RELISTENTOTHE Grateful Dead
Re
1985
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Today In History
June 16th
5 shows
82 tapes
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1985
6/28/85
cold ran and snow
5:51
promised land
4:00
ramble on rose
6:54
down at the bottom>
3:03
ain't superstitious
3:38
bird song>
6:53
comes a time>
6:24
deal
6:48
the music never stopped>
11:01
just like tom thumb's blues
4:56
estimated prophet>
11:22
terrapin station>
11:00
drums>
7:08
space>
11:17
i need a miracle>
4:32
morning dew>
10:22
throwing stones>
8:40
gd1985-06-28-24bit-441s02t10.mp3
7:30
FIN
View on archive.org
Sources
Taper: Steve Marcus copied Don Pearson's masters
2:27:36
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 27, 2025 Converted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely
SHNID:
gd1985-06-28.170846.sbd.pearson-marcus-miller-repatch.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a repatched version of shnid=169093 -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Mark McCue and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
2:25:45
SBD
Taper:
Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
Transferrer:
Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort. Mastered by Scott Clugston
SHNID:
gd1985-06-28.151254.sbd.eaton.dalton.miller.clugston.flac1648
Source:
Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48)
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48) - Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in "Deal", as well as a 5:32 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2020
Transferrer: Matrix by Dave Usborne
2:19:52
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1985-06-28.132533.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris
Taper Notes:
View NotesMatrix by dusborne 01-26-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 01-26-2015
Transferrer: SirMick
2:21:16
SBD
Rating:
10.00 / 1 rating
Transferrer:
SirMick
SHNID:
gd1985-06-28.sbd.sirmick.77931.sbeok.flac16
Source:
Soundboard > ??? (cass or pcm) > DAT > DAT
Lineage:
DAT > WAV > SHN > WAV > FLAC
Taper Notes:
View Notesnotes: - d1t01 - removed most of the static present in the first 8.5 seconds - d1t02 - strangeness at 1:10 (this is present on all sbds and auds so presumably a technical issue) - d1t13 - Phil's mic doesn't come on until 0:15 - d2t03 - I removed most of the static that was present in the first 50 secs. There is a small dropout at 43 seconds in the left channel. However, there are a number of problems that remain - d2to6 - I spent a goood deal of time cleaning up the "static" only to read afterward that Phil had blown a speaker and that was the reason for it. Now maybe I should have reverted to the track before I "cleaned" it but I decided to leave it. That means that it isn't historically correct but I think it sounds better and that's my reason for doing so. seamless join between discs Thanks to "S" Productions for this source seeded to abgd edited and mastered SIRMick September 2006
Transferrer: Joshua Braveman
2:21:05
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Joshua Braveman
SHNID:
gd1985-06-28.sbd.braverman.26144.shnf
Source:
SBD > CM > DAT > DAT > DAT
Lineage:
DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN
Taper Notes:
View NotesNotes: No obvious tape filps or dropouts Phil's mic does not come on until after the 1st few words of Tom Thumb. Static and L channel irregularities during the beginning of drums. This sounds like a PA problem. The last 2 minutes of Day Job was missing and was patched with: http://db.etree.org/shninfo_detail.php?shnid=5822 (from the internet archive) which sounds very similar to this source. Outstanding Bird Song> Comes A Time > Deal My DAT was recorded 12/10/93 FWIW Transfer: October 2004 [email protected] db.etree.org/jbraveman To clear up the confusion about the proper order of the songs in set I these are the lyrics. Weir sings superstitious 1st then with some of the lyrics from Down in the Bottom and finishes back with Superstitous. I Ain't Superstitious by Willie Dixon recording of 19?? from Chess single no. 1823, copyright notice Well, I ain't superstitious, black cat just cross my trail Well, I ain't superstitious, oh the black cat just cross my trail Don't sweep me with no broom, I might get put in jail When my right hand itches, I gets money for sure When my right hand itches, I gets money for sure But, when my left eye jumps, somebody's got to go Well, I ain't superstitious, black cat just cross my trail Well, I ain't superstitious, black cat just cross my trail Don't sweep me with no broom, I just might get put in jail Well, the dogs are howlin, all over the neighborhood Whoa, the dogs are howlin, all over the neighborhood That is true sign of death, baby, that ain't no good Well, I'm not superstitious, blow that black cat across my trail Well, I'm not superstitious, a black cat across my trail Don't sweep me with no broom, I just might get put in jail That's bad luck for me Down In The Bottom by Willie Dixon recording of 1962 from The Rocking Chair (Vogue 600111), copyright notice Well now, baby meet me in the bottom, bring me my running shoes Well now, baby meet me in the bottom, bring me my running shoes Well, I'll come out the window, I won't have time to lose. When you see me streaking by, please don't be late When you see me streaking by, please don't be late Well, when you see me moving, though my life is at stake Well, I hope you'll see me, when I come streaking by Well, I hope you'll see me, when I come streaking by She got a bad old man, you know I'm too young to die I got to leave here. Get caught in there
Taper: Bob Morris
2:15:13
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-06-28.nak300.morris.114680.sbeok.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris
Taper Notes:
View NotesNotes: - Tape flips spliced (Soundforge 9.0) in Deal (at 0:07) & Drums (at 8:05). - Microphones on tripod stand at 7 ft height under an umbrella in the rain. - Crowd/other tapers notably noisy in a few 1st set passages. - Recorded by Bob Morris -- thanks to Sam for help. - Transfer (Nov 2009) & edits (Nov 2009, Jun 2011) by Bob Morris. - Thanks to dnick926 for help with shnid's etc. - One DVD Flac
Taper: Da Weez
2:19:55
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-28.111343.BeyerM160.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View NotesI patched out of The Weasel for this show. My second set master didn't hold up so well over the years. We were really close. We were the first set of microphones from the stage. The mic stand was dead center, right over the tube that covered the cables that ran from the stage to the soundboard. I remember it raining during the 1st set and I also remember Jerry in a jacket that night. I wish I had brought my camera with me. There has to be pictures from that show somewhere. If so, could someone post it? --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------