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June 16th
5 shows
82 tapes
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1995
30.1k
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12.7k
85 shows
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38k
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57 shows
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1991
43k
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1990
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1989
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1988
20.3k
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1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
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1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
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1979
21.7k
79 shows
608 tapes
1978
38.8k
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1977
267.8k
64 shows
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1976
91.9k
45 shows
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1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
3/28/85
01 tuning
3:16
02 Truckin' ->
7:18
03 Smokestack Lighting ->
5:35
04 High Time
8:08
05 El Paso
4:52
06 Peggy-O
7:07
07 Cassidy ->
6:40
08 China Cat Sunflower ->
5:25
09 I Know You Rider
5:59
FIN
View on archive.org
Sources
Taper: Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
2:21:57
SBD
Rating:
10.00 / 1 rating
Taper:
Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48)
Transferrer:
Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort; Mastered by Scott Clugston
SHNID:
gd1985-03-28.151044.sbd.latvala.eaton.dalton.miller.clugston.flac1648
Source:
Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48)
Lineage:
Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
Taper Notes:
View NotesNotes: - Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48) - Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort - Thanks to Charlie Miller for the PCM soundboard source which supplies a 0:08 patch in the beginning of "China Cat Sunflower" - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies some crowd and the beginning of "Scarlet Begonias" (0:28 total), a 0:29 patch in "Looks Like Rain", a 0:34 patch in Drums, as well as a 0:10 patch in "The Other One > Black Peter" transition - Other One space included in "The Other One" - "Smokestack Lightning" with Matt Kelly - Pitch corrected Mastered by Scott Clugston February 2020
Transferrer: Pitch correction by acetboy
2:27:50
SBD
Transferrer:
Pitch correction by acetboy
SHNID:
gd1985-03-28.141047.sbd.acetboy.flac1644
Source:
Soundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for <a href="http://db.etree.org/shn/118304">source ID 118304</a>; see info file for details
Taper Notes:
View NotesThis is a fix for shn# 118304. The channels were 180 degrees out of phase. Fixed now. The speed/pitch of the show was slow/flat. Fixed now. There were 2 or 3 gaps in the audio. They could be fixed by just closing them up. Fixed now. There was a bit of a dc offset. Fixed now. The stereo image has been centered up. This great show still has a few issues. During Drums the recording level overloaded somewhat especially from The Beam and the big drums on The Beast. There's also some kinda nasty sounds coming out of Bob's guitar amp. Some on purpose, some not. Bob forgets a lyric or two. There is an earlier soundboard share of this show shn# 5313. The speed/pitch is good and there is no phase problem but it has other issues. Left and right channels switched in the first set. Gaps in the waveform at all of the track starts. The remains of earlier SBE's. And chunks of the show are missing. That's the way my shn files are that I grabbed years ago from The Archive. Back when soundboards could be had there. acetboy 2018-02-14
Transferrer: Hunter Seamons
53:43
SBD
Rating:
9.00 / 2 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-03-28.set1.mtx.seamons.94544.sbeok.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: PCM > DAT > Sonic Solutions > CD ---------------------------------------------------- AUD: Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Alan Fink and Mark Ferguson for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC) September 15, 2008 Set I ----- d1t01 Tuning d1t02 Truckin' -> d1t03 Smokestack Lightning* -> d1t04 High Time d1t05 El Paso d1t06 Peggy-O d1t07 Cassidy d1t08 China Cat Sunflower -> d1t09 I Know You Rider * with Matthew Kelly on harp Notes: The reason I did not initially use the PCM SBD source for the original full-length matrix - a source I was fully aware of - was due to somewhat misleading information, but ultimately my lack of full investigation. So here's the whole story: I first came across PLS's matrix of this show at shnflac.net, which included a fixed version and a DTS version. Scarfire, one of my matrix heroes, commented how awful the matrix was and that it should be redone. I heartily took up the task. The reasons I did not use the PCM initially are: 1) The PCM source had an "OCD" category icon next to it (although I don't think it should), which lead me to believe there was a "better" source out there. 2) Since PLS used the Griesman SBD, a source that came after the PCM, I assumed that that was the better version, despite a previous PCM being available. I thought there must have been problems with the PCM. 3) The preview button for the PCM source at shnflac.net had "vbr" listed in the streaming info, so I assumed it was the Hi-Fi vbr streaming sound. In spite of this, I think it is actually a straight 64Kbps Lo-Fi sound - which lead me to believe the source was poor sounding, for whatever reason. 4) For the PCM source at db.etree.org, it states there is an "upgrade" in circulation, referring to the Griesman SBD (which I think is not the best descriptor). However, I think the term "upgrade" is used to refer to the SBD source that has the whole show, not just set 1. But it is NOT an "upgrade" in terms of sound. All these things naturally threw me off - and I did not have the actual PCM on hand at the time to verify, so this was ultimately my oversight. Coincidentally, I recently downloaded the DVD bootleg of this show on shnflac.net and noticed the music used for the audio was awesome. I gathered that it must have been the PCM source that I never got to fully consult. Luckily, some good folk were still seeding the PCM at shnflac.net (via project '85), so I got it and realized it was really all good and not a "downgrade," as it were. IN COMPARING THIS TO THE OTHER SBD SOURCE THEN: 1) This sounds MUCH better and is SIGNIFICANTLY less harsh on the ears. 2) Coincidentally, while I initially thought set 2 from the Griesman SBD was worse than set 1 because of some higher hiss, greater scrutiny has revealed that set 1 actually sounds worse in that it is harsher on the ears (sharper sounding, like knives digging in my ears). Luckily, the PCM was available for set 1, so now these files can essentially replace set 1 in the other matrix I did. So now a nice, smooth sounding matrix is available via two sources, as inconvenient - yet convenient - that is. My suggestion to future seeders of this matrix as a whole, if so desired, is to seed a torrent with these "replacement" tracks along with set 2 from the other matrix source. Then it will be ALL GOOD in the end. Peace. -Hunter
Transferrer: Hunter Seamons
2:27:05
SBD
Rating:
10.00 / 2 ratings
Transferrer:
Hunter Seamons
SHNID:
gd1985-03-28.mtx.seamons.94484.flac16
Source:
Matrix mix (SBD/AUD)
Taper Notes:
View Notes*Matrix* ---------------------------------------------------- SBD: SBD> MC> DAT> CDR EAC'd and converted on 9/17/2001 by Randy Griesman([email protected]) ---------------------------------------------------- AUD: Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks ([email protected]) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac --------------------------------------------------- Thank you to Randy Griesman for the SBD transfer, and to the Oade Brothers and Darrin Sacks for the AUD transfer. Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) September 10, 2008 Notes: 1) Some occasional clicks and pops in the sources, particularly during set two - I made sure these were not from my edits (my edits are 99.98% stealth style). Some of the clicks/pops were miniscule gaps squished together. 2) Some brief cuts in the SBD during High Time, China Cat, LL Rain, and Other One, and between some songs. 3) The second set in the SBD source had a slightly different tonal quality. There was a louder, high-end hissing sound that I reduced only slightly. 4) Miniscule track gap glitches in the SBD source were removed. (I've been using this awesome technique for a while now.) 5) Last Truckin' opener: 09/28/72 6) The show appears to be seamless. 7) For mysterious purposes only, I synced this to the analogue source, which was consistently within 0.25% speed of the PCM, if not exact at times - virtually the same sound, IMO...and it moves like analogue! 8) Awesome, awesome show (unless you hate the 80's, of course). ---------------------------------- This being my 20th matrix, I'd like to thank all the good folk at bt.etree.org and shnflac.net for their support and helping me to do these matrices better since my first efforts in July '07. I especially want to thank Chris Chappell and Dan Haugh for their stellar matrix work and output, which have given me much aural inspiration. 'Till the next Trix rolls around - ENJOY!
Taper: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade.
2:21:47
Rating:
8.00 / 1 rating
Taper:
Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade.
Transferrer:
Alex Ford
SHNID:
gd1985-03-28.nak700.mccue.ford.34839.sbeok.flac16
Source:
MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s
Lineage:
MAC>Nakamichi CD2 [azimuth adjusted]>RCA>Audiophile 2496>CEP 2.0>CD Wave Editor>TLH>FLAC16
Taper Notes:
View NotesNotes: - * with Mathew Kelly - d1t03 (Smokestack Lightnin') minor static @ 0:06. - @ NAk 700s modified by Tracy from Pittsburgh, PA w/ plexiglass shock mounts. Thank you very much. Nice craftsmanship on the modification. - 3 photos of mics and Mark McCue included with this fileset. - Much thanks to McCue & friends for another beautiful recording! Mic Config: pointed at the stacks Location: FOB, 20-25 feet from the stage, dfc.