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June 12th
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1985
4/6/85
Crowd
1:49
Feel Like A Stranger
9:53
They Love Each Other
7:29
New Minglewood Blues
8:24
Dupree's Diamond Blues
8:28
Mama Tried >
2:49
Big River
6:00
Big Railroad Blues >
3:50
Looks Like Rain >
9:07
Don't Ease Me In
3:36
Crowd
1:13
China Cat Sunflower >
6:07
I Know You Rider
5:25
Playin' In The Band >
10:39
Uncle John's Band >
10:38
Drums >
9:23
Space >
4:08
The Other One >
14:11
Throwing Stones >
9:03
Not Fade Away
6:30
Encore Break
1:30
One More Saturday Night
5:29
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:21:36
SBDREMASTER
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-04-06.135801.sbd.miller.remaster.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=13467 -- Fixed levels, tracking, drop-outs and more -- Move encore to end of Set 1 to fit onto 2 discs
Source 2 of 28
2:24:13
SBD
SHNID:
gd1985-04-06.169897.matrix.miksis.miller.clugston.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis January 15, 2025 [email protected]
Taper Notes:
View NotesNotes: - This source is 100% complete - Thanks to Charlie Miller for the soundboard source - Soundboard source ground hum and harmonics removed, a handful of small level adjustments, some de-clicking and pitch corrected - Thanks to Stephen Thomas for recording and Scott Clugston for mastering the audience source - Audience source covers soundboard tape flips in Uncle John's Band and Not Fade Away - Thanks to Charles Bandrofcheck for another audience source (shnid=73770) which supplies some tuning and the first few notes of Big Railroad Blues
Source 3 of 28
2:18:10
SBD
SHNID:
gd1985-04-06.169896.sbd.patched.pitched.miller.miksis.flac1648
Source:
Final Cut Pro -> Izotope RX Advanced -> Peak Pro -> xAct -> FLAC/16 Patched and pitch corrected by Brian Miksis January 15, 2025 [email protected]
Taper Notes:
View NotesNotes: - This source is 100% complete - Thanks to Charlie Miller for the original and remastered soundboard source - Soundboard source ground hum and harmonics removed, a handful of small level adjustments, some de-clicking and pitch corrected - Thanks to Stephen Thomas for recording and Scott Clugston for mastering the audience source that supplies patches for soundboard tape flips in Uncle John's Band (6:12-6:37) and Not Fade Away (4:26-4:50) - Thanks to Charles Bandrofcheck for another audience source (shnid=73770) which supplies a tape flip patch for some tuning and the first few notes of Big Railroad Blues
Source 4 of 28
2:21:59
SBD
Rating:
6.71 / 17 ratings
SHNID:
gd85-04-06.sbd.miller.13467.sbeok.shnf
Source:
SBD>Cm>Cass>Dat>CD>EAC>SHN
Taper Notes:
View NotesSBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller
Taper: Jim Vita
2:21:13
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.170435.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:29 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Jim Vita
2:21:13
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.170434.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:29 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Michael Hessberg
2:22:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.167677.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in the "Big River, Big Railroad Blues" transition, as well as a 0:59 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Michael Hessberg
2:22:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.167676.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in the "Big River, Big Railroad Blues" transition, as well as a 0:59 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Stephen Thomas
2:27:10
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.163845.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5MSennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Stephen Thomas
2:27:10
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.163844.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5MSennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Rob Hunt and Ted Mattes
2:25:41
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-06.149318.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:20 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Rob Hunt and Ted Mattes
2:25:41
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-06.149317.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:20 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Robert Bryant
41:46
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - 5 sec cross fade (in) was used to start Space intro - 14 minute + TOO - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
41:46
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96.
Taper Notes:
View NotesNotes: - 5 sec cross fade (in) was used to start Space intro - 14 minute + TOO
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:18:47
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-06.152154.beyerm201.holbrook.flac2448
Source:
Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories // tape flips /// swapped back to tape 1 for encore
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:18:47
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-06.152153.beyerm201.holbrook.flac1644
Source:
Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories // tape flips /// swapped back to tape 1 for encore
Taper: Doug Lamarre
2:17:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-06.145480.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:17:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-06.145479.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: chasingwilma
2:16:43
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-06.124819.chasingwilma.flac24
Source:
lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Greg Holtz
2:20:59
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-04-06.aud.holtz.JAZ.96803.flac16
Source:
Nakamichi CM 100's with CP-4 shotguns -> Sony D-5
Lineage:
Master Cassettes (FUJI FR metal type IV) -> Tascam 112 -> RCA/XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
Taper: Joe D'Amico
2:18:56
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-06.nak300.damico.87366.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Tony Suraci
2:19:04
Rating:
10.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-04-06.beyerm88.suraci.78851.flac16
Source:
*Beyer M88's>Sony D5M FOB, stand at 7 feet
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud.>16 Bit>Cdwav>flac16
Taper Notes:
View Notes*thanks Eugene for the mics.
Taper: Charles Bandrofcheck
2:28:31
Rating:
6.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-04-06.shotgun.bandrofcheck.73770.shnf
Lineage:
MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View NotesNotes: This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break. Side B of the second cassette was recorded and then Side B of the first cassette. All discs can be combined on extended media for continuous play
Taper: Brian Mandel
2:17:19
Rating:
9.33 / 3 ratings
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1985-04-06.nak300.bmandel.33703.sbeok.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Mark McCue
2:18:13
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-04-06.senn421.mccue.ford.28633.sbeok.shnf
Source:
Sennheiser 421's > Sony D-5 > TDK 90
Lineage:
Sony D-5 > Tascam stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View NotesNotes: * 2nd set tracks retracked and were split using CD Wave Editor on 03/10/05. - Encore fits on Disc One
Taper: Oade Brothers
2:24:03
Rating:
9.67 / 7 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-04-06.oade-schoeps.sacks.24027.sbeok.flacf
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 27 of 28
2:18:27
Rating:
6.67 / 6 ratings
SHNID:
gd85-04-06.aud.barbella.10990.sbeok.shnf
Source:
Master Audience Cassette>DAT>CDR
Taper Notes:
View NotesMaster Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella
Source 28 of 28
2:14:08
Rating:
8.00 / 1 rating
Taper Notes:
View NotesThe levels for the first 1:24 or so of d2t01 are low. I tried boosting just that part of the song but the results were not to my liking.