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June 12th
Years
1995
29.9k
PlaybackListensHours
48h58178
7d1.2k161
30d29.9k4.2k
49 shows
341 tapes
1994
10.3k
PlaybackListensHours
48h797111
7d3.3k419
30d10.3k1.4k
85 shows
460 tapes
1993
39.1k
PlaybackListensHours
48h3.4k458
7d5.2k664
30d39.1k5.1k
83 shows
656 tapes
1992
38.3k
PlaybackListensHours
48h4.8k627
7d4k520
30d38.3k5.1k
57 shows
538 tapes
1991
35.5k
PlaybackListensHours
48h6.9k859
7d9.2k1.3k
30d35.5k4.9k
78 shows
973 tapes
1990
46.4k
PlaybackListensHours
48h3.2k419
7d16.3k2k
30d46.4k6k
78 shows
1,139 tapes
1989
47.2k
PlaybackListensHours
48h3k369
7d5.5k678
30d47.2k5.9k
78 shows
1,017 tapes
1988
20.5k
PlaybackListensHours
48h1.2k137
7d2.5k289
30d20.5k2.4k
82 shows
882 tapes
1987
33.3k
PlaybackListensHours
48h4.4k496
7d4.1k462
30d33.3k3.6k
88 shows
1,025 tapes
1986
11.7k
PlaybackListensHours
48h1k113
7d1.7k189
30d11.7k1.3k
47 shows
684 tapes
1985
22k
PlaybackListensHours
48h1.8k209
7d3.3k382
30d22k2.6k
73 shows
1,356 tapes
1984
20k
PlaybackListensHours
48h3.5k408
7d6.6k784
30d20k2.5k
67 shows
1,075 tapes
1983
25.2k
PlaybackListensHours
48h1.4k179
7d2.8k375
30d25.2k3.3k
71 shows
1,069 tapes
1982
41.5k
PlaybackListensHours
48h1.3k156
7d2.9k361
30d41.5k5.1k
63 shows
753 tapes
1981
42.9k
PlaybackListensHours
48h1.9k236
7d4k504
30d42.9k5.4k
92 shows
868 tapes
1980
67.9k
PlaybackListensHours
48h5k600
7d11.4k1.2k
30d67.9k7.9k
91 shows
794 tapes
1979
20.8k
PlaybackListensHours
48h1.7k229
7d3.1k439
30d20.8k2.9k
79 shows
600 tapes
1978
45.2k
PlaybackListensHours
48h1.9k257
7d3.8k519
30d45.2k6.1k
87 shows
592 tapes
1977
285.7k
PlaybackListensHours
48h8.7k1.2k
7d41.3k5.7k
30d285.7k39.4k
64 shows
418 tapes
1976
60.2k
PlaybackListensHours
48h21.9k2.9k
7d15k2.1k
30d60.2k8.2k
45 shows
298 tapes
1975
6.3k
PlaybackListensHours
48h23425
7d1.2k123
30d6.3k646
25 shows
63 tapes
1974
93.6k
PlaybackListensHours
48h3.5k459
7d12k1.6k
30d93.6k11.9k
42 shows
324 tapes
1973
84.9k
PlaybackListensHours
48h6k832
7d15k2k
30d84.9k10.8k
75 shows
445 tapes
1972
65.4k
PlaybackListensHours
48h2.4k304
7d5.1k634
30d65.4k8k
88 shows
361 tapes
1971
33.2k
PlaybackListensHours
48h1.6k178
7d3.5k392
30d33.2k3.8k
82 shows
357 tapes
1970
44.2k
PlaybackListensHours
48h1.4k168
7d7k718
30d44.2k4.7k
101 shows
375 tapes
1969
26.7k
PlaybackListensHours
48h1.4k176
7d3.7k584
30d26.7k4k
112 shows
326 tapes
1968
7.3k
PlaybackListensHours
48h42555
7d1.5k191
30d7.3k921
41 shows
125 tapes
1967
1.6k
PlaybackListensHours
48h14318
7d23934
30d1.6k214
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h39528
7d66742
30d7.9k523
32 shows
78 tapes
1965
618
PlaybackListensHours
48h191
7d1127
30d61836
2 shows
2 tapes
1985
3/21/85
tuning
0:31
Alabama Getaway ->
6:03
Promised Land
4:22
They Love Each Other
8:03
El Paso ->
5:06
Tennessee Jed
8:00
Ain't Superstitious -> Down in the Bottom
6:58
Dupree's Diamond Blues ->
5:36
Looks Like Rain ->
8:58
Might As Well
4:45
tuning
0:41
China Cat Sunflower ->
6:00
I Know You Rider ->
6:24
Playing in the Band ->
17:25
Drums ->
8:00
Space ->
8:19
The Wheel ->
4:42
The Other One ->
6:23
Wharf Rat ->
9:16
Around and Around ->
3:44
Johnny B. Goode
4:21
Keep Your Day Job
4:39
FIN
View on archive.org
Sources
Source 1 of 17
2:04:49
SBD
Rating:
8.00 / 11 ratings
Taper: Michael Hessberg
2:20:29
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.176003.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt, Ted Mattes and Charlie Miller for the Sennheiser 441 source which supplies a 2:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:20:29
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.176002.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt, Ted Mattes and Charlie Miller for the Sennheiser 441 source which supplies a 2:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Hunt, Ted Mattes
2:20:50
Taper:
Rob Hunt, Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.167348.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue for the Sennheiser 421 source which supplies a 0:10 patch in "Alabama Getaway", as well as a 1:02 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2020
Taper: Rob Hunt, Ted Mattes
2:20:50
Taper:
