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June 16th
Years
1995
30.1k
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343 tapes
1994
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85 shows
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1993
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1991
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1990
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1989
48.9k
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20.3k
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1986
12.5k
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684 tapes
1985
24.7k
73 shows
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1984
27k
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1983
21k
71 shows
1,069 tapes
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42.4k
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1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
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1977
267.8k
64 shows
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1976
91.9k
45 shows
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1975
6.3k
25 shows
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1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
6/28/85
cold rain and snow
6:45
promised land
4:05
ramble on rose
6:50
down at the bottom>
3:32
ain't superstitious
3:25
bird song>
6:56
comes a time>
6:22
deal
6:30
the music never stopped>
11:55
just like tom thumb's blues
4:59
estimated prophet>
11:32
terrapin station>
11:08
drums>
7:16
space>
11:02
i need a miracle>
4:11
morning dew>
10:36
throwing stones>
8:50
not fade away
7:36
day job
4:09
FIN
View on archive.org
Sources
Taper: Steve Marcus copied Don Pearson's masters
2:27:36
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 27, 2025 Converted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely
SHNID:
gd1985-06-28.170846.sbd.pearson-marcus-miller-repatch.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a repatched version of shnid=169093 -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Mark McCue and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
2:25:45
SBD
Taper:
Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
Transferrer:
Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort. Mastered by Scott Clugston
SHNID:
gd1985-06-28.151254.sbd.eaton.dalton.miller.clugston.flac1648
Source:
Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48)
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48) - Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in "Deal", as well as a 5:32 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2020
Transferrer: Matrix by Dave Usborne
2:19:52
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1985-06-28.132533.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris
Taper Notes:
View NotesMatrix by dusborne 01-26-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 01-26-2015
Transferrer: SirMick
2:21:16
SBD
Rating:
10.00 / 1 rating
Transferrer:
SirMick
SHNID:
gd1985-06-28.sbd.sirmick.77931.sbeok.flac16
Source:
Soundboard > ??? (cass or pcm) > DAT > DAT
Lineage:
DAT > WAV > SHN > WAV > FLAC
Taper Notes:
View Notesnotes: - d1t01 - removed most of the static present in the first 8.5 seconds - d1t02 - strangeness at 1:10 (this is present on all sbds and auds so presumably a technical issue) - d1t13 - Phil's mic doesn't come on until 0:15 - d2t03 - I removed most of the static that was present in the first 50 secs. There is a small dropout at 43 seconds in the left channel. However, there are a number of problems that remain - d2to6 - I spent a goood deal of time cleaning up the "static" only to read afterward that Phil had blown a speaker and that was the reason for it. Now maybe I should have reverted to the track before I "cleaned" it but I decided to leave it. That means that it isn't historically correct but I think it sounds better and that's my reason for doing so. seamless join between discs Thanks to "S" Productions for this source seeded to abgd edited and mastered SIRMick September 2006
Transferrer: Joshua Braveman
2:21:05
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Joshua Braveman
SHNID:
gd1985-06-28.sbd.braverman.26144.shnf
Source:
SBD > CM > DAT > DAT > DAT
Lineage:
DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN
Taper Notes:
View NotesNotes: No obvious tape filps or dropouts Phil's mic does not come on until after the 1st few words of Tom Thumb. Static and L channel irregularities during the beginning of drums. This sounds like a PA problem. The last 2 minutes of Day Job was missing and was patched with: http://db.etree.org/shninfo_detail.php?shnid=5822 (from the internet archive) which sounds very similar to this source. Outstanding Bird Song> Comes A Time > Deal My DAT was recorded 12/10/93 FWIW Transfer: October 2004 [email protected] db.etree.org/jbraveman To clear up the confusion about the proper order of the songs in set I these are the lyrics. Weir sings superstitious 1st then with some of the lyrics from Down in the Bottom and finishes back with Superstitous. I Ain't Superstitious by Willie Dixon recording of 19?? from Chess single no. 1823, copyright notice Well, I ain't superstitious, black cat just cross my trail Well, I ain't superstitious, oh the black cat just cross my trail Don't sweep me with no broom, I might get put in jail When my right hand itches, I gets money for sure When my right hand itches, I gets money for sure But, when my left eye jumps, somebody's got to go Well, I ain't superstitious, black cat just cross my trail Well, I ain't superstitious, black cat just cross my trail Don't sweep me with no broom, I just might get put in jail Well, the dogs are howlin, all over the neighborhood Whoa, the dogs are howlin, all over the neighborhood That is true sign of death, baby, that ain't no good Well, I'm not superstitious, blow that black cat across my trail Well, I'm not superstitious, a black cat across my trail Don't sweep me with no broom, I just might get put in jail That's bad luck for me Down In The Bottom by Willie Dixon recording of 1962 from The Rocking Chair (Vogue 600111), copyright notice Well now, baby meet me in the bottom, bring me my running shoes Well now, baby meet me in the bottom, bring me my running shoes Well, I'll come out the window, I won't have time to lose. When you see me streaking by, please don't be late When you see me streaking by, please don't be late Well, when you see me moving, though my life is at stake Well, I hope you'll see me, when I come streaking by Well, I hope you'll see me, when I come streaking by She got a bad old man, you know I'm too young to die I got to leave here. Get caught in there
Taper: Bob Morris
2:15:13
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-06-28.nak300.morris.114680.sbeok.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris
Taper Notes:
View NotesNotes: - Tape flips spliced (Soundforge 9.0) in Deal (at 0:07) & Drums (at 8:05). - Microphones on tripod stand at 7 ft height under an umbrella in the rain. - Crowd/other tapers notably noisy in a few 1st set passages. - Recorded by Bob Morris -- thanks to Sam for help. - Transfer (Nov 2009) & edits (Nov 2009, Jun 2011) by Bob Morris. - Thanks to dnick926 for help with shnid's etc. - One DVD Flac
Taper: Da Weez
2:19:55
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-28.111343.BeyerM160.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View NotesI patched out of The Weasel for this show. My second set master didn't hold up so well over the years. We were really close. We were the first set of microphones from the stage. The mic stand was dead center, right over the tube that covered the cables that ran from the stage to the soundboard. I remember it raining during the 1st set and I also remember Jerry in a jacket that night. I wish I had brought my camera with me. There has to be pictures from that show somewhere. If so, could someone post it? --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------