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Re
1985
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June 16th
Years
1995
30.1k
49 shows
343 tapes
1994
12.7k
85 shows
460 tapes
1993
38k
83 shows
656 tapes
1992
45.1k
57 shows
539 tapes
1991
43k
78 shows
973 tapes
1990
48.5k
78 shows
1,139 tapes
1989
48.9k
78 shows
1,017 tapes
1988
20.3k
82 shows
882 tapes
1987
42.7k
88 shows
1,025 tapes
1986
12.5k
47 shows
684 tapes
1985
24.7k
73 shows
1,357 tapes
1984
27k
67 shows
1,075 tapes
1983
21k
71 shows
1,069 tapes
1982
42.4k
63 shows
753 tapes
1981
31.2k
92 shows
868 tapes
1980
71.1k
91 shows
794 tapes
1979
21.7k
79 shows
608 tapes
1978
38.8k
87 shows
592 tapes
1977
267.8k
64 shows
418 tapes
1976
91.9k
45 shows
298 tapes
1975
6.3k
25 shows
63 tapes
1974
89.9k
42 shows
324 tapes
1973
90.4k
75 shows
445 tapes
1972
62.9k
88 shows
361 tapes
1971
33.7k
82 shows
357 tapes
1970
39.3k
101 shows
376 tapes
1969
28.3k
112 shows
326 tapes
1968
8.1k
41 shows
125 tapes
1967
1.7k
23 shows
55 tapes
1966
8k
32 shows
78 tapes
1965
639
2 shows
2 tapes
1985
3/25/85
Crowd/Tuning
1:29
Jack Straw >
6:04
Sugaree >
11:18
Little Red Rooster
8:33
Bird Song
12:18
It's All Over Now
8:55
It Must Have Been The Roses >
5:19
Let It Grow
11:22
Crowd/Tuning
0:33
Help On The Way >
3:44
Slipknot! >
6:42
Franklin's Tower
11:23
Estimated Prophet >
12:32
Eyes Of The World >
11:01
Drums >
9:47
Space >
7:58
I Need A Miracle >
4:31
China Doll >
6:02
Goin' Down The Road Feeling Bad >
5:47
Good Lovin'
8:04
Encore Break
2:13
E: Keep Your Day Job
4:45
FIN
View on archive.org
Sources
Transferrer: Rob Eaton;Tim Dalton;Scott Clugston
2:41:25
SBD
Rating:
7.33 / 3 ratings
Transferrer:
Rob Eaton;Tim Dalton;Scott Clugston
SHNID:
gd1985-03-25.150966.sbd.latvala.eaton.dalton.miller.clugston.flac1648
Source:
Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48)
Lineage:
Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
Taper Notes:
View Notes- Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48) - Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the set break announcement, a 0:33 patch in "Eyes Of The World", a 0:39 patch in "Drums", as well as the final 0:42 of "Keep Your Day Job" - Pitch corrected Mastered by Scott Clugston February 2020
Transferrer: Pitched and patched by Bill Tetzeli
2:41:04
SBD
Rating:
8.55 / 13 ratings
Transferrer:
Pitched and patched by Bill Tetzeli
SHNID:
gd1985-03-25.sbd.fix-shinid-15403.tetzeli.84410.sbeok.flac16
Source:
Original SRC: MSC>Cass.>DAT>CDR>SHN
Lineage:
Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC
Taper Notes:
View NotesPatch source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers (shnid 23222) - Set 1 was time/pitch stretched 104.635%; set 2 was time/pitch stretched 100.936%. Oade PCM source cited above used as a reference. - Fade in and out between CDs 2 and 3 patched with Oade source. - Day Job patched from 3:07 to end with Oade source. Given the huge difference in pitch between the two sets I strongly doubt if they're from the same source. I'm sure Set I has at least an extra C gen or two, also because it's not nearly as clear-sounding as set II. That said, it still sounds decent, and not nearly as warbly once the pitch was corrected. Edited and seeded by Bill Tetzeli ([email protected]) 4/19/2007
Taper: Rob Eaton
2:40:20
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.163418.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to all the folks for the Sennheiser 421 source which supplies some crowd and the noodle into "It's All Over Now" (0:16 total) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 3:26 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Rob Eaton
2:40:20
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.163417.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to all the folks for the Sennheiser 421 source which supplies some crowd and the noodle into "It's All Over Now" (0:16 total) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 3:26 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Bruce Barnum
2:36:20
Rating:
9.00 / 2 ratings
Taper:
Bruce Barnum
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-03-25.150739.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496
Taper Notes:
View NotesThe transition from drums > space patched with the raw Oade PCM source. Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-24
Taper: Bruce Barnum
2:36:20
Taper:
Bruce Barnum
SHNID:
gd1985-03-25.150738.nak701x3.barnum.miller.flac1644
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesThe transition from drums > space patched with the raw Oade PCM source. Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-24
Taper: Andrew F.
2:36:50
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-03-25.132990.beyers.andrewf.flac1644
Source:
AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Recording and transfer by Andrew F. 05/2015
Taper Notes:
View NotesNotes: The recording possibly matches ID-78800, however on this tape Let it Grow is complete. There was an annoying high-pitched whine coming from the P.A. during most of Slipknot and Estimated. Voxengo Span and REA-EQ were used to localize the noise and set a narrow band to isolate and reduce it, making these segments of the show more listenable. Patches from ID-114486; Birdsong 0:00 > 0:09, It's All Over Now 0:00 > 0:36, and Drums 1:02 > 1:11.
Taper: Andrew F.
2:36:50
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-03-25.132989.beyers.andrewf.flac2448
Source:
AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recording and transfer by Andrew F. 05/2015
Taper Notes:
View NotesNotes: The recording possibly matches ID-78800, however on this tape Let it Grow is complete. There was an annoying high-pitched whine coming from the P.A. during most of Slipknot and Estimated. Voxengo Span and REA-EQ were used to localize the noise and set a narrow band to isolate and reduce it, making these segments of the show more listenable. Patches from ID-114486; Birdsong 0:00 > 0:09, It's All Over Now 0:00 > 0:36, and Drums 1:02 > 1:11.