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1985
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June 16th
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1985
24.7k
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27k
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21k
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31.2k
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89.9k
42 shows
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90.4k
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62.9k
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33.7k
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39.3k
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28.3k
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8.1k
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1967
1.7k
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1966
8k
32 shows
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1965
639
2 shows
2 tapes
1985
4/1/85
Bertha > Greatest Story Ever Told
11:57
West LA Fadeaway
7:46
Little Red Rooster
8:01
Bird Son g
10:06
Just Like Tom Thumb's Blues >
5:32
Looks Like Rain >
8:22
Might As Well
4:11
Crowd/Tuning
1:43
China Cat Sunflower > I Know You Rider
11:47
Estimated Prophet >
10:49
Eyes Of The World >
9:56
Drums >
7:37
Space >
6:12
The Other One >
9:51
Stella Blue >
7:05
Around & Around >
3:55
Not Fade Away
7:32
Encore Break
1:55
E: It's All Over Now, Baby Blue
7:23
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:17:57
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.176005.sennme80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:19 patch in the "Just Like Tom Thumb's Blues > Looks Like Rain" transition, as well as a 0:27 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:17:57
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.176004.sennme80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:19 patch in the "Just Like Tom Thumb's Blues > Looks Like Rain" transition, as well as a 0:27 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Eaton
2:21:43
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller;24 bit
SHNID:
gd1985-04-01.163540.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:24 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Rob Eaton
2:21:43
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.163539.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:24 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Bruce Barnum
1:24:07
Taper:
Bruce Barnum
Transferrer:
Charlie Miller
SHNID:
gd1985-04-01.150874.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, pitch correction, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesSet II only. A few seconds of drums patched with the raw Oade PCM source, which also provides the end of the NFA crowd chant through Baby Blue (which was probably on Side B of the cassette that had the first set, which is missing). Sounds like a fun show. The recording is slightly unbalanced (the right channel is about 3 dB louder than the left) but aren't we all? Thanks to Charlie Miller for the C > D transfer.
Taper: Bruce Barnum
1:24:07
Taper:
Bruce Barnum
Transferrer:
Charlie Miller
SHNID:
gd1985-04-01.150873.nak701x3.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, pitch correction, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesSet II only. A few seconds of drums patched with the raw Oade PCM source, which also provides the end of the NFA crowd chant through Baby Blue (which was probably on Side B of the cassette that had the first set, which is missing). Sounds like a fun show. The recording is slightly unbalanced (the right channel is about 3 dB louder than the left) but aren't we all? Thanks to Charlie Miller for the C > D transfer.
Taper: Rob Hunt and Ted Mattes
2:20:37
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-01.149312.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:30 total), as well as a 0:33 patch in "Space" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Rob Hunt and Ted Mattes
2:20:37
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-01.149311.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:30 total), as well as a 0:33 patch in "Space" - Pitch verified Mastered by Scott Clugston March 2020
Transferrer: Kevin Tobin
2:21:46
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138253.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix:</b> AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)
Lineage:
(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Kevin Tobin
2:21:49
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138250.upg-aud.tobin.flac2448
Source:
(original shnid = 124788)
Lineage:
(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - 96/24 conversion to 48/24, pitch correction, and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (48/24) Only minor patching needed except 8 seconds during drums and to add the "How to Make Phil Sing" before Tom Thumb Blues. Speedwise the audience was extremely fast when compared to other recordings - 1.750 seconds per minute. Note: 96/24 conversion to 48/24 was performed using r8brain PRO for a project I was working on and then made available only because of the speed/pitch difference between the original and the corrected version.
Taper: Patched and Pitch corrected Audience Recording by Joe D'Amico
2:21:46
Taper:
Patched and Pitch corrected Audience Recording by Joe D'Amico
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138246.upg-aud.tobin.flac16
Source:
Patched/Pitch Corrected Audience (original shnid = 87290) taper: Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-May-2017 - Trader Little Helper - Tagged 06-May-2017 - Tag&Rename --------------------------------------------------------- Only minor patching needed except 24 seconds during drums. Speedwise the audience was fast when compared to other recordings - 0.750 seconds per minute. Brokedown House Production