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Today In History
June 12th
6 shows
73 tapes
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1985
6/16/85
Midnight Hour ->
4:33
Bertha
5:49
Walkin' Blues
6:15
Tennessee Jed
7:52
My Brother Esau ->
5:07
Big Railroad Blues ->
4:23
Looks Like Rain ->
7:46
Mississippi Half-Step ->
6:35
Promised Land
4:12
Scarlet Begonias ->
10:54
Fire On The Mountain
11:06
Samson And Delilah
7:04
Cryptical Envelopement -> The Other One -> Cryptical Envelopment ->
11:46
Drums ->
5:13
Space ->
10:13
Goin' Down The Road Feelin' Bad ->
5:36
I Need A Miracle ->
3:41
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:30:49
SBD
Rating:
10.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 22, 2021
SHNID:
gd1985-06-16.152521.sbd.fixed.cm.miller.t.flac16
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- shnid=152288 was accidentally done in 16-bit, this is 24-bit (I had to start over) -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings -- This is 152304 24 -> 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:30:49
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 22, 2021
SHNID:
gd1985-06-16.152304.sbd.miller.scotton-walker.flac2496
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- shnid=152288 was accidentally done in 16-bit, this is 24-bit (I had to start over) -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Joani Walker and Paul Scotton
2:30:52
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1985-06-16.152288.sbd.walker-scotton.miller.flac1696
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:27:10
SBD
Rating:
9.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-16.sbd.miller.105876.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Charlie Miller
2:30:51
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-16.sbd-pcm.miller.79021.sbeok.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Numerous clipped bass notes fixed with Cool Edit Pro
Taper: See info files for details
2:34:51
SBD
Rating:
8.00 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-16.matrix.chappell.85833.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: The big surprise at this show is the Cryptical resurrection, not played since 9-28-72, however, the last full Cryptical which sandwiches Other One (That's It For The Other One) was played on 12-15-71. Walkin' Blues appears after a 3 year hiatus. SBD mix is a little sketchy for the first few tunes (no or liitle Jerry) which is compensated by more AUD in the matrix mix. No EQ was used, just a very light Waves L-2 to keep it contained. I synched the AUD to the SBD, and since both sources are from digital masters, the pitch/speed correction was consistent throughout resulting in the AUD being pitched down around 1 cent. Thanks to Charlie Miller for the SBD source. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Enjoy! -Chappy
Transferrer: jbraveman
2:28:56
SBD
Rating:
9.00 / 2 ratings
Transferrer:
jbraveman
SHNID:
gd85-06-16.sbd.braveman.26080.sbeok.shnf
Source:
SBD > Reel Master > DATs
Lineage:
DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT
Taper Notes:
View NotesSBD > Reel Master > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT
Source 8 of 28
2:21:08
SBD
Rating:
7.67 / 6 ratings
SHNID:
gd85-06-16.sbd.barrick.970.sbefail.shnf
Source:
source update: SBD> MVHS> DAT> CD-R
Taper Notes:
View Notessource update: SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an <a href="http://db.etree.org/shninfo_detail.php?shnid=971" rel="ugc nofollow">alternate</a> 3 CD version
Taper: Chris Hecht
2:24:12
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-16.167183.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Chris Hecht
2:24:12
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-16.167182.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Mark Severson
2:29:48
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-16.148773.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:29:48
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-16.148772.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Robert Bryant
2:23:28
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-16.140862.aud.bryant.miller.sirmick.flac1644
Taper Notes:
View NotesNotes: - The tape was paused between some tracks in Set I. I've patched in some crowd for continuity purposes. - In addition the following patches have been made "Walking Blues" the first 34 seconds. "Looks Like Rain" 00:02.8-00:11.2 "Drums" 3:58-6:52 The source used is shnid 105543- Thank you Rango Keshavan and Charlie. Many thanks to all involved edited and mastered SIRMick January 2018
Taper: Robert Bryant
2:23:28
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-16.140857.aud.bryant.miller.sirmick.flac2496
Taper Notes:
View NotesNotes: - The tape was paused between some tracks in Set I. I've patched in some crowd for continuity purposes. - In addition the following patches have been made "Walking Blues" the first 34 seconds. "Looks Like Rain" 00:02.8-00:11.2 "Drums" 3:58-6:52 The source used is shnid 105543- Thank you Rango Keshavan and Charlie. Many thanks to all involved edited and mastered SIRMick January 2018
Taper: Rango Keshavan
2:24:48
Rating:
8.40 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1985-06-16.akg.keshavan.miller.105543.flac16
Source:
AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: FOB Recording by Jonathan Mow
2:22:50
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020
SHNID:
gd1985-06-16.150523.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesNotes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Mark Severson, et al. for the patch source - tape pauses were cross faded - pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] Patch info; - shnid (Nak 700) supplies; - s1t08; 07:42 - end - s1t09; start - 00:13 - s2t05; 01:30 - end - s2t06; start - 00:43
Taper: FOB Recording by Jonathan Mow
2:22:50
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020
SHNID:
gd1985-06-16.150586.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesNotes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Mark Severson, et al. for the patch source - tape pauses were cross faded - pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 2, 2020
Taper: Jon Pasternak
2:15:37
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1985-06-16.158883.Nak100.pasternak.vernon.flac2448
Source:
OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon File type - 24 bit 48 khz - tape paused between songs - tape flips before Half-Step. drums - Promised Land end cut by Brokedown encore
Taper: Jon Pasternak
2:15:37
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1985-06-16.158882.Nak100.pasternak.vernon.flac1648
Source:
OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon File type - 16 bit 48 khz - tape paused between songs - tape flips before Half-Step. drums - Promised Land end cut by Brokedown encore
Taper: Recorded, Transferred & Mastered by Anon
2:29:03
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-16.152790.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer. - Thanks to the Oade Bros & everyone involved with the patch source. - The tape pauses were cross faded were applicable - This source has been pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:29:03
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-16.152643.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer. - Thanks to the Oade Bros & everyone involved with the patch source. - The tape pauses were cross faded were applicable - This source has been pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791]
Taper: Andrew F.
2:24:37
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-06-16.nak300.andrewf.127488.flac1644
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-105543: LLRain 7:42 > Half Step 0:17, Drums 4:47 > 4:57, and false start 0:53 > 1:08. CDRs: Fits on two discs if you break between FOTM & Samson.
Taper: Andrew F.
2:24:37
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-06-16.nak300.andrewf.127487.flac2448
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-105543: LLRain 7:42 > Half Step 0:17, Drums 4:47 > 4:57, and false start 0:53 > 1:08.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:28:04
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-16.nak700.anon-severson-poris.lmpp.97499.flac16
Source:
FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Another fine show. Thanks to he who wishes to remain nameless, Mark Severson, and Jamie poris for making these, and Anon for supplying the tapes. - Encore patched in from shnID7087. - There are a few instances of unidentified pops on this source. These are not digital anomalies, but rather something present on the masters. Very minor, but worth mentioning.
Taper: Adam, Justin & Monica
1:58:05
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-06-16.senn441.mccue.ford.33669.sbeok.flac16
Source:
(FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes
Lineage:
MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16
Taper Notes:
View NotesNotes: - the last 3 tracks of Disc 02 (Wharf Rat, Turn On Your Lovelight and Brokedown Palace) were not included in this fileset. It sounds like a battery was dying in the D5. - static 1:49-1:50 and mic adjustment @ 1:54-2:09 of d1t01 Midnight Hour - garbled tape: 5:11-5:20 of d2t03 The Other One - garbled tape: 1:58-2:09 of d2t05 GDTRFB
Taper: Oade Brothers
2:32:45
Rating:
9.00 / 2 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-16.oade-schoeps.sacks.24611.sbeok.flacf
Source:
Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper: Doug Oade
2:33:01
Rating:
8.00 / 2 ratings
Taper:
Doug Oade
Transferrer:
Darrin Sacks
SHNID:
gd1985-06-16.oade.sacks.9218.sbefail.shnf
Source:
Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x3?) (48khz)
Lineage:
Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN
Source 28 of 28
2:32:42
Rating:
9.14 / 22 ratings
SHNID:
gd85-06-16.oade.sacks.7087.sbeok.shnf
Source:
Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype
Lineage:
Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is
Taper Notes:
View NotesOade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see <a href="http://db.etree.org/shninfo_detail.php?shnid=9218" rel="ugc nofollow">alternate seed</a>