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June 6th
Years
1995
28.8k
PlaybackListensHours
48h1.2k174
7d10.2k1.4k
30d28.8k4k
49 shows
340 tapes
1994
8.1k
PlaybackListensHours
48h62589
7d1.2k178
30d8.1k1.2k
85 shows
460 tapes
1993
31.7k
PlaybackListensHours
48h6.3k845
7d2.1k271
30d31.7k4.2k
83 shows
656 tapes
1992
33k
PlaybackListensHours
48h2.4k307
7d3.3k423
30d33k4.4k
57 shows
539 tapes
1991
35.9k
PlaybackListensHours
48h5.3k702
7d8k1.1k
30d35.9k4.9k
78 shows
967 tapes
1990
33.8k
PlaybackListensHours
48h2.9k379
7d5k657
30d33.8k4.4k
78 shows
1,139 tapes
1989
45.3k
PlaybackListensHours
48h3.4k423
7d6.2k784
30d45.3k5.7k
78 shows
1,013 tapes
1988
21k
PlaybackListensHours
48h1.3k153
7d3.8k397
30d21k2.4k
82 shows
882 tapes
1987
38.5k
PlaybackListensHours
48h2.6k286
7d8.6k808
30d38.5k4.2k
88 shows
1,025 tapes
1986
14.6k
PlaybackListensHours
48h85496
7d1.7k194
30d14.6k1.7k
47 shows
683 tapes
1985
20.2k
PlaybackListensHours
48h2.1k244
7d3.4k403
30d20.2k2.4k
73 shows
1,356 tapes
1984
16k
PlaybackListensHours
48h1.4k184
7d2.4k306
30d16k2.1k
67 shows
1,075 tapes
1983
32.4k
PlaybackListensHours
48h1.4k186
7d3.3k437
30d32.4k4.3k
71 shows
1,069 tapes
1982
40.2k
PlaybackListensHours
48h1.9k238
7d3k375
30d40.2k5k
63 shows
753 tapes
1981
54.7k
PlaybackListensHours
48h2.4k305
7d4.3k547
30d54.7k6.9k
92 shows
868 tapes
1980
66k
PlaybackListensHours
48h5.9k691
7d6.7k783
30d66k7.7k
91 shows
794 tapes
1979
26.8k
PlaybackListensHours
48h1.3k183
7d2.8k384
30d26.8k3.8k
79 shows
600 tapes
1978
57.2k
PlaybackListensHours
48h3.3k436
7d10.1k1.3k
30d57.2k7.8k
87 shows
592 tapes
1977
315.2k
PlaybackListensHours
48h12k1.7k
7d27.3k3.7k
30d315.2k43.7k
64 shows
419 tapes
1976
44.3k
PlaybackListensHours
48h5.1k709
7d23.2k3.2k
30d44.3k6k
45 shows
298 tapes
1975
5.2k
PlaybackListensHours
48h89174
7d84593
30d5.2k549
25 shows
63 tapes
1974
95.1k
PlaybackListensHours
48h4.7k582
7d9.8k1.3k
30d95.1k12k
42 shows
324 tapes
1973
76.9k
PlaybackListensHours
48h4.7k608
7d9.3k1.2k
30d76.9k9.8k
75 shows
445 tapes
1972
74.5k
PlaybackListensHours
48h3.8k462
7d6.3k773
30d74.5k9k
88 shows
361 tapes
1971
32.7k
PlaybackListensHours
48h2.3k252
7d5.1k562
30d32.7k3.7k
82 shows
356 tapes
1970
32.7k
PlaybackListensHours
48h10.1k1k
7d5.3k543
30d32.7k3.6k
101 shows
376 tapes
1969
22.8k
PlaybackListensHours
48h3.6k622
7d4.2k585
30d22.8k3.3k
112 shows
326 tapes
1968
6.4k
PlaybackListensHours
48h50962
7d1.1k133
30d6.4k804
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h13319
7d27837
30d1.4k192
23 shows
55 tapes
1966
7.8k
PlaybackListensHours
48h31322
7d1.1k65
30d7.8k513
32 shows
78 tapes
1965
542
PlaybackListensHours
48h423
7d885
30d54232
2 shows
2 tapes
1985
3/25/85
tuning
0:22
Jack Straw ->
5:57
Sugaree
11:04
Little Red Rooster
8:15
Bird Song ->
12:01
All Over Now
8:45
It Must Have Been The Roses ->
5:13
Let It Grow
10:58
tuning
0:15
Help on the Way ->
3:32
Slipknot! ->
6:57
Franklin's Tower ->
11:10
Estimated Prophet ->
12:18
Eyes of the World ->
10:49
Drums ->
8:38
Space ->
8:18
I Need A Miracle ->
4:25
China Doll ->
5:55
Goin' Down the Road ->
5:41
Good Lovin'
8:19
tuning
0:37
Day Job
4:25
FIN
View on archive.org
Sources
Transferrer: Rob Eaton;Tim Dalton;Scott Clugston
2:41:25
SBD
Rating:
7.33 / 3 ratings
Transferrer:
Rob Eaton;Tim Dalton;Scott Clugston
SHNID:
gd1985-03-25.150966.sbd.latvala.eaton.dalton.miller.clugston.flac1648
Source:
Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48)
Lineage:
Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
Taper Notes:
View Notes- Thanks to Dick Latvala for the transfer of the master vault cassettes and 1st generation cassettes, Rob Eaton for the 1st generation cassette > DAT (16/48) transfer and Tim Dalton for the source DAT (16/48) - Thanks to Charlie Miller for Tim Dalton's DAT transfer and coordinating this effort - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies the set break announcement, a 0:33 patch in "Eyes Of The World", a 0:39 patch in "Drums", as well as the final 0:42 of "Keep Your Day Job" - Pitch corrected Mastered by Scott Clugston February 2020