Rob Hunt, Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.167347.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue for the Sennheiser 421 source which supplies a 0:10 patch in "Alabama Getaway", as well as a 1:02 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2020
Taper: Rob Eaton
2:21:56
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.163330.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 300 source which supplies a 0:38 patch in "Drums", as well as a 0:25 patch in "The Other One" - "Playin' In The Band" tease before "The Wheel" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2022
Taper: Rob Eaton
2:21:56
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.163329.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 300 source which supplies a 0:38 patch in "Drums", as well as a 0:25 patch in "The Other One" - "Playin' In The Band" tease before "The Wheel" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2022
Taper: Bruce Barnum
1:24:52
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-03-21.150707.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesDrums/Space tape flip patched with SHNID 140865 Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. This was the first of Bruce's Grateful Dead recordings to be digitized (see below). We weren't sure what to expect. We were pleasantly surprised and I think you will be, too. Unfortunately, set I was missing from the trove of cassettes. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-18
Taper: Bruce Barnum
1:24:52
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-03-21.150706.nak701x3.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesDrums/Space tape flip patched with SHNID 140865 Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. This was the first of Bruce's Grateful Dead recordings to be digitized (see below). We weren't sure what to expect. We were pleasantly surprised and I think you will be, too. Unfortunately, set I was missing from the trove of cassettes. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-18
Taper: Robert Bryant
2:18:16
REMASTER
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesRemastered January 29, 2018 Patch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe. Remaster Notes: - if you dl'd this previously, my apologies for putting out such a PoK
Taper: Robert Bryant
2:18:16
REMASTER
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Remaster Notes: - if you dl'd this previously, my apologies for putting out such a PoK
Taper: Robert Bryant
2:18:15
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-03-21.140837.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96;Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe.
Taper: chasingwilma
2:15:48
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-03-21.124555.chasingwilma.flac24
Source:
lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:16:49
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-03-21.117820.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Joe D'Amico
2:16:34
Rating:
8.00 / 2 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-03-21.nak300.damico.87046.sbeok.flac16
Source:
nak 300 mics > sony d5 > MAC
Lineage:
MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend
Taper: Mark McCue, Adam, Monica & John
2:16:49
Rating:
10.00 / 1 rating
Taper:
Mark McCue, Adam, Monica & John
Transferrer:
Alex Ford
SHNID:
gd1985-03-21.senn421.mccue.ford.33949.sbeok.flac16
Source:
(FOB) 2 Sennheiser421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)].
Lineage:
Master Cassettes>Nakamichi CD 2(azimuth adjusted)>RCA>Edirol UA-5>USB>WinXP Pro>CEP 2.0>CD Wave Editor>TLH>FLAC16
Taper Notes:
View NotesNotes: - d1t07 (Ain't Superstitious) Bob's vocal mic cuts in @ 0:44 Mic Config: mics pointed at the stacks on a T-Bar, chest high Location: FOB, 20-25 feet from the stage, DFC
Taper: Mark Horvath
2:15:49
Rating:
7.80 / 10 ratings
Taper:
Mark Horvath
SHNID:
gd85-03-21.horvath.ingle.9976.sbeok.shnf
Source:
Audience Recording
Lineage:
FOB-AUD (Senn. 421’s>Sony TC-D5) >MC > CDR
Taper Notes:
View NotesFOB-AUD>MC>CDR Mark Horvath recording, Senn. 421Âs>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle