes.miller.clugston.flac2496
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies a 1:39 patch in "Drums", as well as "US Blues" in its entirety - Other One space included in "The Other One" - Pitch corrected - 1st set tape lost Mastered by Scott Clugston December 2018
Taper: Mike Guy and Jim Pailes
1:39:08
Taper:
Mike Guy and Jim Pailes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-30.144154.set2.nak304.guy.pailes.miller.clugston.flac1648
Source:
Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90)
Lineage:
Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mike Guy & Jim Pailes for the master audience cassette source - Thanks to David Beckwith, Chris Mrachek and all the folks involved in cultivating this new source/relationship - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the CMC4/MK41 source which supplies a 1:39 patch in "Drums", as well as "US Blues" in its entirety - Other One space included in "The Other One" - Pitch corrected - 1st set tape lost Mastered by Scott Clugston December 2018
Taper: Ray Ackerman
2:25:11
Rating:
10.00 / 1 rating
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-30.141619.OTS.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info: - shnid 25242 (Schoeps CMC441) supplies - s1t08; 0:05 - 0:23 - s2t06; 4:42 - 5:04 Notes: - This is an upgrade to shnid 102134 - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for The Oade Bros. efforts that supply the patch source
Taper: Tom Strizak
2:25:27
Taper:
Tom Strizak
Transferrer:
Tom Strizak
SHNID:
gd1985-06-30.176640.senn.md41.strizak.flac2448
Source:
Master recording by Tom Strizak (*first show with new mics) 2- Sennheiser MD441 mounted in standard stereo configuration< (mic stand at approx. 7.5' height) > Sony TC-D5M (dolby - On B) > TDK MA90 Cassette. Location: Taper Section on lawn slightly right of center approx. 10' back from last row of pavillion seating. This resulted in a combination of sound mainly coming directly from delay speakers which were used to propagate sound outward to the lawn area, and just a small portion of the sound coming from inside the pavillion.
Lineage:
Analog Master cassette played back on Nakamichi CR-1A > Behringer XR-18 audio mixer > ZOOM H-5 digital recorder 24bit/48Khz WAV > Reaper v7.61 *DAW (final audio editing and mastering) > Audacity *DAW (tracking and conversion from WAV file to FLAC 24bit 48khz file set) > LMA for upload (*DAW = Digital Audio Worksatation)
Taper Notes:
View NotesNotes: There is approx. 30 seconds of Brown Eyed Women missing and the splice is slightly rough. Tape flip at beginning of Looks Like Rain is crossfaded and not harsh. Tape was paused between songs so unfortunately some of the actual show context is lost. Overall very pleasant listening and nice quality audio.
Source 17 of 29
2:34:53
Rating:
10.00 / 2 ratings
SHNID:
gd1985-06-30.171568.mtx.seamons.ht23.flac1644
Source:
Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (FLAC > AIFF > Final Cut w/EQ [set 1] > Soundtrack [set 2] > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) May 29, 2025
Taper Notes:
View NotesNotes: Significant upgrade. Set 1 was re-matrixed from scratch, with a different approach to the mix and more exacting sync. Set 2 uses a newer PCM Master source of the SBD. Ray Ackerman's audience tape, #145353 (4/4/18), patches 4 seconds at the beginning of Jim Oade's recording where Half-Step gets cut. As noted by Charlie, it sounds like there was some prior processing done to the "CM > Dat > CD" source for set 1. Some initial SBD vocal mix fluctuations in Half-Step and Mama Tried. Two tiny cuts in C.C. Rider are now patched. There were also two hiccup anomalies that added minuscule duration to the song, which were removed. Soundtrack Pro was used to help clean these edits. 6-second cut in Looks Like Rain SBD is now patched. Some PA static occurs throughout the show. EQ was used for the first set SBD source only.
Taper: Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
2:29:03
Taper:
Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-30.152702.akgc422.davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill)
Lineage:
This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# volume changes, both ours and Healy's first 3 minutes; afterward sound quality improves dramatically / There were more stage EQ issues after Samson, so we paused the tape. The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. This upload is from a fresh master take off with a newly serviced cassette deck. The old takeoff exhibits lots of tape flutter and channel swapping. The original 24 bit post of these masters was: shn ID 84267.sbeok.flac16
Taper: Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
2:29:05
Taper:
Executive Crew;Mike Davis;Kenny Davis;Sean Murtha;Kyle Holbrook;Tom Pinney;John Borg;Gary Steel
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-30.152701.akgc422.davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill)
Lineage:
This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes# volume changes, both ours and Healy's first 3 minutes; afterward sound quality improves dramatically / There were more stage EQ issues after Samson, so we paused the tape. The entire show suffers from the infamous summer of 1985 PA distortion which was later found to have some origination from Phil's pick ups in the new 6 string bass. This upload is from a fresh master take off with a newly serviced cassette deck. The old takeoff exhibits lots of tape flutter and channel swapping. The original 24 bit post of these masters was: shn ID 84267.sbeok.flac16
Taper: Mark McCue and Davey Meade
2:26:29
Taper:
Mark McCue and Davey Meade
Transferrer:
Alex Ford
SHNID:
gd1985-06-30.138288.senn441.mccue.meade.flac24
Source:
<b>flac24/48kHz</b>; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford
Taper Notes:
View Notes* tape flip patched using shnid #7833
Taper: Mark McCue and Davey Meade
2:26:26
Taper:
Mark McCue and Davey Meade
Transferrer:
Alex Ford
SHNID:
gd1985-06-30.138280.senn441.mccue.meade.sbeok.flac16
Source:
MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford
Taper Notes:
View Notes* tape flip patched using shnid #7833
Taper: chasingwilma
2:27:46
Rating:
10.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-06-30.126176.chasingwilma.flac24
Source:
source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Ray Ackerman
2:26:36
Taper:
Ray Ackerman
Transferrer:
Ray Ackerman;Tracks, FLACs, Tags by Craig Taraszki
SHNID:
gd1985-06-30.at835-d12e.Ackerman-Taraszki.102134.flac16
Source:
(2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5
Lineage:
Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16
Taper Notes:
View Notes* s1t08 0:09-0:21 patched from Schoeps cmc4/mk41 (90deg/17cm)> Oade m118> Oade Modified Sony PCM-F1
Taper: Kyle Holbrook
2:27:11
Rating:
8.00 / 1 rating
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1985-06-30.akgC422.holbrook.burke.84267.sbeok.flac16
Source:
AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41
Taper Notes:
View NotesNotes: The tape flips occur at 6:04 of Looks Like Rain, 2:44 of Drums and at the track split between s2t12 and s2t13. Personnel: Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Bass Guitar Brent Mydland - Keyboards, Vocals Bob Weir - Rhythm Guitar, Vocals
Taper: Kyle Holbrook
2:27:11
Rating:
10.00 / 2 ratings
Taper:
Kyle Holbrook
Transferrer:
Tim Burke
SHNID:
gd1985-06-30.akgC422.holbrook.burke.84246.flac24
Source:
AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby)
Lineage:
Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41
Taper Notes:
View NotesNotes: The tape flips occur at 6:04 of Looks Like Rain, 2:44 of Drums and at the track split between s2t12 and s2t13. Personnel: Jerry Garcia - Lead Guitar, Vocals Mickey Hart - Drums Bill Kreutzmann - Drums Phil Lesh - Bass Guitar Brent Mydland - Keyboards, Vocals Bob Weir - Rhythm Guitar, Vocals
Taper: Charles Bandrofcheck
2:39:13
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-06-30.cpb.2nd-retransfer.33702.flac16
Lineage:
MC > Playback on Marantz SD 4050 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View NotesThis recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break and the B Sides were recorded. Very little crowd noise has been removed. This is the last transfer of this tape. I did it for myself since I got much improved computer hardware. It is at a point were I am totally happy with the results I listen to. You are very welcome to a copy.
Taper: Oade Brothers
2:34:45
Rating:
9.15 / 26 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-30.oade-schoeps.sacks.25242.sbeok.flacf
Source:
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 <br>
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)
Taper Notes:
View NotesSource: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 <br /> Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)
Source 28 of 29
49:19
Rating:
10.00 / 1 rating
SHNID:
gd85-06-30.aud.set1.mckeown.7893.sbefail.shnf
Source:
Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN
Taper Notes:
View Notesset 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW
Source 29 of 29
1:44:29
Rating:
8.78 / 19 ratings
SHNID:
gd85-06-30.aud.oade-sacks.set2.7833.sbefail.shnf
Source:
Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable)
Taper Notes:
View Notesset 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks