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Today In History
June 6th
5 shows
39 tapes
Years
1995
29.2k
PlaybackListensHours
48h2.8k382
7d10.8k1.5k
30d29.2k4.1k
49 shows
340 tapes
1994
8.4k
PlaybackListensHours
48h731103
7d1.5k214
30d8.4k1.2k
85 shows
460 tapes
1993
32.1k
PlaybackListensHours
48h4.4k594
7d2.5k329
30d32.1k4.2k
83 shows
656 tapes
1992
33.2k
PlaybackListensHours
48h1k136
7d8.6k1.1k
30d33.2k4.4k
57 shows
539 tapes
1991
36.6k
PlaybackListensHours
48h2.1k279
7d8.8k1.2k
30d36.6k5k
78 shows
967 tapes
1990
35.1k
PlaybackListensHours
48h2.9k374
7d6.4k838
30d35.1k4.6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h4.1k523
7d7.7k972
30d47.2k5.9k
78 shows
1,013 tapes
1988
21.7k
PlaybackListensHours
48h1.4k160
7d4.8k523
30d21.7k2.5k
82 shows
882 tapes
1987
39.6k
PlaybackListensHours
48h2.8k305
7d9.8k955
30d39.6k4.3k
88 shows
1,025 tapes
1986
15k
PlaybackListensHours
48h985109
7d2.3k262
30d15k1.7k
47 shows
683 tapes
1985
20.9k
PlaybackListensHours
48h2k237
7d4.4k514
30d20.9k2.5k
73 shows
1,356 tapes
1984
21k
PlaybackListensHours
48h1.6k207
7d2.9k374
30d21k2.6k
67 shows
1,075 tapes
1983
33.1k
PlaybackListensHours
48h1.6k208
7d4.1k539
30d33.1k4.4k
71 shows
1,069 tapes
1982
40.7k
PlaybackListensHours
48h1.9k243
7d4k501
30d40.7k5k
63 shows
753 tapes
1981
57.7k
PlaybackListensHours
48h2.3k297
7d5.4k685
30d57.7k7.3k
92 shows
868 tapes
1980
68.8k
PlaybackListensHours
48h6k693
7d13.6k1.6k
30d68.8k8.1k
91 shows
794 tapes
1979
28.5k
PlaybackListensHours
48h1.4k194
7d3.6k501
30d28.5k4k
79 shows
600 tapes
1978
58.9k
PlaybackListensHours
48h8.4k1.1k
7d11.5k1.5k
30d58.9k8.1k
87 shows
592 tapes
1977
338.5k
PlaybackListensHours
48h16.5k2.2k
7d34.3k4.7k
30d338.5k47.2k
64 shows
419 tapes
1976
45.3k
PlaybackListensHours
48h9.1k1.3k
7d24.7k3.4k
30d45.3k6.1k
45 shows
298 tapes
1975
5.4k
PlaybackListensHours
48h93880
7d980107
30d5.4k574
25 shows
63 tapes
1974
96.4k
PlaybackListensHours
48h4.6k569
7d12.2k1.5k
30d96.4k12.2k
42 shows
324 tapes
1973
78.7k
PlaybackListensHours
48h4.6k597
7d11.8k1.5k
30d78.7k10k
75 shows
445 tapes
1972
76.3k
PlaybackListensHours
48h3.2k396
7d8.1k992
30d76.3k9.2k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h2.3k253
7d6.5k724
30d33.8k3.9k
82 shows
356 tapes
1970
33.8k
PlaybackListensHours
48h7.5k732
7d6.2k638
30d33.8k3.7k
101 shows
376 tapes
1969
23.4k
PlaybackListensHours
48h3.5k583
7d7.5k1k
30d23.4k3.4k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h59475
7d1.3k158
30d6.6k824
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h16224
7d35147
30d1.5k206
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h50737
7d1.3k82
30d7.9k519
32 shows
78 tapes
1965
572
PlaybackListensHours
48h503
7d1277
30d57234
2 shows
2 tapes
1985
6/28/85
crowd/tuning
1:39
Cold, Rain and Snow
5:44
Promised Land
4:28
Ramble On Rose
7:00
Ain't Superstitious
7:07
Bird Song
7:05
Comes A Time
6:49
Deal
6:53
crowd/tuning
0:20
The Music Never Stopped
9:10
Just Like Tom Thumb's Blues
5:14
Estimated Prophet ->
11:57
Terrapin Station ->
11:31
Drums ->
11:35
Space ->
8:20
I Need A Miracle ->
4:14
Morning Dew ->
11:03
Throwing Stones ->
9:11
Not Fade Away
8:06
Keep Your Day Job
4:31
FIN
View on archive.org
Sources
Taper: Steve Marcus copied Don Pearson's masters
2:27:36
SBD
Taper:
Steve Marcus copied Don Pearson's masters
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 27, 2025 Converted and downsampled from 24bit/96kHz to 16bit/48kHz in Foobar2000 w/dBPoweramp/SSRC plugin by Tyler/MrCompletely
SHNID:
gd1985-06-28.170846.sbd.pearson-marcus-miller-repatch.flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a repatched version of shnid=169093 -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Mark McCue and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] February 27, 2025
2:27:36
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] February 27, 2025
SHNID:
gd1985-06-28.170390.sbd.miller.flac2496
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- This is a repatched version of shnid=169093 -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Mark McCue and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: All Transfers and Mastering by Charlie Miller [email protected] November 7, 2024
2:27:35
SBD
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 7, 2024
SHNID:
gd1985-06-28.169157.Hershey.PA.sbd.pearson.marcus.miller.t-flac1648
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Mark McCue and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings -- This is 169093 2496 > 1648
Taper: Steve Marcus, Don Pearson
2:27:35
SBD
Taper:
Steve Marcus, Don Pearson
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] November 7, 2024
SHNID:
gd1985-06-28.169093.sbd1.pearson.marcus.miller.flac24
Source:
SBD > Cassette Master (Sony TC-D5M/TDK MA-R) > Cassette (TDK MA-R/Dolby B)
Lineage:
Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2023 > Samplitude Pro X6 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Steve Marcus for the tapes -- Steve Marcus copied Don Pearson's masters -- Thanks to Mark McCue and Alex Ford for the patch source -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
2:25:45
SBD
Taper:
Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
Transferrer:
Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort. Mastered by Scott Clugston
SHNID:
gd1985-06-28.151254.sbd.eaton.dalton.miller.clugston.flac1648
Source:
Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48)
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the 1st generation cassettes > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48) - Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in "Deal", as well as a 5:32 patch in "Drums" - Pitch corrected Mastered by Scott Clugston June 2020
Transferrer: Charlie Miller
2:13:07
SBD
Rating:
8.25 / 9 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-28.sbd.miller.107066.flac16
Source:
SBD -> Cassette Master -> Dat -> CD
Lineage:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Dozens of flaws cleaned up -- There is some PA static in the 2nd set that I could not remove -- Thanks to Joe B. Jones for his help with the pitch correction
Transferrer: Matrix by Dave Usborne
2:19:52
SBD
Rating:
10.00 / 1 rating
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1985-06-28.132533.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris
Taper Notes:
View NotesMatrix by dusborne 01-26-2015 ------------------------------------------------------------------------------ Tagging notes: Show information is embedded within the header of each flac file. It will display on any player capable of directly playing flac files. If converted to wav during processing, all tags will be stripped, however audio data will remain unaffected. If you must transcode to a lossy format, do so directly Flac > Lossy. Use ffp to validate audio integrity. Md5 values will change if tagging is altered. Dave Usborne 01-26-2015
Taper: Tony Suraci
2:14:24
SBD
Rating:
8.80 / 5 ratings
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-06-28.nakcm304.suraci.89009.flac24
Source:
Nakamichi CM304's>Sony D5M *At SBD, Stand at 9 Feet
Lineage:
Nak CR5A>Lunatec V3(analog out)>722@24/96 Adobe Audition>Cdwav/tracking>flac24
Taper Notes:
View Notes// not much missing. got in late. had to setup in the rain. * Front right corner of board. Note: This source is also available in 16 bit for your streaming pleasure.
Taper: Tony Suraci
2:14:24
SBD
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-06-28.nakcm304.suraci.79609.flac16
Source:
Nakamichi CM304's>Sony D5M *At SBD, Stand at 9 Feet
Lineage:
Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16
Taper Notes:
View Notes// not much missing. * Front right corner of board. Notes: This is the 16Bit version. 24 Bit is archived on DVDA.
Transferrer: SirMick
2:21:16
SBD
Rating:
10.00 / 1 rating
Transferrer:
SirMick
SHNID:
gd1985-06-28.sbd.sirmick.77931.sbeok.flac16
Source:
Soundboard > ??? (cass or pcm) > DAT > DAT
Lineage:
DAT > WAV > SHN > WAV > FLAC
Taper Notes:
View Notesnotes: - d1t01 - removed most of the static present in the first 8.5 seconds - d1t02 - strangeness at 1:10 (this is present on all sbds and auds so presumably a technical issue) - d1t13 - Phil's mic doesn't come on until 0:15 - d2t03 - I removed most of the static that was present in the first 50 secs. There is a small dropout at 43 seconds in the left channel. However, there are a number of problems that remain - d2to6 - I spent a goood deal of time cleaning up the "static" only to read afterward that Phil had blown a speaker and that was the reason for it. Now maybe I should have reverted to the track before I "cleaned" it but I decided to leave it. That means that it isn't historically correct but I think it sounds better and that's my reason for doing so. seamless join between discs Thanks to "S" Productions for this source seeded to abgd edited and mastered SIRMick September 2006
Transferrer: Joshua Braveman
2:21:05
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Joshua Braveman
SHNID:
gd1985-06-28.sbd.braverman.26144.shnf
Source:
SBD > CM > DAT > DAT > DAT
Lineage:
DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN
Taper Notes:
View NotesNotes: No obvious tape filps or dropouts Phil's mic does not come on until after the 1st few words of Tom Thumb. Static and L channel irregularities during the beginning of drums. This sounds like a PA problem. The last 2 minutes of Day Job was missing and was patched with: http://db.etree.org/shninfo_detail.php?shnid=5822 (from the internet archive) which sounds very similar to this source. Outstanding Bird Song> Comes A Time > Deal My DAT was recorded 12/10/93 FWIW Transfer: October 2004 [email protected] db.etree.org/jbraveman To clear up the confusion about the proper order of the songs in set I these are the lyrics. Weir sings superstitious 1st then with some of the lyrics from Down in the Bottom and finishes back with Superstitous. I Ain't Superstitious by Willie Dixon recording of 19?? from Chess single no. 1823, copyright notice Well, I ain't superstitious, black cat just cross my trail Well, I ain't superstitious, oh the black cat just cross my trail Don't sweep me with no broom, I might get put in jail When my right hand itches, I gets money for sure When my right hand itches, I gets money for sure But, when my left eye jumps, somebody's got to go Well, I ain't superstitious, black cat just cross my trail Well, I ain't superstitious, black cat just cross my trail Don't sweep me with no broom, I just might get put in jail Well, the dogs are howlin, all over the neighborhood Whoa, the dogs are howlin, all over the neighborhood That is true sign of death, baby, that ain't no good Well, I'm not superstitious, blow that black cat across my trail Well, I'm not superstitious, a black cat across my trail Don't sweep me with no broom, I just might get put in jail That's bad luck for me Down In The Bottom by Willie Dixon recording of 1962 from The Rocking Chair (Vogue 600111), copyright notice Well now, baby meet me in the bottom, bring me my running shoes Well now, baby meet me in the bottom, bring me my running shoes Well, I'll come out the window, I won't have time to lose. When you see me streaking by, please don't be late When you see me streaking by, please don't be late Well, when you see me moving, though my life is at stake Well, I hope you'll see me, when I come streaking by Well, I hope you'll see me, when I come streaking by She got a bad old man, you know I'm too young to die I got to leave here. Get caught in there
Transferrer: MattMan
2:13:00
SBDREMASTER
Transferrer:
MattMan
SHNID:
gd1985-06-28.sbd.mattman.23593.shnf
Source:
Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT.
Lineage:
Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT.
Taper Notes:
View NotesNotes: -I received these sources in SHN via ftp. -After joining the files with shntool, I used Adobe Audition to correct pitch to A = 440Hz. -Set 1 pitched up from 100 to 99%, and set 2 pitched up from 100 to 98%. -Set 2 is slightly clearer. -Digi drop outs in d1t01. Peace. MattMan. [email protected]. April 2004.
