RELISTENTOTHE Grateful Dead
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Today In History
June 7th
6 shows
37 tapes
Years
1995
29.5k
PlaybackListensHours
48h784109
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h62388
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4.1k542
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k352
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h8.9k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k338
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h2.9k366
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k153
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h89999
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k142
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k197
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k218
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k297
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h5.9k634
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k181
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k291
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h17.6k2.4k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k511
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h81078
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k555
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k591
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.4k425
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2k228
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k952
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k367
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42050
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h22217
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1985
4/7/85
Why Don't We Do It In The Road? >
3:24
Mississippi Half-Step Uptown Toodeloo >
6:54
CC Rider
7:58
Bird Song
13:39
Dancing In The Street
6:32
Deal
8:00
Crowd/Tuning
1:45
Shakedown Street >
12:42
Samson & Delilah
10:12
She Belongs To Me >
6:01
Man Smart (Woman Smarter) >
7:35
Drums >
9:14
Space >
10:46
Gimme Some Lovin' >
5:26
Truckin' >
5:34
Smokestack Lightning >
3:10
Morning Dew >
9:07
Sugar Magnolia
9:12
Encore Break
2:16
E: Keep Your Day Job
4:29
FIN
View on archive.org
Sources
Transferrer: 5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
2:20:47
SBD
Transferrer:
5.1 LPCM Surround Sound Mix (48k) by Kevin Tobin
SHNID:
gd1985-04-07.139542.5-1.tobin.flac1648
Source:
<b>flac16/48kHz;</b> <i>5.1 LPCM Surround Sound (48k)</i> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-OCT-2017 - Trader Little Helper - Tagged 14-OCT-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Matrix by Kevin Tobin DTS
2:20:38
SBD
Transferrer:
Matrix by Kevin Tobin DTS
SHNID:
gd1985-04-07.139541.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix;</b> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:20:38
SBD
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1985-04-07.139540.mtx.tobin.flac16
Source:
<i>Matrix 2 Source Mix</i> - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 14-OCT-2017 - Trader Little Helper - Tagged 14-OCT-2017 - Tag&Rename --------------------------------------------------------- Brokedown House Production
Transferrer: Created by Brian Miksis January 15, 2025
2:19:58
SBD
Transferrer:
Created by Brian Miksis January 15, 2025
SHNID:
gd1985-04-07.169904.matrix.miksis.sacks.hunt.mattes.clugston.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View NotesNotes: - This source is 100% complete - Patched, level adjusted, de-clicked, pitch corrected and fully remastered - Thanks to Darrin Sacks and Scott Z. for the main soundboard source that first circulated in 2001! - Thanks to Jim Keith for the soundboard source (shnid=14614) that supplies a patch for a tape flip in Space and various dropouts in Birdsong, Drums and Gimme Some Lovin' - Thanks to Joe D'Amico for the soundboard source (shnid=118484) that supplies extra pre-show tuning and tuning before She Belongs To Me - Thanks to Rob Hunt and Ted Mattes for recording the audience source, and to Scott Clugston and Charlie Miller for the transfer and mastering - Thanks to Stephen Thomas for another audience source (shnid=163934) that supplies a few seconds of audience at the end of the show
Transferrer: Mastering by Brian Miksis January 15, 2025
2:19:36
SBDREMASTER
Transferrer:
Mastering by Brian Miksis January 15, 2025
SHNID:
gd1985-04-07.169900.sbd.patched.pitched.remaster.sacks.keith.miksis.flac1648
Source:
Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16
Taper Notes:
View Notes Notes: - Three available soundboard sources were used to make this 100% complete - Patched, level adjusted, de-clicked, pitch corrected and fully remastered - Thanks to Darrin Sacks and Scott Z. for the main soundboard source that first circulated in 2001! - Thanks to Jim Keith for the soundboard source (shnid=14614) that supplies a patch for a tape flip in Space and various dropouts in Birdsong, Drums and Gimme Some Lovin' - Thanks to Joe D'Amico for the soundboard source (shnid=118484) that supplies extra pre-show tuning and tuning before She Belongs To Me
Transferrer: Matrix by Dave Usborne
2:22:00
SBD
Rating:
8.00 / 2 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1985-04-07.132713.mtx.dusborne.flac16
Source:
2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav
Taper: Dan Healy
2:19:27
SBD
Rating:
8.22 / 11 ratings
Taper:
Dan Healy
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-07.118484.sbd.healy.damico.flac16
Source:
Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
Taper Notes:
View Notes*Missing From Tape . Replaced With My Copy Nak 300 Mics > Sony D-5 Source From Etree (87419)
Source 8 of 32
2:12:24
SBD
Rating:
9.13 / 16 ratings
SHNID:
gd85-04-07.sbd.keith.14614.sbeok.shnf
Source:
Seeded by Todd CampbellEAC & SHN by Jim KeithLineage SBD>?>CD (WILL UPDATE)
Taper Notes:
View NotesSeeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE)
Source 9 of 32
