RELISTENTOTHE Grateful Dead
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June 7th
Years
1995
29.5k
PlaybackListensHours
48h773107
7d10.9k1.5k
30d29.5k4.1k
49 shows
340 tapes
1994
8.3k
PlaybackListensHours
48h63389
7d1.3k193
30d8.3k1.2k
85 shows
460 tapes
1993
34.5k
PlaybackListensHours
48h4k525
7d4.8k654
30d34.5k4.6k
83 shows
656 tapes
1992
33.3k
PlaybackListensHours
48h2.8k356
7d2.2k292
30d33.3k4.4k
57 shows
539 tapes
1991
36.1k
PlaybackListensHours
48h9.1k1.2k
7d4.6k617
30d36.1k4.9k
78 shows
967 tapes
1990
33.7k
PlaybackListensHours
48h2.6k339
7d5.4k706
30d33.7k4.4k
78 shows
1,139 tapes
1989
45.9k
PlaybackListensHours
48h3k371
7d7.2k900
30d45.9k5.7k
78 shows
1,013 tapes
1988
20.8k
PlaybackListensHours
48h1.3k155
7d2.8k322
30d20.8k2.4k
82 shows
882 tapes
1987
36.2k
PlaybackListensHours
48h2.2k251
7d6.3k659
30d36.2k4k
88 shows
1,025 tapes
1986
14.7k
PlaybackListensHours
48h90199
7d1.8k205
30d14.7k1.7k
47 shows
683 tapes
1985
20.6k
PlaybackListensHours
48h1.8k215
7d3.8k445
30d20.6k2.4k
73 shows
1,356 tapes
1984
15.3k
PlaybackListensHours
48h1.1k146
7d2.9k368
30d15.3k2k
67 shows
1,075 tapes
1983
32.6k
PlaybackListensHours
48h1.5k204
7d3.4k434
30d32.6k4.3k
71 shows
1,069 tapes
1982
40.8k
PlaybackListensHours
48h1.8k222
7d3.5k436
30d40.8k5.1k
63 shows
753 tapes
1981
51.4k
PlaybackListensHours
48h2.3k300
7d4.3k554
30d51.4k6.5k
92 shows
868 tapes
1980
68.7k
PlaybackListensHours
48h6k642
7d8.5k986
30d68.7k8k
91 shows
794 tapes
1979
25.5k
PlaybackListensHours
48h1.3k184
7d2.9k401
30d25.5k3.6k
79 shows
600 tapes
1978
57.7k
PlaybackListensHours
48h2.2k290
7d11.1k1.4k
30d57.7k7.9k
87 shows
592 tapes
1977
295.4k
PlaybackListensHours
48h18.1k2.5k
7d28.7k3.9k
30d295.4k40.8k
64 shows
419 tapes
1976
47k
PlaybackListensHours
48h3.7k506
7d25.4k3.5k
30d47k6.4k
45 shows
298 tapes
1975
5.6k
PlaybackListensHours
48h79278
7d1.2k112
30d5.6k582
25 shows
63 tapes
1974
96.5k
PlaybackListensHours
48h4.3k561
7d9.8k1.2k
30d96.5k12.2k
42 shows
324 tapes
1973
77.4k
PlaybackListensHours
48h4.5k592
7d8.9k1.2k
30d77.4k9.8k
75 shows
445 tapes
1972
74.8k
PlaybackListensHours
48h3.5k426
7d6.6k802
30d74.8k9k
88 shows
361 tapes
1971
33.1k
PlaybackListensHours
48h2.1k229
7d5k557
30d33.1k3.8k
82 shows
356 tapes
1970
36.3k
PlaybackListensHours
48h9.3k954
7d9.1k912
30d36.3k3.9k
101 shows
376 tapes
1969
25.1k
PlaybackListensHours
48h2.3k366
7d4.7k744
30d25.1k3.7k
112 shows
326 tapes
1968
6.6k
PlaybackListensHours
48h42351
7d1.2k150
30d6.6k829
41 shows
125 tapes
1967
1.4k
PlaybackListensHours
48h10014
7d28540
30d1.4k198
23 shows
55 tapes
1966
7.9k
PlaybackListensHours
48h23318
7d96261
30d7.9k525
32 shows
78 tapes
1965
549
PlaybackListensHours
48h493
7d785
30d54933
2 shows
2 tapes
1985
3/21/85
Alabama Getaway >
6:21
Greatest Story Ever Told
4:19
They Love Each Other
8:01
El Paso >
5:06
Tennessee Jed
8:08
I Ain't Superstitious > Down In The Bottom
6:25
Dupree's Diamond Blues
6:10
Looks Like Rain >
8:55
Might As Well
4:29
China Cat Sunflower >
5:51
I Know You Rider
6:54
Playing In The Band >
16:58
Drums >
7:10
Space >
8:18
The Wheel >
5:37
The Other One >
6:10
Wharf Rat >
9:22
Around & Around >
3:43
Johnny B Goode
4:21
Keep Your Day Job
4:16
FIN
View on archive.org
Sources
Source 1 of 17
2:04:49
SBD
Rating:
8.00 / 11 ratings
Taper: Michael Hessberg
2:20:29
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.176003.senn.me80.hessberg.miller.clugston.flac2496
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt, Ted Mattes and Charlie Miller for the Sennheiser 441 source which supplies a 2:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Michael Hessberg
2:20:29
Taper:
Michael Hessberg
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.176002.senn.me80.hessberg.miller.clugston.flac1648
Source:
Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2023 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Michael Hessberg for the master cassette recording - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Rob Hunt, Ted Mattes and Charlie Miller for the Sennheiser 441 source which supplies a 2:21 patch in "Space" - Pitch corrected Mastered by Scott Clugston March 2023
Taper: Rob Hunt, Ted Mattes
2:20:50
Taper:
Rob Hunt, Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.167348.senn441.hunt.mattes.miller.clugston.flac2496
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue for the Sennheiser 421 source which supplies a 0:10 patch in "Alabama Getaway", as well as a 1:02 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2020
Taper: Rob Hunt, Ted Mattes
2:20:50
Taper:
Rob Hunt, Ted Mattes
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.167347.senn441.hunt.mattes.miller.clugston.flac1648
Source:
Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M
Lineage:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Rob Hunt and Ted Mattes for the master cassettes - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Mark McCue for the Sennheiser 421 source which supplies a 0:10 patch in "Alabama Getaway", as well as a 1:02 patch in the "Drums > Space" transition - Pitch corrected Mastered by Scott Clugston March 2020
Taper: Rob Eaton
2:21:56
Rating:
10.00 / 1 rating
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.163330.akg451.neumann.u87.blend.eaton.miller.clugston.flac2496
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 300 source which supplies a 0:38 patch in "Drums", as well as a 0:25 patch in "The Other One" - "Playin' In The Band" tease before "The Wheel" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2022
Taper: Rob Eaton
2:21:56
Taper:
Rob Eaton
Transferrer:
Rob, Eaton, Scott Clugston, Charlie Miller
SHNID:
gd1985-03-21.163329.akg451.neumann.u87.blend.eaton.miller.clugston.flac1648
Source:
Rob Eaton's Master (FOB) Audience Cassettes; (2) AKG 451's w/ CK8 shotguns (Left + Right) + (1)Neumann U87 (Center) blend > Nakamichi 550
Lineage:
Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
Taper Notes:
View NotesNotes: - Thanks to Rob Eaton for the recording, as well as the transfer and harddrive - Thanks to Charlie Miller for coordinating this effort - Thanks to Joe D'Amico for the Nakamichi 300 source which supplies a 0:38 patch in "Drums", as well as a 0:25 patch in "The Other One" - "Playin' In The Band" tease before "The Wheel" - Other One space included in "The Other One" - Pitch corrected Mastered by Scott Clugston June 2022
Taper: Bruce Barnum
1:24:52
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-03-21.150707.nak701x3.barnum.miller.flac2496
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesDrums/Space tape flip patched with SHNID 140865 Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. This was the first of Bruce's Grateful Dead recordings to be digitized (see below). We weren't sure what to expect. We were pleasantly surprised and I think you will be, too. Unfortunately, set I was missing from the trove of cassettes. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-18
Taper: Bruce Barnum
1:24:52
Taper:
Bruce Barnum
Transferrer:
Charlie Miller and Mark Goldey
SHNID:
gd1985-03-21.150706.nak701x3.barnum.miller.flac16
Source:
3x Nak 701s > MX-100 > D5
Lineage:
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
Taper Notes:
View NotesDrums/Space tape flip patched with SHNID 140865 Thanks to Charlie Miller for the C > D transfer and Scott Clugston for pitch correction. This was the first of Bruce's Grateful Dead recordings to be digitized (see below). We weren't sure what to expect. We were pleasantly surprised and I think you will be, too. Unfortunately, set I was missing from the trove of cassettes. Bruce Barnum was a Deadhead and an avid taper from the early 1980’s until his death in 2017 at age 48. Over the years, he taped dozens of Dead shows throughout the Northeast, and other concerts, some of which have not been heard since then. After his death, about 60 of his master cassettes turned up in a used record store in Hudson, NY. Some were bought by random people nostalgic for the days of cassettes. The rest were purchased by a fellow Deadhead and archivist. Bruce’s daughter, Jessica, had more, and was kind enough to lend them to be digitized. Many of these recordings sound excellent for their age. They are Bruce's legacy. Thanks to Charlie Miller, Scott Clugstson and others who have helped bring them to light. Enjoy! --mhg :: 2020-10-18
Taper: Robert Bryant
2:18:16
REMASTER
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
Taper Notes:
View NotesRemastered January 29, 2018 Patch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe. Remaster Notes: - if you dl'd this previously, my apologies for putting out such a PoK
Taper: Robert Bryant
2:18:16
REMASTER
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
Lineage:
Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Taper Notes:
View NotesPatch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe. - This file set is 16 bit, 24 bit to 16 bit with MusicConverter using sox-14-4-2 Remaster Notes: - if you dl'd this previously, my apologies for putting out such a PoK
Taper: Robert Bryant
2:18:15
Taper:
Robert Bryant
Transferrer:
Charlie Miller and Joe Noel
SHNID:
gd1985-03-21.140837.Bryant.Miller.Noel.t-flac2496
Lineage:
Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96;Checksum & tags created in xACT
Taper Notes:
View NotesPatch info: - source #33949 (Sennheiser 421's) - s1t04; 0:25 - 1:39 - s2t05; 7:43 - end - s2t06: start - 1:27 - s2t08; 3:20 - 3:58 Notes: - a lite High Pass Filter was applied - tape pauses cross faded - tape flips patched - Lets head back to Tennessee, via El Paso, Jed. - PitB tease before Wheel - Noteworthy segue from Wheel -> TOO - Checking the water temp here with the big toe.
Taper: chasingwilma
2:15:48
Taper:
chasingwilma
Transferrer:
chasingwilma
SHNID:
gd1985-03-21.124555.chasingwilma.flac24
Source:
lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Taper: Da Weez
2:16:49
Taper:
Da Weez
Transferrer:
D5scott
SHNID:
gd1985-03-21.117820.BeyerM160.daweez.d5scott.flac16
Source:
Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes;
Lineage:
Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
Taper Notes:
View Notes--------------------------------- R.I.P. Sandy - aka "Bigfoot" ---------------------------------
Taper: Joe D'Amico
2:16:34
Rating:
8.00 / 2 ratings
Taper:
Joe D'Amico
Transferrer:
Joe D'Amico
SHNID:
gd1985-03-21.nak300.damico.87046.sbeok.flac16
Source:
nak 300 mics > sony d5 > MAC
Lineage:
MAC > nak dragon deck > creative extigy souncard>cool edit pro >flac frontend
Taper: Mark McCue, Adam, Monica & John
2:16:49
Rating:
10.00 / 1 rating
Taper:
Mark McCue, Adam, Monica & John
Transferrer:
Alex Ford
SHNID:
gd1985-03-21.senn421.mccue.ford.33949.sbeok.flac16
Source:
(FOB) 2 Sennheiser421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)].
Lineage:
Master Cassettes>Nakamichi CD 2(azimuth adjusted)>RCA>Edirol UA-5>USB>WinXP Pro>CEP 2.0>CD Wave Editor>TLH>FLAC16
Taper Notes:
View NotesNotes: - d1t07 (Ain't Superstitious) Bob's vocal mic cuts in @ 0:44 Mic Config: mics pointed at the stacks on a T-Bar, chest high Location: FOB, 20-25 feet from the stage, DFC
Taper: Mark Horvath
2:15:49
Rating:
7.80 / 10 ratings
Taper:
Mark Horvath
SHNID:
gd85-03-21.horvath.ingle.9976.sbeok.shnf
Source:
Audience Recording
Lineage:
FOB-AUD (Senn. 421’s>Sony TC-D5) >MC > CDR
Taper Notes:
View NotesFOB-AUD>MC>CDR Mark Horvath recording, Senn. 421Âs>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle