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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
6/16/85
In The Midnight Hour >
4:32
Bertha
5:57
Walkin' Blues
6:33
Tennessee Jed
8:28
My Brother Esau
4:52
Big Railroad Blues >
4:25
Looks Like Rain >
7:37
Mississippi Half-Step Uptown Toodeloo >
6:35
The Promised Land
3:46
tuning
0:32
Scarlet Begonias >
11:38
Fire On The Mountain >
10:17
Samson And Delilah
8:03
That's It For The Other One>
11:10
Drums >
8:48
Space >
7:29
Goin' Down The Road Feeling Bad >
5:54
I Need A Miracle >
3:43
Wharf Rat >
9:36
Turn On Your Love Light
6:54
Brokedown Palace (with false start)
6:39
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:30:49
SBD
Rating:
10.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 22, 2021
SHNID:
gd1985-06-16.152521.sbd.fixed.cm.miller.t.flac16
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- shnid=152288 was accidentally done in 16-bit, this is 24-bit (I had to start over) -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings -- This is 152304 24 -> 16 @ 44.1
Taper: See info files for details
2:34:51
SBD
Rating:
8.00 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-16.matrix.chappell.85833.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: The big surprise at this show is the Cryptical resurrection, not played since 9-28-72, however, the last full Cryptical which sandwiches Other One (That's It For The Other One) was played on 12-15-71. Walkin' Blues appears after a 3 year hiatus. SBD mix is a little sketchy for the first few tunes (no or liitle Jerry) which is compensated by more AUD in the matrix mix. No EQ was used, just a very light Waves L-2 to keep it contained. I synched the AUD to the SBD, and since both sources are from digital masters, the pitch/speed correction was consistent throughout resulting in the AUD being pitched down around 1 cent. Thanks to Charlie Miller for the SBD source. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Enjoy! -Chappy
Taper: Chris Hecht
2:24:12
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-16.167183.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Chris Hecht
2:24:12
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-16.167182.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Mark Severson
2:29:48
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-16.148773.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:29:48
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-16.148772.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: FOB Recording by Jonathan Mow
2:22:50
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020
SHNID:
gd1985-06-16.150523.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesNotes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Mark Severson, et al. for the patch source - tape pauses were cross faded - pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] Patch info; - shnid (Nak 700) supplies; - s1t08; 07:42 - end - s1t09; start - 00:13 - s2t05; 01:30 - end - s2t06; start - 00:43
Taper: FOB Recording by Jonathan Mow
2:22:50
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020
SHNID:
gd1985-06-16.150586.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesNotes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Mark Severson, et al. for the patch source - tape pauses were cross faded - pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 2, 2020
Taper: Recorded, Transferred & Mastered by Anon
2:29:03
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-16.152790.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer. - Thanks to the Oade Bros & everyone involved with the patch source. - The tape pauses were cross faded were applicable - This source has been pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:29:03
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-16.152643.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer. - Thanks to the Oade Bros & everyone involved with the patch source. - The tape pauses were cross faded were applicable - This source has been pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791]
Taper: anonymous taper, Jamie Poris, Mark Severson
2:28:04
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-16.nak700.anon-severson-poris.lmpp.97499.flac16
Source:
FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Another fine show. Thanks to he who wishes to remain nameless, Mark Severson, and Jamie poris for making these, and Anon for supplying the tapes. - Encore patched in from shnID7087. - There are a few instances of unidentified pops on this source. These are not digital anomalies, but rather something present on the masters. Very minor, but worth mentioning.
Source 28 of 28
2:32:42
Rating:
9.14 / 22 ratings
SHNID:
gd85-06-16.oade.sacks.7087.sbeok.shnf
Source:
Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype
Lineage:
Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is
Taper Notes:
View NotesOade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see <a href="http://db.etree.org/shninfo_detail.php?shnid=9218" rel="ugc nofollow">alternate seed</a>