2:20:59
SBD
Rating:
7.78 / 19 ratings
SHNID:
gd85-04-07.sbd.sacks.3346.sbeok.shnf
Source:
Csbd> DAT> CDR> EAC> SHN
Taper Notes:
View NotesCsbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks
Taper: Jim Vita
2:16:25
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.170701.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and first notes of "Deal" (0:08 total), as well as an 0:18 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Jim Vita
2:16:25
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.170700.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and first notes of "Deal" (0:08 total), as well as an 0:18 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Michael Hessberg
2:15:58
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.168027.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Michael Hessberg
2:15:58
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.168026.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies an 0:18 patch in "Space" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Stephen Thomas
2:23:56
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.163935.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Stephen Thomas
2:23:56
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-07.163934.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:08 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Hunt and Ted Mattes
2:19:08
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-07.149320.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:29 patch in "Drums", as well as the "Keep Your Day Job" encore in its entirety - Pitch verified Mastered by Scott Clugston March 2020
Taper: Robert Bryant
49:17
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #128613 (Schoeps) - s1t01; all - s1t02; start - 0:17 Notes: - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Transferrer: Charlie Miller
49:17
Transferrer:
Charlie Miller
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #128613 (Schoeps) - s1t01; all - s1t02; start - 0:17
Taper: Rick Pauline
2:15:04
Taper:
Rick Pauline
Transferrer:
Charlie Miller
SHNID:
gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16
Source:
Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90) D
Lineage:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Taper Notes:
View NotesNotes: -- Disc change is seamless -- Two different masters (same lineage) were used to make this complete -- Recorded By Rick Pauline
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:13:24
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-07.152156.beyerm88s.holbrook.flac2448
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:13:24
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-07.152155.beyerm88s.holbrook.flac1644
Source:
Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper: Rob Hunt and Ted Mattes
2:19:08
Taper:
Rob Hunt and Ted Mattes
Transferrer:
S
SHNID:
gd1985-04-07.149319.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:29 patch in "Drums", as well as the "Keep Your Day Job" encore in its entirety - Pitch verified Mastered by Scott Clugston March 2020
Taper: Doug Lamarre
2:11:22
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-07.145488.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:11:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-07.145487.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Oade
2:21:49
Rating:
10.00 / 1 rating
Taper:
Doug Oade
Transferrer:
Dave Usborne
SHNID:
gd1985-04-07.128613.schoeps.oade.BCE.flac16
Source:
Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1;
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
Taper Notes:
View NotesPatches: gd1985-04-07.senn421.pauline.miller.91389.sbeok.flac16 --end of Truckin' --Smokestack Lightnin' --Morning Dew --Sugar Magnolia --Keep Your Day Job metadata added Thanks to Doug Oade & Jim Wise for making this beautiful recording available. BCE Collaboration [email protected]
Taper: chasingwilma
2:12:26
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-07.124835.chasingwilma.flac24
Source:
lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: d5scott
2:13:38
Taper:
d5scott
Transferrer:
d5scott
SHNID:
gd1985-04-07.beyerm160.d5scott.107238.flac16
Source:
Two Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's
Lineage:
Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
Taper Notes:
View NotesGreat sound! This show was general addmission and needless to say lots of fun!! I did not split into disc. I've seen this around as 2 or 3 disc, so you can decide for yourself. Beginnings of sets and encore fade in and the ends of the sets and encore fade out. I'm sure gonna miss the Good Old Spectrum!!! R.I.P. Sandy- aka "Bigfoot" He was a friend of mine, who had nothing to do with this recording, but we sure do miss him!
Taper: Dave Cohen
2:11:37
Rating:
10.00 / 1 rating
Taper:
Dave Cohen
Transferrer:
Dave Cohen
SHNID:
gd1985-04-07.senn421.cohen.103429.flac16
Source:
Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.
Lineage:
The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taper: Joe D'Amico
2:16:50
Rating:
10.00 / 1 rating
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-07.nak300.damico.87419.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Jeff Hubbard
2:19:04
Rating:
4.00 / 1 rating
Taper:
Jeff Hubbard
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-04-07.senn-hubbard.bandrofcheck.81454.flac16
Source:
Sennheiser 4xx's > Marantz PMDxxx > MC.
Lineage:
Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
Taper: Brian Mandel
2:14:08
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1985-04-07.Sennheiser421FOB.35081.shnf
Source:
Sennheiser 421's FOB & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Mark McCue
2:15:40
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-04-07.senn421.mccue.ford.28488.sbeok.shnf
Source:
Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR
Lineage:
Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16.