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June 8th
9 shows
70 tapes
Years
1995
30k
PlaybackListensHours
48h53371
7d11.4k1.6k
30d30k4.2k
49 shows
341 tapes
1994
8.5k
PlaybackListensHours
48h841110
7d1.6k231
30d8.5k1.2k
85 shows
460 tapes
1993
37.6k
PlaybackListensHours
48h2.8k371
7d8k1.1k
30d37.6k5k
83 shows
656 tapes
1992
35.2k
PlaybackListensHours
48h2.3k289
7d4.1k528
30d35.2k4.7k
57 shows
539 tapes
1991
40.6k
PlaybackListensHours
48h7.4k1k
7d9k1.2k
30d40.6k5.5k
78 shows
972 tapes
1990
35.2k
PlaybackListensHours
48h3.4k432
7d6.9k905
30d35.2k4.6k
78 shows
1,139 tapes
1989
47.5k
PlaybackListensHours
48h2.8k348
7d8.7k1.1k
30d47.5k5.9k
78 shows
1,013 tapes
1988
21.6k
PlaybackListensHours
48h1.1k128
7d3.6k417
30d21.6k2.5k
82 shows
882 tapes
1987
37.5k
PlaybackListensHours
48h1.9k217
7d7.5k801
30d37.5k4.1k
88 shows
1,025 tapes
1986
15.2k
PlaybackListensHours
48h80088
7d2.3k260
30d15.2k1.7k
47 shows
683 tapes
1985
21.7k
PlaybackListensHours
48h1.5k177
7d4.9k577
30d21.7k2.6k
73 shows
1,356 tapes
1984
15.8k
PlaybackListensHours
48h979129
7d3.4k441
30d15.8k2k
67 shows
1,075 tapes
1983
33.3k
PlaybackListensHours
48h1.4k188
7d4.1k529
30d33.3k4.4k
71 shows
1,069 tapes
1982
41.7k
PlaybackListensHours
48h1.6k197
7d4.4k548
30d41.7k5.2k
63 shows
753 tapes
1981
52.7k
PlaybackListensHours
48h2.1k268
7d5.6k723
30d52.7k6.6k
92 shows
868 tapes
1980
70.5k
PlaybackListensHours
48h6.9k730
7d10.4k1.2k
30d70.5k8.3k
91 shows
794 tapes
1979
26.1k
PlaybackListensHours
48h1.2k177
7d3.5k489
30d26.1k3.7k
79 shows
600 tapes
1978
59.2k
PlaybackListensHours
48h1.6k226
7d12.5k1.6k
30d59.2k8.1k
87 shows
592 tapes
1977
301.5k
PlaybackListensHours
48h19.4k2.7k
7d34.8k4.8k
30d301.5k41.6k
64 shows
419 tapes
1976
49.4k
PlaybackListensHours
48h3.1k427
7d27.7k3.9k
30d49.4k6.7k
45 shows
298 tapes
1975
5.9k
PlaybackListensHours
48h81879
7d1.5k142
30d5.9k612
25 shows
63 tapes
1974
98.9k
PlaybackListensHours
48h4.9k630
7d12.2k1.6k
30d98.9k12.5k
42 shows
324 tapes
1973
79.9k
PlaybackListensHours
48h4.1k527
7d11.5k1.5k
30d79.9k10.2k
75 shows
445 tapes
1972
76.8k
PlaybackListensHours
48h2.9k352
7d8.6k1.1k
30d76.8k9.3k
88 shows
361 tapes
1971
34.3k
PlaybackListensHours
48h1.7k188
7d6.2k691
30d34.3k3.9k
82 shows
357 tapes
1970
42.2k
PlaybackListensHours
48h7k715
7d15k1.5k
30d42.2k4.5k
101 shows
376 tapes
1969
26.2k
PlaybackListensHours
48h2.2k344
7d5.8k944
30d26.2k3.9k
112 shows
326 tapes
1968
6.9k
PlaybackListensHours
48h39050
7d1.5k181
30d6.9k860
41 shows
125 tapes
1967
1.5k
PlaybackListensHours
48h9213
7d33547
30d1.5k205
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21616
7d1.1k69
30d8k532
32 shows
78 tapes
1965
573
PlaybackListensHours
48h422
7d1026
30d57334
2 shows
2 tapes
1985
3/21/85
Alabama Getaway
6:12
Greatest Story
4:13
They Love Each Other
8:07
El Paso
5:10
Tennessee Jed
8:09
I Ain't Superstitious > Meet Me At The Bottom
6:57
Dupree's Diamond Blues
5:40
Looks Like Rain
9:02
Might As Well
4:37
Chinacat Sunflower
6:09
I Know You Rider
6:28
Playing In The Band
18:34
Drums
6:39
Space
7:50
The Wheel
4:49
The Other One
6:25
Wharf Rat
9:18
Around & Around
3:46
Johnny B. Goode
4:15
Keep Your Day Job
4:29
FIN
View on archive.org
Sources
Source 1 of 17
2:04:49
SBD
Rating:
8.00 / 11 ratings
Taper: Michael Hessberg
2:20:29
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.176003.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt, Ted Mattes and Charlie Miller for the Sennheiser 441 source which supplies a 2:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:20:29
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.176002.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt, Ted Mattes and Charlie Miller for the Sennheiser 441 source which supplies a 2:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Hunt, Ted Mattes
2:20:50
Taper:
Rob Hunt, Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.167348.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue for the Sennheiser 421 source which supplies a 0:10 patch in "Alabama Getaway", as well as a 1:02 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2020
Taper: Rob Hunt, Ted Mattes
2:20:50
Taper:
Rob Hunt, Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.167347.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue for the Sennheiser 421 source which supplies a 0:10 patch in "Alabama Getaway", as well as a 1:02 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2020
Taper: Rob Eaton
2:21:56
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.163330.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 300 source which supplies a 0:38 patch in "Drums", as well as a 0:25 patch in "The Other One" - "Playin' In The Band" tease before "The Wheel" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2022
Taper: Rob Eaton
2:21:56
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.163329.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 300 source which supplies a 0:38 patch in "Drums", as well as a 0:25 patch in "The Other One" - "Playin' In The Band" tease before "The Wheel" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2022
Taper: Bruce Barnum
1:24:52
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-03-21.150707.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesDrums/Space tape flip patched with SHNID 140865 Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. This was the first of Bruce's Grateful Dead recordings to be digitized (see below). We weren't sure what to expect. We were pleasantly surprised and I think you will be, too. Unfortunately, set I was missing from the trove of cassettes. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-18
Taper: Bruce Barnum
1:24:52
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-03-21.150706.nak701x3.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesDrums/Space tape flip patched with SHNID 140865 Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. This was the first of Bruce's Grateful Dead recordings to be digitized (see below). We weren't sure what to expect. We were pleasantly surprised and I think you will be, too. Unfortunately, set I was missing from the trove of cassettes. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-18
Taper: Robert Bryant
2:18:16
REMASTER
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesRemastered January 29, 2018 Patch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe. Remaster Notes: - if you dl'd this previously, my apologies for putting out such a PoK
Taper: Robert Bryant
2:18:16
REMASTER
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Remaster Notes: - if you dl'd this previously, my apologies for putting out such a PoK
Taper: Robert Bryant
2:18:15
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-03-21.140837.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96;Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe.
Taper: chasingwilma
2:15:48
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-03-21.124555.chasingwilma.flac24
Source:
lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:16:49
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-03-21.117820.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Joe D'Amico
2:16:34
Rating:
8.00 / 2 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-03-21.nak300.damico.87046.sbeok.flac16
Source:
nak 300 mics > sony d5 > MAC
Lineage:
MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend
Taper: Mark McCue, Adam, Monica & John
2:16:49
Rating:
10.00 / 1 rating
Taper:
Mark McCue, Adam, Monica & John
Transferrer:
Alex Ford
SHNID:
gd1985-03-21.senn421.mccue.ford.33949.sbeok.flac16
Source:
(FOB) 2 Sennheiser421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)].
Lineage:
Master Cassettes>Nakamichi CD 2(azimuth adjusted)>RCA>Edirol UA-5>USB>WinXP Pro>CEP 2.0>CD Wave Editor>TLH>FLAC16
Taper Notes:
View NotesNotes: - d1t07 (Ain't Superstitious) Bob's vocal mic cuts in @ 0:44 Mic Config: mics pointed at the stacks on a T-Bar, chest high Location: FOB, 20-25 feet from the stage, DFC
Taper: Mark Horvath
2:15:49
Rating:
7.80 / 10 ratings
Taper:
Mark Horvath
SHNID:
gd85-03-21.horvath.ingle.9976.sbeok.shnf
Source:
Audience Recording
Lineage:
FOB-AUD (Senn. 421’s>Sony TC-D5) >MC > CDR
Taper Notes:
View NotesFOB-AUD>MC>CDR Mark Horvath recording, Senn. 421Âs>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle