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June 9th
Years
1995
30.1k
PlaybackListensHours
48h61483
7d4.3k583
30d30.1k4.2k
49 shows
341 tapes
1994
9.1k
PlaybackListensHours
48h1.8k218
7d2.2k287
30d9.1k1.3k
85 shows
460 tapes
1993
39.7k
PlaybackListensHours
48h3.1k384
7d9.6k1.3k
30d39.7k5.2k
83 shows
656 tapes
1992
37.2k
PlaybackListensHours
48h2.3k298
7d5.3k681
30d37.2k4.9k
57 shows
539 tapes
1991
40k
PlaybackListensHours
48h3.2k461
7d12.5k1.7k
30d40k5.4k
78 shows
973 tapes
1990
39.4k
PlaybackListensHours
48h9.3k1.1k
7d10.6k1.4k
30d39.4k5.2k
78 shows
1,139 tapes
1989
48k
PlaybackListensHours
48h2.4k302
7d8.5k1.1k
30d48k6k
78 shows
1,017 tapes
1988
21.8k
PlaybackListensHours
48h1.2k135
7d3.4k389
30d21.8k2.5k
82 shows
882 tapes
1987
34.4k
PlaybackListensHours
48h1.8k204
7d6k654
30d34.4k3.7k
88 shows
1,025 tapes
1986
12.5k
PlaybackListensHours
48h69778
7d2.3k257
30d12.5k1.4k
47 shows
683 tapes
1985
22.1k
PlaybackListensHours
48h1.4k163
7d4.7k552
30d22.1k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h2.7k326
7d3.2k420
30d15.8k2k
67 shows
1,075 tapes
1983
33.9k
PlaybackListensHours
48h1.2k161
7d3.8k501
30d33.9k4.5k
71 shows
1,069 tapes
1982
42.3k
PlaybackListensHours
48h1.2k144
7d4.4k549
30d42.3k5.3k
63 shows
753 tapes
1981
50k
PlaybackListensHours
48h1.4k175
7d5.5k706
30d50k6.3k
92 shows
868 tapes
1980
73.6k
PlaybackListensHours
48h5k565
7d15.8k1.8k
30d73.6k8.5k
91 shows
794 tapes
1979
25.3k
PlaybackListensHours
48h1.5k218
7d3.6k507
30d25.3k3.5k
79 shows
600 tapes
1978
54.1k
PlaybackListensHours
48h1.7k233
7d11.8k1.5k
30d54.1k7.4k
87 shows
592 tapes
1977
296.5k
PlaybackListensHours
48h20.4k2.8k
7d45.5k6.3k
30d296.5k40.9k
64 shows
419 tapes
1976
51.2k
PlaybackListensHours
48h5.9k850
7d16.4k2.3k
30d51.2k7k
45 shows
298 tapes
1975
6.6k
PlaybackListensHours
48h53754
7d2.1k192
30d6.6k673
25 shows
63 tapes
1974
104k
PlaybackListensHours
48h7.3k970
7d14.3k1.8k
30d104k13.2k
42 shows
324 tapes
1973
81.1k
PlaybackListensHours
48h5.7k731
7d11.1k1.4k
30d81.1k10.3k
75 shows
445 tapes
1972
71k
PlaybackListensHours
48h2.2k285
7d8k987
30d71k8.6k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.6k180
7d5.2k585
30d34.3k3.9k
82 shows
357 tapes
1970
45.8k
PlaybackListensHours
48h2k225
7d17.9k1.8k
30d45.8k4.9k
101 shows
376 tapes
1969
27.1k
PlaybackListensHours
48h1.8k288
7d7k1.1k
30d27.1k4.1k
112 shows
326 tapes
1968
7.2k
PlaybackListensHours
48h918124
7d1.5k192
30d7.2k901
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h13618
7d34448
30d1.5k213
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h28216
7d86062
30d8k535
32 shows
78 tapes
1965
594
PlaybackListensHours
48h342
7d1076
30d59434
2 shows
2 tapes
1985
4/6/85
Feel Like A Stranger
8:59
They Love Each Other
7:21
New New Minglewood Blues
8:39
Dupree's Diamond Blues
7:52
Mama Tried ->
2:54
Big River
5:36
Big Railroad Blues
3:54
Looks Like Rain ->
9:24
Don't Ease Me In
3:16
China Cat Sunflower ->
6:32
I Know You Rider ->
5:35
Playin' In The Band ->
11:02
Uncle John's Band ->
10:20
Drums ->
7:20
Space ->
10:28
The Other One ->
11:12
Throwing Stones ->
9:22
Not Fade Away
6:54
One More Saturday Night
4:56
FIN
View on archive.org
Sources
Transferrer: Charlie Miller
2:21:36
SBDREMASTER
Rating:
6.00 / 2 ratings
Transferrer:
Charlie Miller
SHNID:
gd1985-04-06.135801.sbd.miller.remaster.flac16
Source:
SBD -> Cassette Master -> Cassette -> Dat -> CD
Lineage:
CD -> Samplitude Professional v11.2.1 -> FLAC
Taper Notes:
View NotesNotes: -- This is a remaster of shnid=13467 -- Fixed levels, tracking, drop-outs and more -- Move encore to end of Set 1 to fit onto 2 discs
Source 2 of 28
2:24:13
SBD
SHNID:
gd1985-04-06.169897.matrix.miksis.miller.clugston.flac1648
Source:
SBD/AUD Matrix: Final Cut Pro (16b/48k) > Izotope RX Advanced > Peak Pro > xAct > FLAC/16 Created by Brian Miksis January 15, 2025 [email protected]
Taper Notes:
View NotesNotes: - This source is 100% complete - Thanks to Charlie Miller for the soundboard source - Soundboard source ground hum and harmonics removed, a handful of small level adjustments, some de-clicking and pitch corrected - Thanks to Stephen Thomas for recording and Scott Clugston for mastering the audience source - Audience source covers soundboard tape flips in Uncle John's Band and Not Fade Away - Thanks to Charles Bandrofcheck for another audience source (shnid=73770) which supplies some tuning and the first few notes of Big Railroad Blues
Source 3 of 28
2:18:10
SBD
SHNID:
gd1985-04-06.169896.sbd.patched.pitched.miller.miksis.flac1648
Source:
Final Cut Pro -> Izotope RX Advanced -> Peak Pro -> xAct -> FLAC/16 Patched and pitch corrected by Brian Miksis January 15, 2025 [email protected]
Taper Notes:
View NotesNotes: - This source is 100% complete - Thanks to Charlie Miller for the original and remastered soundboard source - Soundboard source ground hum and harmonics removed, a handful of small level adjustments, some de-clicking and pitch corrected - Thanks to Stephen Thomas for recording and Scott Clugston for mastering the audience source that supplies patches for soundboard tape flips in Uncle John's Band (6:12-6:37) and Not Fade Away (4:26-4:50) - Thanks to Charles Bandrofcheck for another audience source (shnid=73770) which supplies a tape flip patch for some tuning and the first few notes of Big Railroad Blues
Source 4 of 28
2:21:59
SBD
Rating:
6.71 / 17 ratings
SHNID:
gd85-04-06.sbd.miller.13467.sbeok.shnf
Source:
SBD>Cm>Cass>Dat>CD>EAC>SHN
Taper Notes:
View NotesSBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller
Taper: Jim Vita
2:21:13
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.170435.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:29 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Jim Vita
2:21:13
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.170434.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt and Ted Mattes for the Sennheiser 441 source which supplies a 0:29 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2021
Taper: Michael Hessberg
2:22:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.167677.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in the "Big River, Big Railroad Blues" transition, as well as a 0:59 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Michael Hessberg
2:22:43
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.167676.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:28 patch in the "Big River, Big Railroad Blues" transition, as well as a 0:59 patch in "Drums" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston April 2023
Taper: Stephen Thomas
2:27:10
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.163845.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5MSennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Stephen Thomas
2:27:10
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-06.163844.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5MSennheiser 441 mics > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:07 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston February 2023
Taper: Rob Hunt and Ted Mattes
2:25:41
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-06.149318.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:20 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Rob Hunt and Ted Mattes
2:25:41
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-06.149317.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:20 patch in "Drums" - Other One space included in "The Other One" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Robert Bryant
41:46
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesNotes: - 5 sec cross fade (in) was used to start Space intro - 14 minute + TOO - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
41:46
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96.
Taper Notes:
View NotesNotes: - 5 sec cross fade (in) was used to start Space intro - 14 minute + TOO
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:18:47
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-06.152154.beyerm201.holbrook.flac2448
Source:
Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories // tape flips /// swapped back to tape 1 for encore
Taper: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
2:18:47
Taper:
Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-06.152153.beyerm201.holbrook.flac1644
Source:
Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level
Lineage:
Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notesopen the text files for tour stories // tape flips /// swapped back to tape 1 for encore
Taper: Doug Lamarre
2:17:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-06.145480.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:17:21
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-06.145479.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: chasingwilma
2:16:43
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-06.124819.chasingwilma.flac24
Source:
lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Greg Holtz
2:20:59
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-04-06.aud.holtz.JAZ.96803.flac16
Source:
Nakamichi CM 100's with CP-4 shotguns -> Sony D-5
Lineage:
Master Cassettes (FUJI FR metal type IV) -> Tascam 112 -> RCA/XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
Taper: Joe D'Amico
2:18:56
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-06.nak300.damico.87366.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Tony Suraci
2:19:04
Rating:
10.00 / 1 rating
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-04-06.beyerm88.suraci.78851.flac16
Source:
*Beyer M88's>Sony D5M FOB, stand at 7 feet
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud.>16 Bit>Cdwav>flac16
Taper Notes:
View Notes*thanks Eugene for the mics.
Taper: Charles Bandrofcheck
2:28:31
Rating:
6.00 / 1 rating
Taper:
Charles Bandrofcheck
Transferrer:
Charles Bandrofcheck
SHNID:
gd1985-04-06.shotgun.bandrofcheck.73770.shnf
Lineage:
MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs
Taper Notes:
View NotesNotes: This recording was done to capture as much as possable. There were no tape flips requiring fast forwarding or rewinding during the actual recording. Side A of the first tape was recorded then Side A of the second cassette. Everything was then fast forwarded at the break. Side B of the second cassette was recorded and then Side B of the first cassette. All discs can be combined on extended media for continuous play
Taper: Brian Mandel
2:17:19
Rating:
9.33 / 3 ratings
Taper:
Brian Mandel
Transferrer:
Brian Mandel
SHNID:
gd1985-04-06.nak300.bmandel.33703.sbeok.shnf
Source:
Nakamichi 300 Shotguns CP4's & Sony TCD5M
Lineage:
Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
Taper: Mark McCue
2:18:13
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-04-06.senn421.mccue.ford.28633.sbeok.shnf
Source:
Sennheiser 421's > Sony D-5 > TDK 90
Lineage:
Sony D-5 > Tascam stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16
Taper Notes:
View NotesNotes: * 2nd set tracks retracked and were split using CD Wave Editor on 03/10/05. - Encore fits on Disc One
Taper: Oade Brothers
2:24:03
Rating:
9.67 / 7 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-04-06.oade-schoeps.sacks.24027.sbeok.flacf
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesRecorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Source 27 of 28
2:18:27
Rating:
6.67 / 6 ratings
SHNID:
gd85-04-06.aud.barbella.10990.sbeok.shnf
Source:
Master Audience Cassette>DAT>CDR
Taper Notes:
View NotesMaster Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella
Source 28 of 28
2:14:08
Rating:
8.00 / 1 rating
Taper Notes:
View NotesThe levels for the first 1:24 or so of d2t01 are low. I tried boosting just that part of the song but the results were not to my liking.