Source 13 of 28
2:15:01
SBD
Rating:
8.59 / 78 ratings
SHNID:
gd85-06-28.sbd.lemon2.5822.sbeok.shnf
Source:
Liberated Bootleg
Taper Notes:
View NotesSBD? liberated bootleg; via lemon2
Taper: Michael Hessberg
2:23:57
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-28.154538.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:19 patch in "Deal", as well as a 3:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:23:57
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-28.154537.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:19 patch in "Deal", as well as a 3:22 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Robert Bryant
2:21:26
Taper:
Robert Bryant
Transferrer:
Sirmick and Charlie Miller
SHNID:
gd1985-06-28.145352.aud.bryant.miller.sirmick.flac16
Lineage:
Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
Taper Notes:
View NotesNotes: - Pitch correction - Patches Tape Flip near end of "Comes A Time" Tape flip during "Drums" patch source shnid 89009 - Thank you Tony Suraci. Thanks to Robert Bryant for this recording and Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Taper: Robert Bryant
2:21:26
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-28.141599.aud.bryant.miller.sirmick.flac2496
Taper Notes:
View NotesNotes: - Pitch correction - Patches Tape Flip near end of "Comes A Time" Tape flip during "Drums" patch source shnid 89009 - Thank you Tony Suraci. Thanks to Robert Bryant for this recording and Charlie Miller for the transfer. edited and mastered SIRMick April 2018
Taper: Oade Brothers
2:22:44
Taper:
Oade Brothers
Transferrer:
Doug Oade & Scott Clugston
SHNID:
gd1985-06-28.151829.schoeps.cmc4.mk41.oade.miller.clugston.flac16
Source:
1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1
Taper Notes:
View NotesNotes: - Thanks to the Oade brothers and crew for the source cassettes and PCM, as well as Doug Oade for the transfers to HDD - Thanks to Charlie Miller for coordinating this effort - Cassette source pitch corrected Mastered by Scott Clugston February 2021
Taper: Mark McCue
2:17:41
Rating:
10.00 / 3 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-28.137289.senn441.phase-fix.mccue.ford.sbeok.flac16
Source:
Phase Fix of <a href="http://db.etree.org/shn/33339">source ID 33339</a>; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original
Lineage:
MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford
Taper Notes:
View Notes* Phase Fix of SHNID 33339 *
Taper: chasingwilma
2:11:19
Rating:
8.00 / 1 rating
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-06-28.126158.senn441.chasingwilma.flac24
Source:
lineage: sennheiser 441> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; taper: jay f; conversion rate: 96000/24 bit
Taper: chasingwilma
2:17:39
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-06-28.126140.chasingwilma.flac24
Source:
source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:15:13
Taper:
Bob Morris
Transferrer:
Bob Morris
SHNID:
gd1985-06-28.nak300.morris.114680.sbeok.flac16
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris
Taper Notes:
View NotesNotes: - Tape flips spliced (Soundforge 9.0) in Deal (at 0:07) & Drums (at 8:05). - Microphones on tripod stand at 7 ft height under an umbrella in the rain. - Crowd/other tapers notably noisy in a few 1st set passages. - Recorded by Bob Morris -- thanks to Sam for help. - Transfer (Nov 2009) & edits (Nov 2009, Jun 2011) by Bob Morris. - Thanks to dnick926 for help with shnid's etc. - One DVD Flac
Taper: Bob Morris
2:14:43
Taper:
Bob Morris
SHNID:
gd1985-06-28.nak300.morris.114490.flac24
Source:
Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Tape flips spliced in Deal (at 0:05) and in Drums (at 8:02). - Microphones on tripod stand at 7 ft height under umbrella in the rain. - Crowd/other tapers notably noisy in a few 1st set passages. - Recorded on the field by Bob Morris -- thanks to Sam for help. - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.
Taper: Da Weez
2:19:55
Rating:
9.00 / 2 ratings
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-28.111343.BeyerM160.daweez.d5scott.flac16
Source:
<b>flac16:</b> Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes
Lineage:
Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
Taper Notes:
View NotesI patched out of The Weasel for this show. My second set master didn't hold up so well over the years. We were really close. We were the first set of microphones from the stage. The mic stand was dead center, right over the tube that covered the cables that ran from the stage to the soundboard. I remember it raining during the 1st set and I also remember Jerry in a jacket that night. I wish I had brought my camera with me. There has to be pictures from that show somewhere. If so, could someone post it? --------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Jeff Hubbard
2:21:57
Rating:
6.00 / 1 rating
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-06-28.senn.hubbard.76159.sbeok.shnf
Source:
Sennheiser 4xx's > Marantz PMDxxx > MC.
Lineage:
Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs.
Taper Notes:
View NotesDisks can be combined on longer media for extended play
Taper: Mark McCue
2:18:02
Rating:
8.67 / 4 ratings
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-06-28.senn441.mccue.ford.33339.sbeok.flac16
Source:
2 Sennheiser 441's > Sony D5 > Master Cassettes
Lineage:
MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>wav files joined>CD Wave Editor(retracking)>Flac Frontend>FLAC16
Taper Notes:
View NotesNotes: - * d1t10 Phil's vocal mic cuts in @ 0:16 - 2 Sennheiser 421's were also on mic stand - 8 other decks were connected to this rig - photo labled taper's view00.jpg was taken from exact recording location
Taper: Steve (the Lizzard)
2:17:53
Rating:
8.09 / 22 ratings
Taper:
Steve (the Lizzard)
SHNID:
gd85-06-28.fob-senn441.lizzard.25985.sbeok.shnf
Source:
Audience: Sennheiser 441's
Lineage:
Sennheiser 441's (FOB) > Sony D-5M
Taper Notes:
View NotesFOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) http://db.etree.org/shninfo_detail.php?shnid=22517 sbe's were repaired with shntool
Taper: Steve (the Lizzard)
2:17:53
Taper:
Steve (the Lizzard)
SHNID:
gd1985-06-28.senn441.lizard.22517.sbefail.shnf
Source:
FOB Sony D-5M Sennheiser 441's