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June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1985
4/1/85
bertha>
6:08
greatest story ever told
3:54
west l.a. fadeway
7:38
little red rooster
7:55
bird song
8:56
just like tom thumb's blues
6:02
looks like rain
8:06
might as well
4:02
china cat sunflower>
5:28
i know your rider
6:11
estimated prophet
10:28
eyes of the world>
10:00
drums>
9:27
space>
7:38
the other one>
5:55
stella blue>
6:49
around and around>
3:49
not fade away
6:25
it's all over now, baby blue
8:11
FIN
View on archive.org
Sources
Taper: Michael Hessberg
2:17:57
Rating:
8.00 / 1 rating
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.176005.sennme80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:19 patch in the "Just Like Tom Thumb's Blues > Looks Like Rain" transition, as well as a 0:27 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:17:57
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.176004.sennme80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:19 patch in the "Just Like Tom Thumb's Blues > Looks Like Rain" transition, as well as a 0:27 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Stephen Thomas
2:21:40
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.169192.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Bertha" (1:15 total), as well as a 0:22 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Stephen Thomas
2:21:40
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.169191.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24-bit/96k) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Bertha" (1:15 total), as well as a 0:22 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston May 2023
Taper: Jim Vita
2:18:32
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.167192.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:36 total), as well as a 1:02 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2022
Taper: Jim Vita
2:18:32
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.167191.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:36 total), as well as a 1:02 patch in "Space" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston March 2022
Taper: Rob Eaton
2:21:43
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller;24 bit
SHNID:
gd1985-04-01.163540.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:24 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Rob Eaton
2:21:43
Taper:
Rob Eaton
Transferrer:
Rob Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-04-01.163539.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 0:24 patch in the "Drums > Space" transition - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston November 2022
Taper: Bruce Barnum
1:24:07
Taper:
Bruce Barnum
Transferrer:
Charlie Miller
SHNID:
gd1985-04-01.150874.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, pitch correction, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesSet II only. A few seconds of drums patched with the raw Oade PCM source, which also provides the end of the NFA crowd chant through Baby Blue (which was probably on Side B of the cassette that had the first set, which is missing). Sounds like a fun show. The recording is slightly unbalanced (the right channel is about 3 dB louder than the left) but aren't we all? Thanks to Charlie Miller for the C > D transfer.
Taper: Bruce Barnum
1:24:07
Taper:
Bruce Barnum
Transferrer:
Charlie Miller
SHNID:
gd1985-04-01.150873.nak701x3.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, pitch correction, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesSet II only. A few seconds of drums patched with the raw Oade PCM source, which also provides the end of the NFA crowd chant through Baby Blue (which was probably on Side B of the cassette that had the first set, which is missing). Sounds like a fun show. The recording is slightly unbalanced (the right channel is about 3 dB louder than the left) but aren't we all? Thanks to Charlie Miller for the C > D transfer.
Taper: Rob Hunt and Ted Mattes
2:20:37
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-01.149312.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:30 total), as well as a 0:33 patch in "Space" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Rob Hunt and Ted Mattes
2:20:37
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-04-01.149311.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Just Like Tom Thumb's Blues"(0:30 total), as well as a 0:33 patch in "Space" - Pitch verified Mastered by Scott Clugston March 2020
Taper: Ray Ackerman
1:23:11
Taper:
Ray Ackerman
Transferrer:
Joe Noel and Charlie Miller
SHNID:
gd1985-04-01.145060.s2.ots.at835b.akg.d12e.blend.ackerman.miller.noel.t-flac1644
Source:
Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6
Lineage:
Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesEdited & Mastered by Joe Noel; WAV > Audacity > FLAC 24/96 April 02, 2018 Patch info: - source #140859 - s2t06; 2:59 - 3:17 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for Robert Bryant's efforts that supply the patch source - This file set is 16 bit @ 44.1
Taper: Ray Ackerman
1:23:11
Taper:
Ray Ackerman
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-04-01.141603.OTS.s2.AT835b-AKGD12e-Blend.Ackerman.Miller.Noel.t-flac2496
Source:
Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
Taper Notes:
View NotesPatch info: - source #140859 - s2t06; 2:59 - 3:17 Notes: - Thanks to Ray for his generosity - Thanks to Charlie for aiding & abetting - Grateful for Robert Bryant's efforts that supply the patch source
Taper: Robert Bryant
1:25:08
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT: 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #23659 (Schoeps CMC441) - s2t06; 07:15 - end - s2t07; start - 00:29 - s2t11; 06:32 - end - s2t12; all Notes: - tape flip patched - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper: Robert Bryant
1:25:07
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-04-01.140859.s2.unkown.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #23659 (Schoeps CMC441) - s2t06; 07:15 - end - s2t07; start - 00:29 - s2t11; 06:32 - end - s2t12; all Notes: - tape flip patched
Taper: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
2:17:35
Taper:
Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
Transferrer:
Kyle Holbrook
SHNID:
gd1985-04-01.152074.beyerm88.holbrook.flac2448
Source:
Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height
Lineage:
Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC
Taper Notes:
View Notes/ tape paused between songs ** cut in middle
Taper: David Dyche
2:15:37
Taper:
David Dyche
Transferrer:
David Dyche
SHNID:
gd1985-04-01.149791.akg224.dyche.flac1644
Source:
AKG 224’s > Sony TCD-5M > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT
Taper: Doug Lamarre
2:14:56
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-01.145331.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:14:56
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-04-01.145330.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Transferrer: Kevin Tobin
2:21:48
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138254.5-1.tobin.flac1648
Source:
<b>flac16/48kHz</b>; <i>5.1 LPCM Surround Sound (48k)</i> AUD1 (shnid = 87290) taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)
Lineage:
(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - mixing by Kevin Tobin
Taper Notes:
View NotesSurround Sound Mix (48k) 5.1 LPCM
Transferrer: Kevin Tobin
2:21:46
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138253.dts.tobin.flac16
Source:
<b>DTS-Audio-CD 5.1 Mix:</b> AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)
Lineage:
(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin
Taper Notes:
View NotesDTS-Audio-CD 5.1 Mix More On DTS Today's audio standards are moving towards multi-channel sound, like DTS and Dolby Digital. While the Audio-CD standard (Red Book) hasn't changed to accommodate these new sound formats, it is still possible to go around the specification and to put a 5.1 surround recording on a regular Audio-CD. To play a DTS-Audio-CD you must connect your DVD/CD player via a digital cable (optical or coaxial) to your DTS Dolby-Digital receiver. It is not 100% sure that your receiver will recognize a DTS-Audio CD, so the first time you're trying to playback a DTS-Audio-CD you must do a test to determine if it can. Begin with the volume very low, start the disc and raise the volume gradually. NEVER listen to a DTS-Audio-CD through the analog audio outputs of your CD/DVD player. Burning Instructions Burn them the absolute same way as you would burn any normal Audio-CD from FLAC files. Brokedown House Production
Transferrer: Matrix by Kevin Tobin
2:21:46
Transferrer:
Matrix by Kevin Tobin
SHNID:
gd1985-04-01.138252.mtx.tobin.flac16
Source:
Matrix 2 Source Mix - AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788)
Lineage:
(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin
Taper Notes:
View NotesSBD + AUD Matrix 2 Source Mix
Transferrer: Kevin Tobin
2:21:49
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138250.upg-aud.tobin.flac2448
Source:
(original shnid = 124788)
Lineage:
(3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - 96/24 conversion to 48/24, pitch correction, and patches by Kevin Tobin
Taper Notes:
View NotesPatched and pitch corrected audience (48/24) Only minor patching needed except 8 seconds during drums and to add the "How to Make Phil Sing" before Tom Thumb Blues. Speedwise the audience was extremely fast when compared to other recordings - 1.750 seconds per minute. Note: 96/24 conversion to 48/24 was performed using r8brain PRO for a project I was working on and then made available only because of the speed/pitch difference between the original and the corrected version.
Taper: Patched and Pitch corrected Audience Recording by Joe D'Amico
2:21:46
Taper:
Patched and Pitch corrected Audience Recording by Joe D'Amico
Transferrer:
Kevin Tobin
SHNID:
gd1985-04-01.138246.upg-aud.tobin.flac16
Source:
Patched/Pitch Corrected Audience (original shnid = 87290) taper: Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
Taper Notes:
View Notes--------------------------------------------------------- - Mixed by [email protected] - FLAC conversion 06-May-2017 - Trader Little Helper - Tagged 06-May-2017 - Tag&Rename --------------------------------------------------------- Only minor patching needed except 24 seconds during drums. Speedwise the audience was fast when compared to other recordings - 0.750 seconds per minute. Brokedown House Production
Taper: chasingwilma
2:13:02
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-04-01.124788.chasingwilma.flac24
Source:
lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:15:47
Taper:
Bob Morris
SHNID:
gd1985-04-01.nak300.morris.114488.flac24
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Tape flip in Looks Like Rain spliced at 5:08. - Tape flip between Drums and Space. - Recorded by Bob Morris and Sam Morris. - Transfer (Nov 2009) & 2496 conversion / edits (Jun 2011) by Bob Morris.
Taper: Bob Morris and Sam Morris
2:15:27
Taper:
Bob Morris and Sam Morris
Transferrer:
Bob Morris
SHNID:
gd1985-04-01.nak300.morris.106787.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90)
Lineage:
Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flip in Looks Like Rain spliced at 5:05 (Soundforge). Tape flip between Drums and Space. Recorded by Bob Morris and Sam Morris.
Taper: Dave Barfield and David Lane
2:15:24
Rating:
10.00 / 1 rating
Taper:
Dave Barfield and David Lane
Transferrer:
Dave Barfield
SHNID:
gd1985-04-01.nak300.barfield-lane.103296.flac24
Source:
nak 300/cp4 (ots, 12\') > tcd5m/maxell mx 90
Lineage:
master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24)
Taper: Ray Ackerman
2:14:42
Taper:
Ray Ackerman
Transferrer:
Ray Ackerman;Tracks, FLACs, Tags by Craig Taraszki
SHNID:
gd1985-04-01.at835-d12e.Ackerman-Taraszki.102139.flac16
Source:
(2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5
Lineage:
Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16
Taper: Joe D'Amico
2:16:07
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-04-01.nak300.damico.87290.sbeok.flac16
Source:
nak 300 mics > sony d-6 > mac
Lineage:
mac > nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
Taper: Tony Suraci
2:14:59
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-04-01.beyerm88.suraci.78512.sbeok.flac16
Source:
*Beyer M88's >Sony D5M FOB, stand at 7 feet
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud. 2.0>16bit>Cdwav>flac
Taper Notes:
View Notes*thanks Eugene for the mics
Taper: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
2:15:35
Taper:
Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
Transferrer:
Alex Ford
SHNID:
gd1985-04-01.senn421.mccue.ford.76321.sbeok.flac
Source:
MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II)
Lineage:
MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 >
Taper Notes:
View NotesNotes: - 3 second fade in's applied to d1t01 & d2t02, 2 sec fade out applied to d3t06. - tape flip during Space @ 0:01
Taper: David Minor
2:14:19
Rating:
10.00 / 1 rating
Taper:
David Minor
Transferrer:
David Minor and Matt Vernon
SHNID:
gd1985-04-01.nak.minor.vernon.30885.sbeok.flac16
Source:
Nak CM100's > D5 at the soundboard
Lineage:
EAC/FLAC
Taper Notes:
View Notesd1t2 - cuts in at start d1t9 brief drop out at start of China Cat d2t1 - fade out at end
Taper: Oade Brothers
2:22:23
Rating:
8.29 / 7 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade - Darren Sacks
SHNID:
gd85-04-01.oade-schoeps.sacks.23659.sbeok.flacf
Source:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Lineage:
Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
Taper Notes:
View NotesSchoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Source 36 of 37
2:21:28
Rating:
8.36 / 11 ratings
SHNID:
gd85-04-01.oade.connor.8521.sbeok.shnf
Source:
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn
Taper Notes:
View NotesSources: Primary Source:Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source:Steve Ziemba's Cassette Master;Aud>Nak300>D5>CM>CDR>EAC>Shn;The secondary source supplies the Baby Blue encore; Seeded to fungus and abgd by Charlie Connor with Thanks to Scott Clugston and Doug Oade
Source 37 of 37
2:15:05
Rating:
6.00 / 1 rating
SHNID:
gd85-04-01.ziemba.connor.5594.sbeok.shnf
Source:
Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT)
Taper Notes:
View NotesAud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd