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June 14th
Years
1995
30.1k
PlaybackListensHours
48h43960
7d1.5k203
30d30.1k4.2k
49 shows
343 tapes
1994
10.8k
PlaybackListensHours
48h2.2k364
7d3.8k486
30d10.8k1.5k
85 shows
460 tapes
1993
40k
PlaybackListensHours
48h2.4k307
7d7.5k975
30d40k5.3k
83 shows
656 tapes
1992
42.8k
PlaybackListensHours
48h2.4k327
7d7.8k1k
30d42.8k5.7k
57 shows
539 tapes
1991
41.4k
PlaybackListensHours
48h2.8k369
7d11.5k1.5k
30d41.4k5.6k
78 shows
973 tapes
1990
48.6k
PlaybackListensHours
48h2.8k375
7d18.7k2.3k
30d48.6k6.3k
78 shows
1,139 tapes
1989
49.2k
PlaybackListensHours
48h2.7k342
7d7k865
30d49.2k6.1k
78 shows
1,017 tapes
1988
20.7k
PlaybackListensHours
48h1.4k168
7d3.1k361
30d20.7k2.4k
82 shows
882 tapes
1987
36.9k
PlaybackListensHours
48h7.4k940
7d7.6k852
30d36.9k4k
88 shows
1,025 tapes
1986
12.3k
PlaybackListensHours
48h928105
7d2.3k260
30d12.3k1.4k
47 shows
684 tapes
1985
23.2k
PlaybackListensHours
48h2.5k292
7d4.4k507
30d23.2k2.7k
73 shows
1,357 tapes
1984
23.2k
PlaybackListensHours
48h4.8k559
7d9.7k1.1k
30d23.2k2.9k
67 shows
1,075 tapes
1983
22k
PlaybackListensHours
48h1.3k159
7d3.3k441
30d22k2.9k
71 shows
1,069 tapes
1982
42.2k
PlaybackListensHours
48h1.5k185
7d3.3k407
30d42.2k5.2k
63 shows
753 tapes
1981
42k
PlaybackListensHours
48h1.8k229
7d4.9k608
30d42k5.3k
92 shows
868 tapes
1980
68.1k
PlaybackListensHours
48h8.4k989
7d12.1k1.4k
30d68.1k7.9k
91 shows
794 tapes
1979
21.5k
PlaybackListensHours
48h1.5k209
7d4.1k581
30d21.5k3k
79 shows
608 tapes
1978
44.4k
PlaybackListensHours
48h1.9k252
7d4.8k658
30d44.4k6k
87 shows
592 tapes
1977
282.2k
PlaybackListensHours
48h9.7k1.3k
7d37.8k5.2k
30d282.2k39k
64 shows
419 tapes
1976
81.7k
PlaybackListensHours
48h10.7k1.4k
7d35.8k4.8k
30d81.7k11k
45 shows
298 tapes
1975
6.4k
PlaybackListensHours
48h46647
7d991101
30d6.4k660
25 shows
63 tapes
1974
93.2k
PlaybackListensHours
48h3.8k474
7d13.4k1.8k
30d93.2k11.8k
42 shows
324 tapes
1973
89.5k
PlaybackListensHours
48h4.8k635
7d19.4k2.6k
30d89.5k11.5k
75 shows
445 tapes
1972
66k
PlaybackListensHours
48h2.9k364
7d6k757
30d66k8k
88 shows
361 tapes
1971
33.8k
PlaybackListensHours
48h1.7k185
7d4.2k474
30d33.8k3.9k
82 shows
357 tapes
1970
41k
PlaybackListensHours
48h1.7k212
7d4.7k530
30d41k4.4k
101 shows
376 tapes
1969
27.7k
PlaybackListensHours
48h1.7k255
7d3.9k578
30d27.7k4.1k
112 shows
326 tapes
1968
7.6k
PlaybackListensHours
48h80999
7d1.7k227
30d7.6k951
41 shows
125 tapes
1967
1.7k
PlaybackListensHours
48h11317
7d33345
30d1.7k226
23 shows
55 tapes
1966
8k
PlaybackListensHours
48h21817
7d95360
30d8k536
32 shows
78 tapes
1965
627
PlaybackListensHours
48h352
7d1037
30d62737
2 shows
2 tapes
1985
3/12/85
Iko, Iko
7:03
Little Red Rooster
9:40
Dupree's Diamond Blues
6:17
Me And My Uncle
3:03
Big River
5:22
West LA Fadeaway
7:12
CROWD NOISE ("...spray me Bobby...")
0:38
Looks Like Rain
9:45
Don't Ease Me In
3:25
Touch Of Grey
7:34
Playing In The Band >
16:12
Drums >
9:09
Space >
8:04
He's Gone
10:40
Throwing Stones
9:14
Not Fade Away
4:57
Turn On Your Lovelight
6:21
US Blues
5:35
FIN
View on archive.org
Sources
Taper: Mark Terry
2:12:09
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-12.176257.sennheiser.blend.terry.miller.clugston.flac2496
Source:
Mark Terry's Master Audience Cassettes; (2) Sennheiser 421 mics (L/R) + (1) Sennheiser 441 mic (C) blend > Nakamichi 550 > Sony D5 (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and JAZ for the Nakamichi 300 source which supplies a 1:27 patch in the "Drums > Space" transition - "Little Red Rooster" with Matthew Kelly on harmonica - Rex Foundation Benefit - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2025
Taper: Mark Terry
2:12:09
Taper:
Mark Terry
Transferrer:
Scott Clugston, Charlie Miller
SHNID:
gd1985-03-12.176256.sennheiser.blend.terry.miller.clugston.flac1648
Source:
Mark Terry's Master Audience Cassettes; (2) Sennheiser 421 mics (L/R) + (1) Sennheiser 441 mic (C) blend > Nakamichi 550 > Sony D5 (Maxell XLII-S90)
Lineage:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (.wav 24/96) > Adobe Audition CC 2025 > TLH flac2496
Taper Notes:
View NotesNotes: - Thanks to Mark Terry for the master cassette source - Thanks to Charlie Miller for the transfer and coordinating this effort - Thanks to Greg Holtz and JAZ for the Nakamichi 300 source which supplies a 1:27 patch in the "Drums > Space" transition - "Little Red Rooster" with Matthew Kelly on harmonica - Rex Foundation Benefit - Thanks to Joe B. Jones for his assistance with the pitch correction Mastered by Scott Clugston September 2025
Taper: Greg Holtz
2:10:36
Rating:
7.00 / 2 ratings
Taper:
Greg Holtz
Transferrer:
JAZ
SHNID:
gd1985-03-12.nak300.holtz.JAZ.96701.flac16
Source:
Nakamichi cm 300's CP-4 guns -> Sony D-5
Lineage:
Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compactflash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
Taper: Tazuo Yamaguchi
2:13:21
Taper:
Tazuo Yamaguchi
Transferrer:
David Minches
SHNID:
gd1985-03-12.nak700.yamaguchi.minches.96439.flac16
Source:
Nak 700 cardiods on 12 inch pzm plates> dbx 224> poris preamp> Sony TC-D5; mics were spread 4 seats apart
Lineage:
Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
Taper: Mark McCue
2:10:15
Taper:
Mark McCue
Transferrer:
Alex Ford
SHNID:
gd1985-03-12.senn421.mccue.ford.84323.flac16
Source:
Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes
Lineage:
Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16.
Taper Notes:
View NotesNotes: - SBE's fixed w/ TLH. Files encoded @ level 8. - Tape flip in d2t05 Space smoothed w/ WaveLab. - 24 bit files archived. - Master Audience Cassettes provided by Mark McCue. - Transfer, edits, conversion and seeding by Alex Ford.
Taper: PA Deli Mike
2:10:11
Rating:
8.00 / 2 ratings
Taper:
PA Deli Mike
Transferrer:
Mr Chips
SHNID:
gd1985-03-12.senn441-pa-deli-mike.mrchips.83444.flac16
Source:
2x Sennheiser 441's > Sony TCD5-M > Maxell MX
Lineage:
Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC
Taper Notes:
View Notes...And yet another installment from the 'PA Deli Mike' project!!! If you liked the March 10th show seeded recently, you'll love this one from the 12th, too. Mike's taping location was identical on this evening to two nights prior (Section 'CTR', row 'FF', seat '5'), and the SQ is just as sweet. As for disc 1 track 7,the 'spray me Bobby Guy' is near the OTS, and not up front as suggested in the text of the FOB recording of this show with source ID 10256. As with all of Mike's recordings, this source is new to circulation. Hope you all enjoy it, and stay tuned for the next installment coming soon!!! MrChips-
Taper: Unknown
2:10:41
Transferrer:
AndrewF
SHNID:
gd1985-03-12.senn.andrewf.26433.sbeok.shnf
Source:
Sennheiser MD-421's > Sony TC-D5M > Maxell MX-90 cassettes
Taper Notes:
View NotesNotes: D2T1: The very beginning of "Touch of Grey" cuts in. Seems to be approximately five seconds missing. D2T4: At the end of "space", Jerry and Bob tease "Throwing Stones", then the tape is flipped. This was a direct flip (no rewinding); only a few seconds appear to be missing. D2T7: Deadbase erroneously lists Matt Kelly on "Not Fade Away". ENJOY! -- :)
Taper: Unknown
2:03:08
Rating:
4.67 / 4 ratings
SHNID:
gd85-03-12.senn421.barbella.10256.sbeok.shnf
Source:
Audience Recording FOB Senn421's
Lineage:
Master Cassette > DAT > CD
Taper Notes:
View NotesFOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella