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Today In History
June 12th
6 shows
73 tapes
Years
1995
30.1k
PlaybackListensHours
48h55474
7d1.7k235
30d30.1k4.2k
49 shows
341 tapes
1994
10.6k
PlaybackListensHours
48h1.5k185
7d3.6k457
30d10.6k1.5k
85 shows
460 tapes
1993
41.4k
PlaybackListensHours
48h3.2k434
7d8.4k1.1k
30d41.4k5.4k
83 shows
656 tapes
1992
38.5k
PlaybackListensHours
48h2.4k321
7d5.9k756
30d38.5k5.1k
57 shows
538 tapes
1991
36.3k
PlaybackListensHours
48h5k628
7d13.7k1.9k
30d36.3k5k
78 shows
973 tapes
1990
47.4k
PlaybackListensHours
48h7.3k910
7d17.8k2.2k
30d47.4k6.1k
78 shows
1,139 tapes
1989
48.3k
PlaybackListensHours
48h2.9k355
7d7k875
30d48.3k6k
78 shows
1,017 tapes
1988
21.2k
PlaybackListensHours
48h1.1k134
7d3.3k385
30d21.2k2.4k
82 shows
882 tapes
1987
34.3k
PlaybackListensHours
48h2.7k304
7d5.4k604
30d34.3k3.7k
88 shows
1,025 tapes
1986
12.1k
PlaybackListensHours
48h990112
7d2.2k244
30d12.1k1.4k
47 shows
684 tapes
1985
22.5k
PlaybackListensHours
48h1.8k213
7d4.4k514
30d22.5k2.6k
73 shows
1,356 tapes
1984
20.5k
PlaybackListensHours
48h4.2k499
7d7.1k857
30d20.5k2.6k
67 shows
1,075 tapes
1983
29.7k
PlaybackListensHours
48h1.4k178
7d3.5k469
30d29.7k3.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.2k147
7d3.8k473
30d42.2k5.2k
63 shows
753 tapes
1981
44.6k
PlaybackListensHours
48h2.4k301
7d5.3k673
30d44.6k5.6k
92 shows
868 tapes
1980
70.7k
PlaybackListensHours
48h2.4k275
7d13.3k1.5k
30d70.7k8.2k
91 shows
794 tapes
1979
22.2k
PlaybackListensHours
48h1.5k213
7d3.7k527
30d22.2k3.1k
79 shows
600 tapes
1978
51k
PlaybackListensHours
48h1.9k267
7d5.2k704
30d51k7k
87 shows
592 tapes
1977
292.7k
PlaybackListensHours
48h10.2k1.4k
7d47.4k6.5k
30d292.7k40.4k
64 shows
418 tapes
1976
61.3k
PlaybackListensHours
48h20.1k2.6k
7d17.3k2.4k
30d61.3k8.4k
45 shows
298 tapes
1975
6.5k
PlaybackListensHours
48h21723
7d1.6k153
30d6.5k662
25 shows
63 tapes
1974
100.5k
PlaybackListensHours
48h3.8k505
7d14.4k1.9k
30d100.5k12.8k
42 shows
324 tapes
1973
87.2k
PlaybackListensHours
48h10.2k1.4k
7d17.5k2.3k
30d87.2k11.1k
75 shows
445 tapes
1972
67.2k
PlaybackListensHours
48h2k258
7d7.1k888
30d67.2k8.2k
88 shows
361 tapes
1971
34.1k
PlaybackListensHours
48h1.7k192
7d4.7k527
30d34.1k3.9k
82 shows
357 tapes
1970
46.3k
PlaybackListensHours
48h1.6k190
7d12.9k1.3k
30d46.3k4.9k
101 shows
375 tapes
1969
27.2k
PlaybackListensHours
48h1.3k170
7d4.9k785
30d27.2k4.1k
112 shows
326 tapes
1968
7.5k
PlaybackListensHours
48h56972
7d1.7k222
30d7.5k943
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h9114
7d28941
30d1.6k218
23 shows
55 tapes
1966
8.1k
PlaybackListensHours
48h49432
7d77949
30d8.1k539
32 shows
78 tapes
1965
632
PlaybackListensHours
48h504
7d1368
30d63237
2 shows
2 tapes
1985
6/24/85
Iko Iko >
8:42
Samson and Delilah >
8:33
He's Gone >
10:02
Smokestack Lightnin' >
4:17
Cryptical Envelopment >
1:47
Drums >
8:07
Space >
6:20
Other One Jamming>
3:57
Comes a Time >
5:51
The Other One >
5:09
Cryptical Envelopment >
0:35
Wharf Rat >
8:38
Around and Around >
3:49
Good Lovin'
9:53
U.S. Blues
5:02
FIN
View on archive.org
Sources
Transferrer: Hunter Seamons
2:34:05
SBD
Rating:
10.00 / 7 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-06-24.mtx.seamons.94663.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD(s): Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Editing Info: CD -> EAC -> Cool Edit Pro v2.0 -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) Transfered and Edited By Charlie Miller [email protected] 7/28/04 Notes: -- Set 2 may be from either a PCM Master or a VHS Master. The reason I say this is I could not find a tape flip and the recording is more dynamic than Set 1. ---------------------------------------------------- AUDs: Set 1 ----- Nak 300 > D5 > CM > CDR DAE and shorten encoding by C. Vinci Set 2 ----- Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Charlie Miller and John Lyons for the SBD transfer, to Chris Vinci and Mike Lai for the set 1 AUD transfer to the Oade Brothers and Darrin Sacks for the set 2 AUD transfer, and to Mr. B. for helping me verify the set 1 pitch. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) September 23, 2008 Notes: 1) Cuts in the AUD between songs during set 1. I left the SBD portions in for the occasional, interesting stage conversation. 2) Based on C. Miller's notes above, the set 2 SBD source appears to be a VHS master, since there is some speed fluctuation. Since I used the Oade AUD for set 2, set 2 is a completely different matrix than set 1 that sounds significantly better. 3) One momentary cut in the AUD during Space in set 2. 4) Set 2 is seamless. 5) The crowd after Good Lovin' seems VERY thoroughly pleased - thank you Oade!
Taper: See info file
2:33:34
SBD
Rating:
9.20 / 12 ratings
Taper:
See info file
Transferrer:
Matrixing by Timothy Pytlik
SHNID:
gd1985-06-24.mtx.pytlik.32310.sbeok.flac16
Source:
See info file
Lineage:
SHN (SBD) -> foobar2000 -> WAV (bit-compare ok) + SHN (AUD) -> foobar2000 -> WAV (bit-compare ok) -> Adobe Audition 1.5 (32-bit mixing, time stretching, moderate hiss reduction, moderate noise reduction, track splitting on CD sector boundaries) -> WAV -> FLAC Frontend v 1.7.1 -> FLAC (level 8)
Taper Notes:
View NotesNotes: -During the abovementioned left channel dropouts in the audience source on U.S. Blues, I copied the right channel into the empty left channel, and these inserts were crossfaded with the existing left channel at their beginning and end. -The soundboard source of the second set appears to be a VHS master, as a 16kHz pilot tone shows up quite clearly in spectral analysis.
Source 3 of 15
2:33:30
SBD
Rating:
9.22 / 69 ratings
SHNID:
gd85-06-24.sbd.miller.25315.sbeok.shnf
Source:
SBD > Cassette Master > PCM > DAT > CD
Lineage:
CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller
Taper Notes:
View NotesSBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN. Transferred and Edited By Charlie Miller [email protected]
Transferrer: Bob Harrell
2:32:27
SBD
Rating:
10.00 / 4 ratings
Transferrer:
Bob Harrell
SHNID:
gd1985-06-24.sbd.harrell.8198.shnf
Source:
SBD > Master Cassette
Lineage:
Master Cassette > DAT x 3 > CDR > EAC > MKW > SHN
Taper Notes:
View NotesNotes: d2t01 @ 1:11 - subsecond (11 frames to be exact) dropout smoothed with patch from: SBD -> CM -> PCM -> DAT Thanks to Pete Delgado and Doug Nawrocki, fixed version by Patrick Murphy. Sector boundaries fixed with shntool (all of set 2, including encore fixed at once) Brief static at beginning of Let it Grow. There's a tape flip somewhere in set 2, but I couldn't find it.
Source 5 of 15
2:35:44
SBD
Rating:
8.50 / 16 ratings
SHNID:
gd85-06-24.sbd.murphy.2274.sbefail.shnf
Source:
SBD -> CM -> PCM -> DAT, via Pete Delgado
Lineage:
D8 -> Montego II
Taper Notes:
View NotesSBD -> CM -> PCM -> DAT, via Pete Delgado; Transfer: D8 -> Montego II -> Cool Edit 2k, Doug Nawrocki; note fade in to d1t1; note "2:55 in Samson until about 3:35 in He's Gone the right channel drops way down"- <a href="http://db.etree.org/shninfo_detail.php?shnid=2274" rel="ugc nofollow">fixed version</a> prepared later
Taper: Michael Hessberg
2:32:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-24.154534.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Michael Hessberg
2:32:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-24.154533.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:25 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2020
Taper: Robert Bryant
1:05:33
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - levels are hot for the first minute - rhythm section raffle announcement - officially released as part of 30 Trips Around The Sun - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
1:05:33
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-06-24.140890.s1.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesNotes: - files have been speed corrected - tape pauses & flip cross faded - levels are hot for the first minute - rhythm section raffle announcement - officially released as part of 30 Trips Around The Sun
Source 10 of 15
2:28:48
SHNID:
gd1985-06-24.169903.nak700.flac2448
Source:
3x Nakamichi CM700/CP01's > Nakamichi MX-100 mixer > Sony TC-D5M > Maxell XLII-S, MAC rescued from ebay.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged.
Taper Notes:
View NotesNotes: - Patches: ID-140890, Brother Easu 3:46 > Loser 0:17; and ID-360 Space 0:00 > 0:46. - There's disruptive mic-bumps, end of Good Lovin' and pretty bad during U.S. Blues.
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
2:33:33
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-24.152623.akgc422-davis-murtha.holbrook.flac2448
Source:
Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP * Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage" // tape flip
Taper: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
2:33:33
Taper:
Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba
Transferrer:
Kyle Holbrook
SHNID:
gd1985-06-24.152622.akgc422-davis-murtha.holbrook.flac1644
Source:
Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM]
Lineage:
Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View NotesSecond AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP * Bob Says "And the lucky winner of the raffle gets to hold the rhythm section hostage" // tape flip
Taper: Da Weez
2:28:00
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-06-24.118986.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Oade Brothers
1:30:42
Rating:
9.40 / 10 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-24.set2.oade-schoeps.sacks.24662.sbeok.flacf
Source:
Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesSet II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 15 of 15
2:23:52
Rating:
8.31 / 13 ratings
SHNID:
gd85-06-24.nak300.lai.360.sbeok.shnf
Source:
Nak 300 > D5 > CM > CDR
Taper Notes:
View NotesNak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB