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Bands
Grateful Dead
Today In History
June 14th
Years
1995
30.1k
PlaybackListensHours
48h47364
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h1.9k308
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k313
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.7k369
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.9k385
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.9k379
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.8k351
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k165
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.5k935
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h971110
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.1k247
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h5.1k593
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k167
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.6k196
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.7k220
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.7k1k
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.6k225
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.8k248
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.5k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h11k1.5k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h36638
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k476
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h5k658
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.8k364
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k190
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.8k216
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.5k217
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h70386
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h8513
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h24718
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h372
7d1037
30d62737
2 shows
2 tapes
1985
Sources
Transferrer: Hunter Seamons
2:34:05
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-24.mtx.seamons.94663.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD(s): Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Editing Info: CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Edited By Charlie Miller [email protected] 7/28/04 Notes: -- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is I could not find a tape flip and the recording is more dynamic than Set 1. ---------------------------------------------------- AUDs: Set 1 ----- Nak 300 > D5 > CM > CDR DAE and shorten encoding by C. Vinci Set 2 ----- Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Charlie Miller and John Lyons for the SBD transfer, to Chris Vinci and Mike Lai for the set 1 AUD transfer to the Oade Brothers and Darrin Sacks for the set 2 AUD transfer, and to Mr. B. for helping me verify the set 1 pitch. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) September 23, 2008 Notes: 1) Cuts in the AUD between songs during set 1. I left the SBD portions in for the occasional, interesting stage conversation. 2) Based on C. Miller's notes above, the set 2 SBD source appears to be a VHS master, since there is some speed fluctuation. Since I used the Oade AUD for set 2, set 2 is a completely different matrix than set 1 that sounds significantly better. 3) One momentary cut in the AUD during Space in set 2. 4) Set 2 is seamless. 5) The crowd after Good Lovin' seems VERY thoroughly pleased - thank you Oade!
Taper: See info file
2:33:34
SBD
Rating:
9.20 / 12 ratings
Taper:
See info file
Transferrer:
Matrixing by Timothy Pytlik
SHNID:
gd1985-06-24.mtx.pytlik.32310.sbeok.flac16
Source:
See info file
Lineage:
SHN (SBD) -> foobar2000 -> WAV (bit-compare ok) + SHN (AUD) -> foobar2000 -> WAV (bit-compare ok) -> Adobe Audition 1.5 (32-bit mixing, time stretching, moderate hiss reduction, moderate noise reduction, track splitting on CD sector boundaries) -> WAV -> FLAC Frontend v 1.7.1 -> FLAC (level 8)
Taper Notes:
View NotesNotes: -During the abovementioned left channel dropouts in the audience source on U.S. Blues, I copied the right channel into the empty left channel, and these inserts were crossfaded with the existing left channel at their beginning and end. -The soundboard source of the second set appears to be a VHS master, as a 16kHz pilot tone shows up quite clearly in spectral analysis.
Source 3 of 15
2:33:30
SBD
Rating:
9.22 / 69 ratings
SHNID:
gd85-06-24.sbd.miller.25315.sbeok.shnf
Source:
SBD > Cassette Master > PCM > DAT > CD
Lineage:
CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller
Taper Notes:
View NotesSBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller [email protected]
Transferrer: Bob Harrell
2:32:27
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Bob Harrell
SHNID:
gd1985-06-24.sbd.harrell.8198.shnf
Source:
SBD > Master Cassette
Lineage:
Master Cassette > DAT x 3 > CDR > EAC > MKW > SHN
Taper Notes:
View NotesNotes: d2t01 @ 1:11 - subsecond (11 frames to be exact) dropout smoothed with patch from: SBD -> CM -> PCM -> DAT Thanks to Pete Delgado and Doug Nawrocki, fixed version by Patrick Murphy. Sector boundaries fixed with shntool (all of set 2, including encore fixed at once) Brief static at beginning of Let it Grow. There's a tape flip somewhere in set 2, but I couldn't find it.
Source 5 of 15
2:35:44
SBD
Rating:
8.50 / 16 ratings
SHNID:
gd85-06-24.sbd.murphy.2274.sbefail.shnf
Source:
SBD -> CM -> PCM -> DAT, via Pete Delgado
Lineage:
D8 -> Montego II
Taper Notes:
View NotesSBD -> CM -> PCM -> DAT, via Pete Delgado; Transfer: D8 -> Montego II -> Cool Edit 2k, Doug Nawrocki; note fade in to d1t1; note "2:55 in Samson until about 3:35 in He's Gone the right channel drops way down"- <a href="http://db.etree.org/shninfo_detail.php?shnid=2274" rel="ugc nofollow">fixed version</a> prepared later
Taper: Michael Hessberg
2:32:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-24.154534.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:32:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-24.154533.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Robert Bryant
1:05:33
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - levels are hot for the first minute - rhythm section raffle announcement - officially released as part of 30 Trips Around The Sun - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
1:05:33
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-24.140890.s1.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - levels are hot for the first minute - rhythm section raffle announcement - officially released as part of 30 Trips Around The Sun
Source 10 of 15
2:28:48
SHNID:
gd1985-06-24.169903.nak700.flac2448
Source:
3x Nakamichi CM700/CP01's > Nakamichi MX-100 mixer > Sony TC-D5M > Maxell XLII-S, MAC rescued from ebay.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNotes: - Patches: ID-140890, Brother Easu 3:46 > Loser 0:17; and ID-360 Space 0:00 > 0:46. - There's disruptive mic-bumps, end of Good Lovin' and pretty bad during U.S. Blues.
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
2:33:33
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-24.152623.akgc422-davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP * Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage" // tape flip
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
2:33:33
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-24.152622.akgc422-davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP * Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage" // tape flip
Taper: Da Weez
2:28:00
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-24.118986.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Oade Brothers
1:30:42
Rating:
9.40 / 10 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-24.set2.oade-schoeps.sacks.24662.sbeok.flacf
Source:
Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesSet II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 15 of 15
2:23:52
Rating:
8.31 / 13 ratings
SHNID:
gd85-06-24.nak300.lai.360.sbeok.shnf
Source:
Nak 300 > D5 > CM > CDR
Taper Notes:
View NotesNak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB