RELISTENTOTHE Grateful Dead
Re
Bands
Featured
Bands
Grateful Dead
RecentTopVenuesSongsTours
Today In History
June 7th
Years
1995
29.5k
PlaybackListensHours
48h770107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h64391
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h3.9k518
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.9k359
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.2k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k342
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k374
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k157
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.3k253
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h920102
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k212
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k147
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.6k206
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k223
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k303
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6.1k652
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k289
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.4k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.6k502
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h74876
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.6k595
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k230
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k364
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h43052
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10514
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23618
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1985
6/16/85
crowd tuning
0:34
Midnight Hour ->
4:19
Bertha
5:56
Walkin' Blues
6:29
Tennessee Jed
8:42
Brother Esau
4:57
Big Railroad Blues ->
4:21
Looks Like Rain ->
7:44
Mississippi Half-Step Uptown Toodeloo ->
6:35
Promised Land
3:46
Scarlet Begonias ->
11:57
Fire on the Mountain ->
10:12
Samson and Delilah
7:51
That's It For The Other One ->
11:11
Drums ->
8:48
Space ->
7:34
Goin' Down The Road Feeling Bad ->
5:56
I Need a Miracle ->
3:44
Wharf Rat ->
9:39
Turn On Your Lovelight
6:55
Brokedown Palace
5:40
FIN
View on archive.org
Sources
Taper: Joani Walker and Paul Scotton
2:30:49
SBD
Rating:
10.00 / 1 rating
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 22, 2021
SHNID:
gd1985-06-16.152521.sbd.fixed.cm.miller.t.flac16
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- shnid=152288 was accidentally done in 16-bit, this is 24-bit (I had to start over) -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings -- This is 152304 24 -> 16 @ 44.1
Taper: Joani Walker and Paul Scotton
2:30:49
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 22, 2021
SHNID:
gd1985-06-16.152304.sbd.miller.scotton-walker.flac2496
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- shnid=152288 was accidentally done in 16-bit, this is 24-bit (I had to start over) -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings
Taper: Joani Walker and Paul Scotton
2:30:52
SBD
Taper:
Joani Walker and Paul Scotton
Transferrer:
All Transfers and Mastering by Charlie Miller [email protected] April 21, 2021
SHNID:
gd1985-06-16.152288.sbd.walker-scotton.miller.flac1696
Source:
SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
Taper Notes:
View NotesNotes: -- Thanks to Joani Walker and Paul Scotton for the tapes -- PCM SBD (shnid=79021) was used to cover the tape flips -- Thanks to Joe B. Jones for the pitch correction settings
Transferrer: Charlie Miller
2:27:10
SBD
Rating:
9.00 / 5 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-16.sbd.miller.105876.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless
Transferrer: Charlie Miller
2:30:51
SBD
Rating:
8.00 / 7 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-06-16.sbd-pcm.miller.79021.sbeok.flac16
Source:
SBD -> PCM -> Dat (44.1k)
Lineage:
Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
Taper Notes:
View NotesNotes: -- 2nd Set is seamless -- Numerous clipped bass notes fixed with Cool Edit Pro
Taper: See info files for details
2:34:51
SBD
Rating:
8.00 / 5 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-16.matrix.chappell.85833.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: The big surprise at this show is the Cryptical resurrection, not played since 9-28-72, however, the last full Cryptical which sandwiches Other One (That's It For The Other One) was played on 12-15-71. Walkin' Blues appears after a 3 year hiatus. SBD mix is a little sketchy for the first few tunes (no or liitle Jerry) which is compensated by more AUD in the matrix mix. No EQ was used, just a very light Waves L-2 to keep it contained. I synched the AUD to the SBD, and since both sources are from digital masters, the pitch/speed correction was consistent throughout resulting in the AUD being pitched down around 1 cent. Thanks to Charlie Miller for the SBD source. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Enjoy! -Chappy
Transferrer: jbraveman
2:28:56
SBD
Rating:
9.00 / 2 ratings
Transferrer:
jbraveman
SHNID:
gd85-06-16.sbd.braveman.26080.sbeok.shnf
Source:
SBD > Reel Master > DATs
Lineage:
DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT
Taper Notes:
View NotesSBD > Reel Master > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT
Source 8 of 28
2:21:08
SBD
Rating:
7.67 / 6 ratings
SHNID:
gd85-06-16.sbd.barrick.970.sbefail.shnf
Source:
source update: SBD> MVHS> DAT> CD-R
Taper Notes:
View Notessource update: SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an <a href="http://db.etree.org/shninfo_detail.php?shnid=971" rel="ugc nofollow">alternate</a> 3 CD version
Taper: Chris Hecht
2:24:12
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-16.167183.neumann.km84i.hecht.miller.clugston.flac2496
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Chris Hecht
2:24:12
Taper:
Chris Hecht
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-16.167182.neumann.km84i.hecht.miller.clugston.flac1648
Source:
Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Chris Hecht for the master recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark Severson and Charlie Miller for the Nakamichi 700 source which supplies a 0:09 patch in the "Looks Like Rain > Mississippi Half-Step Uptown Toodeloo" transition, as well as a 1:51 patch in "Drums" - Pitch corrected Mastered by Scott Clugston September 2023
Taper: Mark Severson
2:29:48
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-16.148773.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:29:48
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-16.148772.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:17 patch in the "Big RR Blues > Looks Like Rain" transition, as well as an 0:08 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Robert Bryant
2:23:28
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-16.140862.aud.bryant.miller.sirmick.flac1644
Taper Notes:
View NotesNotes: - The tape was paused between some tracks in Set I. I've patched in some crowd for continuity purposes. - In addition the following patches have been made "Walking Blues" the first 34 seconds. "Looks Like Rain" 00:02.8-00:11.2 "Drums" 3:58-6:52 The source used is shnid 105543- Thank you Rango Keshavan and Charlie. Many thanks to all involved edited and mastered SIRMick January 2018
Taper: Robert Bryant
2:23:28
Taper:
Robert Bryant
Transferrer:
Charlie Miller and SIRMick
SHNID:
gd1985-06-16.140857.aud.bryant.miller.sirmick.flac2496
Taper Notes:
View NotesNotes: - The tape was paused between some tracks in Set I. I've patched in some crowd for continuity purposes. - In addition the following patches have been made "Walking Blues" the first 34 seconds. "Looks Like Rain" 00:02.8-00:11.2 "Drums" 3:58-6:52 The source used is shnid 105543- Thank you Rango Keshavan and Charlie. Many thanks to all involved edited and mastered SIRMick January 2018
Taper: Rango Keshavan
2:24:48
Rating:
8.40 / 5 ratings
Taper:
Rango Keshavan
Transferrer:
Charlie Miller
SHNID:
gd1985-06-16.akg.keshavan.miller.105543.flac16
Source:
AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B)
Lineage:
Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16
Taper Notes:
View NotesNotes: -- Set 2 is seamless -- Thanks to Rango Keshavan for lending me his masters
Taper: FOB Recording by Jonathan Mow
2:22:50
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020
SHNID:
gd1985-06-16.150523.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac2496
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k)
Taper Notes:
View NotesNotes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Mark Severson, et al. for the patch source - tape pauses were cross faded - pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] Patch info; - shnid (Nak 700) supplies; - s1t08; 07:42 - end - s1t09; start - 00:13 - s2t05; 01:30 - end - s2t06; start - 00:43
Taper: FOB Recording by Jonathan Mow
2:22:50
Taper:
FOB Recording by Jonathan Mow
Transferrer:
DSD Transfer by Charlie Miller Edited & Mastered (Adobe Audition) by Joe Noel July 18, 2020
SHNID:
gd1985-06-16.150586.FOB.Nak.700.Dsd.Mow.Miller.Noel.t.flac1644
Source:
(FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M)
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k)
Taper Notes:
View NotesNotes; - Thanks to Jonathon Mow for recording the show - Thanks to Ted Mattes for putting the project together - Thanks to Charlie Miller for transfer - Thanks to Mark Severson, et al. for the patch source - tape pauses were cross faded - pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 2, 2020
Taper: Jon Pasternak
2:15:37
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1985-06-16.158883.Nak100.pasternak.vernon.flac2448
Source:
OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon File type - 24 bit 48 khz - tape paused between songs - tape flips before Half-Step. drums - Promised Land end cut by Brokedown encore
Taper: Jon Pasternak
2:15:37
Taper:
Jon Pasternak
Transferrer:
Jon Pasternak
SHNID:
gd1985-06-16.158882.Nak100.pasternak.vernon.flac1648
Source:
OTS Nak CM100/CP-4/Sony TCD5/Maxell MX 90
Lineage:
All transfers made from Nakamchii DR-3 to SD 722 at 24/48
Taper Notes:
View NotesTracking by Matt Vernon File type - 16 bit 48 khz - tape paused between songs - tape flips before Half-Step. drums - Promised Land end cut by Brokedown encore
Taper: Recorded, Transferred & Mastered by Anon
2:29:03
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-16.152790.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer. - Thanks to the Oade Bros & everyone involved with the patch source. - The tape pauses were cross faded were applicable - This source has been pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791] - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:29:03
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-16.152643.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer. - Thanks to the Oade Bros & everyone involved with the patch source. - The tape pauses were cross faded were applicable - This source has been pitch corrected - last Walking Blues, 1982-05-28 [195] - last Cryptical Envelopment, 1972-09-23 [791]
Taper: Andrew F.
2:24:37
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-06-16.nak300.andrewf.127488.flac1644
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-105543: LLRain 7:42 > Half Step 0:17, Drums 4:47 > 4:57, and false start 0:53 > 1:08. CDRs: Fits on two discs if you break between FOTM & Samson.
Taper: Andrew F.
2:24:37
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-06-16.nak300.andrewf.127487.flac2448
Source:
OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014
Taper Notes:
View NotesNotes: We were half-way up OTS center with mics at 6-feet and angled downwards slightly. Patches from ID-105543: LLRain 7:42 > Half Step 0:17, Drums 4:47 > 4:57, and false start 0:53 > 1:08.
Taper: anonymous taper, Jamie Poris, Mark Severson
2:28:04
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-16.nak700.anon-severson-poris.lmpp.97499.flac16
Source:
FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Another fine show. Thanks to he who wishes to remain nameless, Mark Severson, and Jamie poris for making these, and Anon for supplying the tapes. - Encore patched in from shnID7087. - There are a few instances of unidentified pops on this source. These are not digital anomalies, but rather something present on the masters. Very minor, but worth mentioning.
Taper: Adam, Justin & Monica
1:58:05
Taper:
Adam, Justin & Monica
Transferrer:
Alex Ford
SHNID:
gd1985-06-16.senn441.mccue.ford.33669.sbeok.flac16
Source:
(FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes
Lineage:
MAC>Sony D5>Tascam Stand Alone burner(tracked on the fly)>EAC>HD>CDR>EAC>WinXP Pro>Flac Frontend>FLAC16
Taper Notes:
View NotesNotes: - the last 3 tracks of Disc 02 (Wharf Rat, Turn On Your Lovelight and Brokedown Palace) were not included in this fileset. It sounds like a battery was dying in the D5. - static 1:49-1:50 and mic adjustment @ 1:54-2:09 of d1t01 Midnight Hour - garbled tape: 5:11-5:20 of d2t03 The Other One - garbled tape: 1:58-2:09 of d2t05 GDTRFB
Taper: Oade Brothers
2:32:45
Rating:
9.00 / 2 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-06-16.oade-schoeps.sacks.24611.sbeok.flacf
Source:
Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper: Doug Oade
2:33:01
Rating:
8.00 / 2 ratings
Taper:
Doug Oade
Transferrer:
Darrin Sacks
SHNID:
gd1985-06-16.oade.sacks.9218.sbefail.shnf
Source:
Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x3?) (48khz)
Lineage:
Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN
Source 28 of 28
2:32:42
Rating:
9.14 / 22 ratings
SHNID:
gd85-06-16.oade.sacks.7087.sbeok.shnf
Source:
Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype
Lineage:
Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is
Taper Notes:
View NotesOade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks;There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see <a href="http://db.etree.org/shninfo_detail.php?shnid=9218" rel="ugc nofollow">alternate seed</a>