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1985
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June 16th
5 shows
82 tapes
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
6/15/85
Touch Of Gray
8:19
Minglewood Blues
8:33
Friend Of The Devil
11:05
Cassidy
5:57
Dupree's Diamond Blues
7:54
Me and My Uncle
3:04
Big River
5:21
Might As Well
4:29
China Cat Sunflower > I Know You Rider
12:32
Lost Sailor
6:31
Saint Of Circumstance
6:14
Terrapin Station
12:41
Drums
10:43
Space
7:03
The Wheel
4:32
Gimme Some Lovin'
4:12
Throwing Stones
7:49
Not Fade Away
7:58
She Belongs To Me
7:50
US Blues
5:18
FIN
View on archive.org
Sources
Taper: David Gans for the PCM clone
1:32:24
SBD
Taper:
David Gans for the PCM clone
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-06-15.171296.set2.sbd.gans.miller.clugston.fixed.flac1644
Source:
Master Soundboard PCM > PCM
Lineage:
PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16
Taper Notes:
View NotesNotes: - Thanks to David Gans for the PCM clone - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid24586 Oade Schoeps CMC441 source which supplies some of the crowd/tunings and first few notes of "She Belongs To Me" (0:13 in total) - Wheel space included in "The Wheel" - Phil's bass "farts" left un-touched Transfer by Charlie Miller Mastered by Scott Clugston 12/1/17 Fixed version 5/5/2025 Dropout fixed in Saint of Circumstance Charlie Miller
Taper: Joani Walker and Paul Scotton
2:20:16
SBD
Rating:
9.00 / 9 ratings
Taper:
Joani Walker and Paul Scotton
Transferrer:
Charlie Miller
SHNID:
gd1985-06-15.sbd.walker-scotton.miller.96317.sbeok.flac16
Source:
SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90)
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16
Taper Notes:
View NotesPatch Info: SBD -> PCM -> Sonic Solutions -> CD (shnid=28449) supplies: Drums (8:29 - 8:50) She Belongs To Me (0:00 - 0:14) Notes: -- Encore moved to end of Set 1 to fit show onto 2 discs -- Encore can be re-joined with Set 2 seamlessly -- Thanks to Joani Walker and Paul Scotton for the tapes -- Thanks to Joe B. Jones for his help with the pitch correction
Taper: See info files for details
2:28:00
SBD
Rating:
10.00 / 2 ratings
Taper:
See info files for details
Transferrer:
Chris Chappell
SHNID:
gd1985-06-15.matrix.chappell.85832.sbeok.flac16
Source:
Matrix: (SBD/AUD mix) See info file for details
Lineage:
See info file for details
Taper Notes:
View NotesGeneral Notes: This is my favorite show from this run, as evident in the double encore which included one of only 9 She Belongs To Me in 1985 (only other version was in 1966). Minglewood through Dupree's is sick, an epic China->Rider for the era, and the transition into Gimme Some Lovin' is quintessential. Both SBD sources were synched to the AUD. Set 1 SBD was pitched up on average of 50 cents, and set 2 SBD was pitched up around 2 cents, except the 2nd encore where I synched the AUD to the SBD because of a 700 millesecond dropout in the AUD @ 0:42. No EQ was applied, and very spare Waves L2 limiting was employed to the matrix mix. Thanks to Randy Griesman for the set 1 SBD source, and to David Gans for the set 2 SBD editing (it really helped!) and to Joe Samaritano for transferring David's work. Thanks to Jim and Doug Oade for recording the wonderful AUD, Doug for transferring it, and Darrin Sacks for tracking it. Enjoy! -Chappy
Transferrer: Bill Tetzeli
2:27:56
SBD
Transferrer:
Bill Tetzeli
SHNID:
gd1985-06-15.sbd.griesman.tetzeli.fix-5682.34302.sbeok.shnf
Source:
SBD > ?
Lineage:
? > CD-R > EAC > CD Wave > MKW > SHN
Taper Notes:
View NotesFix of GDLive download source (shnid 5682). Overlap between CDs 2 and 3 was eliminated in Cool Edit 2000, allowing for a seamless transition between the two - perfect for playing on hard drive or recording to DAT or DVD audio. The dropout between TStones and NFA was patched using Doug Oade's excellent AUD source. The AUD was pitch adjusted in CE2K, then the splice was done with fades to ease the transition using DDClip. Wavmerge was used to merge fixed d2t06/d3t01 combo file with all succeeding files on CD 3 (including the patched TS>NFA), then retracked in CDWave to compensate for "ripple effect" on sector boundaries from deleting overlap between discs 2 and 3. Note: There are 3 loud pops at the beginning of Throwing Stones, most likely from Phil's amp. Although I originally softened them in Cool Edit, I ended up pasting that section back in from the original GDLive download (being extremely careful to match the beginning and end points in both sources at the sample level - that section is now restored exactly as it was before I touched it). The pops also appear on the Oade recording, so even though they're annoying they are part of what was heard at the concert and not physically hurtful to ears or equipment, so it should be left as is. - 4/26/06 Known errors: Minor dropout before d2t05. [Dropout between d3t04 & d3t05.]-patched
Transferrer: Peter Etter
2:24:19
SBD
Rating:
8.00 / 3 ratings
Transferrer:
Peter Etter
SHNID:
gd1985-06-15.sbd.etter.20878.sbeok.shnf
Source:
compiled from two different bootleg CDs; patched from Oade AUD
Taper Notes:
View NotesTwo different bootlegs were used to compile this new seed: - "Greek Theater 15/6/85" supplies all of Set 1, China>Rider and U.S.Blues; - "Dead Man's Tape" suppiles the remainder of Set 2 and She Belongs To Me. Both bootlegs are apparently from the same source tape. "Dead Man's Tape" was only a part of Set 2 but was cleaner than "Greek Theatre". "Greek Theatre" was complete but a bit hissy. Both bootleg versions had a bad edit in Throwing->NFA, which is now repaired with Doug Oade's AUD. Some of the between-song silence during Set1 has been edited - this is already on the bootleg source.
Taper: Mark Severson
2:26:13
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-15.148771.nak700.severson.miller.clugston.flac2496
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Mark Severson
2:26:13
Rating:
8.00 / 1 rating
Taper:
Mark Severson
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-06-15.148770.nak700.severson.miller.clugston.flac1648
Source:
Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5
Lineage:
Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Severson for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:06 patch in "Drums" - Pitch corrected Mastered by Scott Clugston January 2019
Taper: Recorded, Transferred & Mastered by Anon
2:27:23
Taper:
Recorded, Transferred & Mastered by Anon
Transferrer:
Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-15.152789.OTSNAK300-SGMasterCassetteAnonNoelt-flac1648
Source:
Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out away from the Bay Area. - Thanks to Marc Severson & the Oade Bros for the patch sources. - The tape pauses/flips were cross faded were applicable - This source has been pitch corrected - 24/48 > dBpoweramp > 16/48
Taper: Anon
2:27:23
Taper:
Anon
Transferrer:
Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
SHNID:
gd1985-06-15.152642.OTS-NAK300-SGMasterCassette.Anon.Noel.t-flac2448
Source:
Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high.
Lineage:
Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec.
Taper Notes:
View NotesNotes; - Thanks to Anon for sharing his masters & the outstanding transfer while hiding out away from the Bay Area. - Thanks to Marc Severson & the Oade Bros for the patch sources. - The tape pauses/flips were cross faded were applicable - This source has been pitch corrected
Taper: anonymous taper, Jamie Poris, Mark Severson
2:27:49
Rating:
10.00 / 2 ratings
Taper:
anonymous taper, Jamie Poris, Mark Severson
Transferrer:
Brian Green and Evan K.
SHNID:
gd1985-06-15.nak700.anon-severson-poris.lmpp.97497.flac16
Source:
FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B )
Lineage:
MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit ) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
Taper Notes:
View NotesNotes: - Many thanks again to mr X, Mark and Jamie for taping these shows, and to Mr. X for supplying his masters. - This show has a few intermittent pops in it. They are pretty minor and fairly sparse. These are not digital anomalies as they are present on the masters. - Encores patched from shnID# 24586 - Encore moved to end of Set 1 to fit show onto 2 discs - Encore can be re-joined with Set 2 seamlessly
Source 29 of 29
2:28:05
SHNID:
gd85-06-15.oade.sacks.7086.sbeok.shnf
Source:
Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT
Lineage:
(Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks
Taper Notes:
View NotesOade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks