06
1985
Sources
Taper: Michael Hessberg
2:18:09
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-25.148521.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the first few notes of "Big Railroad Blues" (0:08 total), as well as a 0:27 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Michael Hessberg
2:18:09
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-25.148520.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the first few notes of "Big Railroad Blues" (0:08 total), as well as a 0:27 patch in "Drums" - Wheel space included in "The Wheel" - Pitch corrected Mastered by Scott Clugston September 2019
Taper: Oade Brothers
2:29:46
Taper:
Oade Brothers
Transferrer:
Dan McDonald
SHNID:
gd1985-06-25.132561.schopes.Oade.BCE.macdonald.flac16
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastered by Dan McDonald
Taper Notes:
View NotesThe only processing was a little bit of equalization with DC8.5 Forensics to counter the distance from the stage. I rolled the bass off slightly below 100 hz to cut down on the boominess, increasedthe midrange and treble slightly, and used two virtual valve simulators to clarify the instruments a bit more. Mastered by Dan McDonald Feb. 2015 Patches (106739): Sennheiser MD441U > Canare Star-Quad > Sony TCD5-M > Maxell MX 101 - crowd (entire track) 102 - Day Tripper (up to about the 2:10 mark) 201 - crowd (final few seconds) 202 - Gimmie Some Lovin' (up to about the 1:08 mark) metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]