Transferrer: Pitched and patched by Bill Tetzeli
2:41:04
SBD
Rating:
8.55 / 13 ratings
Transferrer:
Pitched and patched by Bill Tetzeli
SHNID:
gd1985-03-25.sbd.fix-shinid-15403.tetzeli.84410.sbeok.flac16
Source:
Original SRC: MSC>Cass.>DAT>CDR>SHN
Lineage:
Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC
Taper Notes:
View NotesPatch source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers (shnid 23222) - Set 1 was time/pitch stretched 104.635%; set 2 was time/pitch stretched 100.936%. Oade PCM source cited above used as a reference. - Fade in and out between CDs 2 and 3 patched with Oade source. - Day Job patched from 3:07 to end with Oade source. Given the huge difference in pitch between the two sets I strongly doubt if they're from the same source. I'm sure Set I has at least an extra C gen or two, also because it's not nearly as clear-sounding as set II. That said, it still sounds decent, and not nearly as warbly once the pitch was corrected. Edited and seeded by Bill Tetzeli ([email protected]) 4/19/2007
Taper: Tony Suraci
2:32:39
SBD
Taper:
Tony Suraci
Transferrer:
Tony Suraci
SHNID:
gd1985-03-25.beyerm88.suraci.78800.flac16
Source:
Beyer M88\'s>Sony D5M *At SBD, stand at 9 feet.
Lineage:
Sony D5Pro>Lunatec V3>722@24/96 722>Adobe Aud.>16bit>Cdwav>flac16
Taper Notes:
View Notes*thanks Eugene for the mics. Location was directly behind SBD. // end of Let it Grow is cut due to battery failure. Thats what I get for trying to stretch the batterys from the previous night. Never happened again! Notes: This is the 16bit version. 24bit is archived on DVDA
Taper: CD's supplied by Andy L
2:35:47
SBD
Rating:
7.00 / 4 ratings
Taper:
CD's supplied by Andy L
Transferrer:
T Brame
SHNID:
gd1985-03-25.sbd.brame.15403.shnf
Source:
MSC> Cass. > DAT > CDR
Lineage:
CDR>SHN
Taper: Michael Hessberg
2:36:46
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.169611.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in "Drums", as well as an 0:11 patch in "Good Lovin'" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Michael Hessberg
2:36:46
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.169610.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's and all the folks responsible for the Schoeps CMC4 MK41 source which supplies a 0:10 patch in "Drums", as well as an 0:11 patch in "Good Lovin'" - Pitch corrected Mastered by Scott Clugston April 2024
Taper: Jim Vita
2:33:56
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.167020.beyer.m160.vita.miller.clugston.flac2496
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps source which supplies some crowd and beginning of "Big Railroad Blues" (0:18 total), as well as a 8:49 patch in "Drums" - Pitch verified Mastered by Scott Clugston February 2024
Taper: Jim Vita
2:33:56
Taper:
Jim Vita
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.167019.beyer.m160.vita.miller.clugston.flac1648
Source:
Jim Vita's Master Audience Cassettes; Beyer M160 mics > Sony D5M (Maxell XLII-S)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition CC 2024 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Jim Vita (RIP) for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to the Oade's for the Schoeps source which supplies some crowd and beginning of "Big Railroad Blues" (0:18 total), as well as a 8:49 patch in "Drums" - Pitch verified Mastered by Scott Clugston February 2024
Taper: Stephen Thomas
2:46:52
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.164911.nak304.thomas.miller.clugston.flac2496
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to Rob Eaton and the folks responsible for the AKG 451, Neumann U87 blend source which supplies the first 0:06 of "It's All Over Now", as well as an 0:11 patch in "Eyes Of The World" - Pitch corrected Mastered by Scott Clugston June 2023
Taper: Stephen Thomas
2:46:52
Taper:
Stephen Thomas
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.164910.nak304.thomas.miller.clugston.flac1648
Source:
Stephen Thomas' Master Audience Cassettes; Nakamichi 300 mics + CP4 shotguns > Sony D5M
Lineage:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Stephen Thomas for the master cassettes - Thanks to Charlie Miller for coordinating this effort - Thanks to Rob Eaton and the folks responsible for the AKG 451, Neumann U87 blend source which supplies the first 0:06 of "It's All Over Now", as well as an 0:11 patch in "Eyes Of The World" - Pitch corrected Mastered by Scott Clugston June 2023
Taper: Rob Eaton
2:40:20
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.163418.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to all the folks for the Sennheiser 421 source which supplies some crowd and the noodle into "It's All Over Now" (0:16 total) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 3:26 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Rob Eaton
2:40:20
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-25.163417.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to all the folks for the Sennheiser 421 source which supplies some crowd and the noodle into "It's All Over Now" (0:16 total) - Thanks to the Oade's for the Schoeps CMC4 MK41 source which supplies a 3:26 patch in "Drums" - Pitch corrected Mastered by Scott Clugston July 2022
Taper: Bruce Barnum
2:36:20
Rating:
9.00 / 2 ratings
Taper:
Bruce Barnum
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-03-25.150739.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496
Taper Notes:
View NotesThe transition from drums > space patched with the raw Oade PCM source. Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-24
Taper: Rob Hunt and Ted Mattes
2:38:39
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-03-25.149267.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper: Rob Hunt and Ted Mattes
2:38:39
Taper:
Rob Hunt and Ted Mattes
Transferrer:
Scott Clugston and Charlie Miller
SHNID:
gd1985-03-25.149266.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper: Robert Bryant
2:36:16
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master audience cassette source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid34684 Sennheiser 421 source which supplies the tuning before and first few seconds of "It's All Over Now", as well as a 0:24 patch in "Drums" - Between song transitions smoothed - Miracle noodle included in "I Need A Miracle" Mastered by Scott Clugston January 25, 2018
Taper: Robert Bryant
2:36:15
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Scott Clugston
Taper Notes:
View NotesNotes: - Thanks to Robert Bryant for the master audience cassette source - Thanks to Charlie Miller for the transfer - Thanks to the folks responsible for the shnid34684 Sennheiser 421 source which supplies the tuning before and first few seconds of "It's All Over Now", as well as a 0:24 patch in "Drums" - Between song transitions smoothed - Miracle noodle included in "I Need A Miracle" Mastered by Scott Clugston January 25, 2018
Taper: Bruce Barnum
2:36:20
Taper:
Bruce Barnum
SHNID:
gd1985-03-25.150738.nak701x3.barnum.miller.flac1644
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesThe transition from drums > space patched with the raw Oade PCM source. Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-24
Taper: Doug Lamarre
2:26:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-03-25.145311.aud.lamarre.berger.flac16
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Doug Lamarre
2:26:34
Taper:
Doug Lamarre
Transferrer:
Rob Berger
SHNID:
gd1985-03-25.145310.aud.lamarre.berger.flac24
Source:
source: aud cassette master taped by Doug Lamarre sennheiser 441's > sony d5, maxell xl-IIS90's
Lineage:
nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac transferred & seeded by Rob Berger 2019
Taper: Andrew F.
2:36:50
Rating:
10.00 / 1 rating
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-03-25.132990.beyers.andrewf.flac1644
Source:
AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Recording and transfer by Andrew F. 05/2015
Taper Notes:
View NotesNotes: The recording possibly matches ID-78800, however on this tape Let it Grow is complete. There was an annoying high-pitched whine coming from the P.A. during most of Slipknot and Estimated. Voxengo Span and REA-EQ were used to localize the noise and set a narrow band to isolate and reduce it, making these segments of the show more listenable. Patches from ID-114486; Birdsong 0:00 > 0:09, It's All Over Now 0:00 > 0:36, and Drums 1:02 > 1:11.
Taper: Andrew F.
2:36:50
Taper:
Andrew F.
Transferrer:
Andrew F.
SHNID:
gd1985-03-25.132989.beyers.andrewf.flac2448
Source:
AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor.
Lineage:
MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recording and transfer by Andrew F. 05/2015
Taper Notes:
View NotesNotes: The recording possibly matches ID-78800, however on this tape Let it Grow is complete. There was an annoying high-pitched whine coming from the P.A. during most of Slipknot and Estimated. Voxengo Span and REA-EQ were used to localize the noise and set a narrow band to isolate and reduce it, making these segments of the show more listenable. Patches from ID-114486; Birdsong 0:00 > 0:09, It's All Over Now 0:00 > 0:36, and Drums 1:02 > 1:11.
Transferrer: Matrix by Dave Usborne
2:43:36
Rating:
9.50 / 5 ratings
Transferrer:
Matrix by Dave Usborne
SHNID:
gd1985-03-25.132153.mtx.dusborne.flac16
Source:
2 source matrix by Dusborne; Soundboard (shnid:084410) Pitch fix of shnid 15403 Original SRC: MSC>Cass.>DAT>CDR>SHN; Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC and Audience (shnid:23222) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers
Taper: chasingwilma
2:31:56
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-03-25.124626.chasingwilma.flac24
Source:
lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Bob Morris
2:33:54
Taper:
Bob Morris
SHNID:
gd1985-03-25.nak300.morris.114486.flac24
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
Taper Notes:
View NotesNotes: - Tape flips spliced in All Over Now (at 8:22) and Drums (at 0:14). - Recorded by Bob Morris. Thanks to Sam for help. - Transfer (Oct 2009) & 2496 conversion/edits (Jun 2011) by Bob Morris. - Thanks to dnick926 for assistance getting the shnids.
Taper: Da Weez
2:33:47
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-03-25.112152.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper: Bob Morris
2:33:44
Taper:
Bob Morris
Transferrer:
Chuck T
SHNID:
gd1985-03-25.nak300.morris.107547.flac16
Source:
Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
Taper Notes:
View NotesTape flips spliced using Soundforge 9.0 in: All Over Now (8:22) and Drums (0:14). Recorded by Bob Morris. Thanks to Sam for help. Transferred & edited by Bob Morris 10/09. Flaced and shared by Chuck T./Crazyfingers
Taper: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
2:35:26
Rating:
10.00 / 2 ratings
Taper:
Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade
Transferrer:
Alex Ford
SHNID:
gd1985-03-25.senn421.mccue.ford.34684.sbeok.flac16
Source:
MAC: FOB 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s
Lineage:
Master Audience Cassettes > Nakamichi CD2 > RCA > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > TLH > FLAC 16
Taper Notes:
View NotesNotes: - d2t01 Help On The Way levels low 0:00-0:44 - d2t06 Drums missing audio 01:25-01:30 (tape flip) - d3t05 Good Lovin' patched from 7:56-8:26 with SHNID = 14497 - all tape flips and pauses basically left alone Mic Config: pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC
Taper: Oade Brothers
2:41:06
Rating:
7.50 / 4 ratings
Taper:
Oade Brothers
Transferrer:
Doug Oade and Darrin Sacks
SHNID:
gd85-03-25.oade-schoeps.sacks.23222.sbeok.flacf
Source:
Audience - Schoeps CMC441's
Lineage:
Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 > Master PCM > DAW (via SEKD Prodif) > Wav > CD Wave > FLAC16
Taper Notes:
View NotesField: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks ([email protected])
Transferrer: Tommy Danscuk and Steve Barbella
2:37:22
Rating:
8.89 / 19 ratings
Transferrer:
Tommy Danscuk and Steve Barbella
SHNID:
gd85-03-25.nak300.barbella.14497.sbeok.shnf
Source:
Audience - Nak 300's
Lineage:
Nak 300's > Sony D5 > HHb 850 > SHN > Schlisseltronics > SHN
Taper Notes:
View NotesPitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN