RELISTENTOTHE Grateful Dead
Re
1985
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Grateful Dead
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Today In History
June 16th
Years
1995
30.1k
PlaybackListensHours
48h1.5k182
7d1.4k185
30d30.1k4.2k
49 shows
343 tapes
1994
12.7k
PlaybackListensHours
48h1.6k240
7d4.5k665
30d12.7k1.8k
85 shows
460 tapes
1993
38k
PlaybackListensHours
48h1.8k247
7d6.9k909
30d38k5k
83 shows
656 tapes
1992
45.1k
PlaybackListensHours
48h2.8k375
7d8.2k1.1k
30d45.1k6k
57 shows
539 tapes
1991
43k
PlaybackListensHours
48h2.7k360
7d11.1k1.4k
30d43k5.8k
78 shows
973 tapes
1990
48.5k
PlaybackListensHours
48h5.3k747
7d12.4k1.6k
30d48.5k6.3k
78 shows
1,139 tapes
1989
48.9k
PlaybackListensHours
48h2.2k274
7d7.4k925
30d48.9k6.1k
78 shows
1,017 tapes
1988
20.3k
PlaybackListensHours
48h1.1k134
7d3.4k397
30d20.3k2.3k
82 shows
882 tapes
1987
42.7k
PlaybackListensHours
48h4.1k505
7d13.8k1.7k
30d42.7k4.8k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h86499
7d2.6k292
30d12.5k1.4k
47 shows
684 tapes
1985
24.7k
PlaybackListensHours
48h6.8k776
7d5.9k693
30d24.7k2.9k
73 shows
1,357 tapes
1984
27k
PlaybackListensHours
48h2.2k280
7d12.1k1.4k
30d27k3.3k
67 shows
1,075 tapes
1983
21k
PlaybackListensHours
48h967122
7d3.4k441
30d21k2.7k
71 shows
1,069 tapes
1982
42.4k
PlaybackListensHours
48h1.3k159
7d3.6k443
30d42.4k5.3k
63 shows
753 tapes
1981
31.2k
PlaybackListensHours
48h1.9k242
7d5.3k665
30d31.2k3.9k
92 shows
868 tapes
1980
71.1k
PlaybackListensHours
48h3.9k441
7d15.3k1.8k
30d71.1k8.3k
91 shows
794 tapes
1979
21.7k
PlaybackListensHours
48h1.1k161
7d4.1k580
30d21.7k3k
79 shows
608 tapes
1978
38.8k
PlaybackListensHours
48h1.6k216
7d4.9k672
30d38.8k5.2k
87 shows
592 tapes
1977
267.8k
PlaybackListensHours
48h7.8k1.1k
7d26.6k3.7k
30d267.8k37k
64 shows
418 tapes
1976
91.9k
PlaybackListensHours
48h16.1k2.2k
7d42k5.6k
30d91.9k12.4k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h42745
7d88291
30d6.3k647
25 shows
63 tapes
1974
89.9k
PlaybackListensHours
48h3.2k412
7d9.8k1.3k
30d89.9k11.4k
42 shows
324 tapes
1973
90.4k
PlaybackListensHours
48h4k517
7d18.7k2.6k
30d90.4k11.6k
75 shows
445 tapes
1972
62.9k
PlaybackListensHours
48h2.5k314
7d6.6k846
30d62.9k7.7k
88 shows
361 tapes
1971
33.7k
PlaybackListensHours
48h1.6k169
7d4.3k482
30d33.7k3.9k
82 shows
357 tapes
1970
39.3k
PlaybackListensHours
48h1.2k146
7d4.3k504
30d39.3k4.2k
101 shows
376 tapes
1969
28.3k
PlaybackListensHours
48h1.5k231
7d3.8k540
30d28.3k4.2k
112 shows
326 tapes
1968
8.1k
PlaybackListensHours
48h73290
7d1.7k205
30d8.1k1k
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h13819
7d31345
30d1.7k233
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h45828
7d89261
30d8k538
32 shows
78 tapes
1965
639
PlaybackListensHours
48h302
7d1097
30d63938
2 shows
2 tapes
1985
4/7/85
Tuning
2:12
Why Don't We Do It In The Road ->
3:12
Mississippi Half-Step Uptown Toodeloo ->
6:51
C C Rider
8:00
Bird Song
13:45
Dancing In The Street
6:26
Deal
6:02
Tuning
1:07
Shakedown Street ->
12:54
Samson And Delilah
10:11
She Belongs To Me ->
6:01
Man Smart (Woman Smarter) ->
7:34
Drums ->
8:35
Space ->
11:26
Gimme Some Lovin' ->
5:25
Truckin' ->
5:34
Smokestack Lightnin' ->
3:01
Morning Dew ->
9:17
Sugar Magnolia
10:03
Keep Your Day Job
4:24
FIN
View on archive.org
Sources
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:20:47
SBD
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1985-04-07.139542.5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-OCT-2017 - Trader Little Helper - Tagged 14-OCT-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Matrix by Kevin Tobin DTS
2:20:38
SBD
Transferrer:
Matrix by Kevin Tobin DTS
SHNID:
gd1985-04-07.139541.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:20:38
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1985-04-07.139540.mtx.tobin.flac16
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-OCT-2017 - Trader Little Helper - Tagged 14-OCT-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Created by Brian Miksis January 15, 2025
2:19:58
SBD
Transferrer:
Created by Brian Miksis January 15, 2025
SHNID:
gd1985-04-07.169904.matrix.miksis.sacks.hunt.mattes.clugston.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View NotesNotes: - This source is 100% complete - Patched, level adjusted, de-clicked, pitch corrected and fully remastered - Thanks to Darrin Sacks and Scott Z. for the main soundboard source that first circulated in 2001! - Thanks to Jim Keith for the soundboard source (shnid=14614) that supplies a patch for a tape flip in Space and various dropouts in Birdsong, Drums and Gimme Some Lovin' - Thanks to Joe D'Amico for the soundboard source (shnid=118484) that supplies extra pre-show tuning and tuning before She Belongs To Me - Thanks to Rob Hunt and Ted Mattes for recording the audience source, and to Scott Clugston and Charlie Miller for the transfer and mastering - Thanks to Stephen Thomas for another audience source (shnid=163934) that supplies a few seconds of audience at the end of the show
Transferrer: Mastering by Brian Miksis January 15, 2025
2:19:36
SBDREMASTER
Transferrer:
Mastering by Brian Miksis January 15, 2025
SHNID:
gd1985-04-07.169900.sbd.patched.pitched.remaster.sacks.keith.miksis.flac1648
Source:
Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View Notes Notes: - Three available soundboard sources were used to make this 100% complete - Patched, level adjusted, de-clicked, pitch corrected and fully remastered - Thanks to Darrin Sacks and Scott Z. for the main soundboard source that first circulated in 2001! - Thanks to Jim Keith for the soundboard source (shnid=14614) that supplies a patch for a tape flip in Space and various dropouts in Birdsong, Drums and Gimme Some Lovin' - Thanks to Joe D'Amico for the soundboard source (shnid=118484) that supplies extra pre-show tuning and tuning before She Belongs To Me
Taper: Doug Oade
2:21:49
Rating:
10.00 / 1 rating
Taper:
Doug Oade
Transferrer:
Dave Usborne
SHNID:
gd1985-04-07.128613.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesPatches: gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16 --end of Truckin' --Smokestack Lightnin' --Morning Dew --Sugar Magnolia --Keep Your Day Job metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: d5scott
2:13:38
Taper:
d5scott
Transferrer:
d5scott
SHNID:
gd1985-04-07.beyerm160.d5scott.107238.flac16
Source:
Two Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's
Lineage:
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesGreat sound! This show was general addmission and needless to say lots of fun!! I did not split into disc. I've seen this around as 2 or 3 disc, so you can decide for yourself. Beginnings of sets and encore fade in and the ends of the sets and encore fade out. I'm sure gonna miss the Good Old Spectrum!!! R.I.P. Sandy- aka "Bigfoot" He was a friend of mine, who had nothing to do with this recording, but we sure do miss him!