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June 8th
Years
1995
29.8k
PlaybackListensHours
48h55272
7d6.7k904
30d29.8k4.2k
49 shows
341 tapes
1994
8.3k
PlaybackListensHours
48h1.1k142
7d1.3k189
30d8.3k1.2k
85 shows
460 tapes
1993
37.2k
PlaybackListensHours
48h2.3k291
7d7.4k999
30d37.2k4.9k
83 shows
656 tapes
1992
35.1k
PlaybackListensHours
48h2.1k265
7d3.5k452
30d35.1k4.7k
57 shows
539 tapes
1991
37.3k
PlaybackListensHours
48h5.8k808
7d7.1k946
30d37.3k5.1k
78 shows
972 tapes
1990
34k
PlaybackListensHours
48h6k755
7d5.6k727
30d34k4.5k
78 shows
1,139 tapes
1989
46.2k
PlaybackListensHours
48h2.7k335
7d7.3k920
30d46.2k5.8k
78 shows
1,013 tapes
1988
21.2k
PlaybackListensHours
48h1.2k140
7d2.7k307
30d21.2k2.4k
82 shows
882 tapes
1987
34k
PlaybackListensHours
48h1.7k193
7d5.5k591
30d34k3.7k
88 shows
1,025 tapes
1986
13.8k
PlaybackListensHours
48h80489
7d1.9k211
30d13.8k1.6k
47 shows
683 tapes
1985
21.1k
PlaybackListensHours
48h1.4k167
7d4k474
30d21.1k2.5k
73 shows
1,356 tapes
1984
15.2k
PlaybackListensHours
48h982127
7d2.8k362
30d15.2k2k
67 shows
1,075 tapes
1983
32.9k
PlaybackListensHours
48h1.4k192
7d3k387
30d32.9k4.4k
71 shows
1,069 tapes
1982
41.1k
PlaybackListensHours
48h1.6k194
7d3.6k451
30d41.1k5.1k
63 shows
753 tapes
1981
51k
PlaybackListensHours
48h1.8k232
7d4.5k586
30d51k6.4k
92 shows
868 tapes
1980
68.2k
PlaybackListensHours
48h8.3k885
7d8.6k992
30d68.2k8k
91 shows
794 tapes
1979
25k
PlaybackListensHours
48h1.5k208
7d2.7k378
30d25k3.5k
79 shows
600 tapes
1978
55.4k
PlaybackListensHours
48h1.7k229
7d11.3k1.4k
30d55.4k7.6k
87 shows
592 tapes
1977
286.7k
PlaybackListensHours
48h22.3k3.1k
7d28k3.8k
30d286.7k39.5k
64 shows
419 tapes
1976
48.8k
PlaybackListensHours
48h2.8k390
7d26.1k3.6k
30d48.8k6.6k
45 shows
298 tapes
1975
5.8k
PlaybackListensHours
48h86984
7d1.4k132
30d5.8k599
25 shows
63 tapes
1974
97.7k
PlaybackListensHours
48h7.1k914
7d9.3k1.2k
30d97.7k12.3k
42 shows
324 tapes
1973
78.3k
PlaybackListensHours
48h3.8k489
7d8.9k1.2k
30d78.3k10k
75 shows
445 tapes
1972
72.7k
PlaybackListensHours
48h2.6k318
7d6.7k830
30d72.7k8.8k
88 shows
361 tapes
1971
33.4k
PlaybackListensHours
48h1.5k168
7d4.9k544
30d33.4k3.8k
82 shows
357 tapes
1970
41.4k
PlaybackListensHours
48h4.5k448
7d13.9k1.4k
30d41.4k4.5k
101 shows
376 tapes
1969
25.4k
PlaybackListensHours
48h2.5k388
7d5k818
30d25.4k3.8k
112 shows
326 tapes
1968
6.7k
PlaybackListensHours
48h65490
7d1.1k134
30d6.7k832
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13218
7d26938
30d1.5k201
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h20614
7d89659
30d7.9k525
32 shows
78 tapes
1965
561
PlaybackListensHours
48h422
7d845
30d56133
2 shows
2 tapes
1985
6/24/85
Alabama Getaway->
4:40
Greatest Story Ever Told
5:58
They Love Each Other
9:14
New Minglewood Blues
10:29
Tennessee Jed
8:27
My Brother Esau
5:27
Loser
8:59
Let It Grow
12:49
Aiko-Aiko
8:32
Samson and Delilah
8:36
He's Gone >
10:12
Smokestack Lightning >
4:21
Cryptical Envelopment >
1:48
Drums >
12:33
Space >
5:45
Comes A Time >
5:57
The Other One >
5:11
Cryptical Envelopment >
0:37
Wharf Rat >
8:43
Around and Around >
3:51
Good Lovin'
8:49
U.S. Blues
4:46
FIN
View on archive.org
Sources
Transferrer: Hunter Seamons
2:34:05
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-24.mtx.seamons.94663.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD(s): Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Editing Info: CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Edited By Charlie Miller [email protected] 7/28/04 Notes: -- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is I could not find a tape flip and the recording is more dynamic than Set 1. ---------------------------------------------------- AUDs: Set 1 ----- Nak 300 > D5 > CM > CDR DAE and shorten encoding by C. Vinci Set 2 ----- Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Charlie Miller and John Lyons for the SBD transfer, to Chris Vinci and Mike Lai for the set 1 AUD transfer to the Oade Brothers and Darrin Sacks for the set 2 AUD transfer, and to Mr. B. for helping me verify the set 1 pitch. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) September 23, 2008 Notes: 1) Cuts in the AUD between songs during set 1. I left the SBD portions in for the occasional, interesting stage conversation. 2) Based on C. Miller's notes above, the set 2 SBD source appears to be a VHS master, since there is some speed fluctuation. Since I used the Oade AUD for set 2, set 2 is a completely different matrix than set 1 that sounds significantly better. 3) One momentary cut in the AUD during Space in set 2. 4) Set 2 is seamless. 5) The crowd after Good Lovin' seems VERY thoroughly pleased - thank you Oade!
Taper: See info file
2:33:34
SBD
Rating:
9.20 / 12 ratings
Taper:
See info file
Transferrer:
Matrixing by Timothy Pytlik
SHNID:
gd1985-06-24.mtx.pytlik.32310.sbeok.flac16
Source:
See info file
Lineage:
SHN (SBD) -> foobar2000 -> WAV (bit-compare ok) + SHN (AUD) -> foobar2000 -> WAV (bit-compare ok) -> Adobe Audition 1.5 (32-bit mixing, time stretching, moderate hiss reduction, moderate noise reduction, track splitting on CD sector boundaries) -> WAV -> FLAC Frontend v 1.7.1 -> FLAC (level 8)
Taper Notes:
View NotesNotes: -During the abovementioned left channel dropouts in the audience source on U.S. Blues, I copied the right channel into the empty left channel, and these inserts were crossfaded with the existing left channel at their beginning and end. -The soundboard source of the second set appears to be a VHS master, as a 16kHz pilot tone shows up quite clearly in spectral analysis.
Source 3 of 15
2:33:30
SBD
Rating:
9.22 / 69 ratings
SHNID:
gd85-06-24.sbd.miller.25315.sbeok.shnf
Source:
SBD > Cassette Master > PCM > DAT > CD
Lineage:
CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller
Taper Notes:
View NotesSBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller [email protected]
Transferrer: Bob Harrell
2:32:27
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Bob Harrell
SHNID:
gd1985-06-24.sbd.harrell.8198.shnf
Source:
SBD > Master Cassette
Lineage:
Master Cassette > DAT x 3 > CDR > EAC > MKW > SHN
Taper Notes:
View NotesNotes: d2t01 @ 1:11 - subsecond (11 frames to be exact) dropout smoothed with patch from: SBD -> CM -> PCM -> DAT Thanks to Pete Delgado and Doug Nawrocki, fixed version by Patrick Murphy. Sector boundaries fixed with shntool (all of set 2, including encore fixed at once) Brief static at beginning of Let it Grow. There's a tape flip somewhere in set 2, but I couldn't find it.
Source 5 of 15
2:35:44
SBD
Rating:
8.50 / 16 ratings
SHNID:
gd85-06-24.sbd.murphy.2274.sbefail.shnf
Source:
SBD -> CM -> PCM -> DAT, via Pete Delgado
Lineage:
D8 -> Montego II
Taper Notes:
View NotesSBD -> CM -> PCM -> DAT, via Pete Delgado; Transfer: D8 -> Montego II -> Cool Edit 2k, Doug Nawrocki; note fade in to d1t1; note "2:55 in Samson until about 3:35 in He's Gone the right channel drops way down"- <a href="http://db.etree.org/shninfo_detail.php?shnid=2274" rel="ugc nofollow">fixed version</a> prepared later
Taper: Michael Hessberg
2:32:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-24.154534.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:32:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-24.154533.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Robert Bryant
1:05:33
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - levels are hot for the first minute - rhythm section raffle announcement - officially released as part of 30 Trips Around The Sun - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
1:05:33
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-24.140890.s1.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - levels are hot for the first minute - rhythm section raffle announcement - officially released as part of 30 Trips Around The Sun
Source 10 of 15
2:28:48
SHNID:
gd1985-06-24.169903.nak700.flac2448
Source:
3x Nakamichi CM700/CP01's > Nakamichi MX-100 mixer > Sony TC-D5M > Maxell XLII-S, MAC rescued from ebay.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNotes: - Patches: ID-140890, Brother Easu 3:46 > Loser 0:17; and ID-360 Space 0:00 > 0:46. - There's disruptive mic-bumps, end of Good Lovin' and pretty bad during U.S. Blues.
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
2:33:33
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-24.152623.akgc422-davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP * Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage" // tape flip
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
2:33:33
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-24.152622.akgc422-davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP * Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage" // tape flip
Taper: Da Weez
2:28:00
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-24.118986.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Oade Brothers
1:30:42
Rating:
9.40 / 10 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-24.set2.oade-schoeps.sacks.24662.sbeok.flacf
Source:
Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesSet II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 15 of 15
2:23:52
Rating:
8.31 / 13 ratings
SHNID:
gd85-06-24.nak300.lai.360.sbeok.shnf
Source:
Nak 300 > D5 > CM > CDR
Taper Notes:
View NotesNak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB